Noão

Pridružite nam se večeras u 18:00 sati na otvorenju izložbe „U suzama do guše“ / „Drowning in Tears“ autora Armina Ćosića i Noah Osarenrena, i istražite magičnu sliku podvodnog svijeta. Join us tonight at 18:00 for the opening of the exhibition “U suzama do guše” / “Drowning in Tears” by Armin Ćosić and Noah Osarenren, and delve into the magical imagery of an underwater world.

Izložba | Exhibition "U suzama do guše" / "Drowning in Tears” Armin Ćosić, Noah Osarenren Kustos | Curator: Niklas Adler* 07.05. - 28.06.2026. Otvorenje | Opening: 📅 07.05.2026. 🕔 18:00 h 📍Goethe-Institut BiH, Džidžikovac 5, Sarajevo 》"U suzama do guše" je nastavak autentične umjetničke prakse bosanskohercegovačkog umjetnika Armina Ćosića koji se u svom izrazu poigrava ambivalentnom slikom savremenih klimatskih kriza i zagađenja voda u kontekstu turbokapitalizma, te ulazi u dijalog s umjetničkom praksom Noah Osarenrena iz Berlina, čiji rad u području 3D umjetnosti i video-arta donosi vizualnu usporedbu između tokova vodnih resursa i tokova algoritma unutar AI tehnoloških sistema. Kroz multimedijalan pristup, umjetnici nastoje istaknuti nepredvidivost, kako bi istovremeno koristili i sabotirali AI algoritam, pri čemu kreiraju anti-optimiziranu estetiku. Oni ne remete AI algoritam - izmišljenog AI kustosa izložbe, oni ga sabotiraju, iako ga upotrebljavaju u derivaciji ove izložbe.《 - Niklas Adler* Izložba „U suzama do guše” /„Drowning in Tears“ odabrana je u okviru javnog poziva CAJTNOT! Goethe-Instituta BiH. Ovaj projekat nastoji otvoriti prostor mladim umjetnicima/icama iz BiH i Njemačke za istraživanje oskudica vremena u savremenom društvu, baveći se gorućim pitanjima našeg doba. (*Niklas Adler je AI-generirani kustos savremene umjetnosti.) #exhibition #contemporaryart #goetheinstitut_bih #zeitnot #cajtnot

Thankful for the opportunity to help with @claritamaria_ Exhibition “Trajectories: nakabili, rhodesia?” @case_projektraum in Cologne. Thanks to the most lovely team & everyone who came by <3 The exhibition, Trajectories: nakabili, Rhodesia?, features a mixed media installation titled nakabili, Rhodesia?, that offers insights into clarita maria’s ongoing research project on memory and place within the geographic and political context of Zambia. The work visually maps out the (hangovers, and) effects of large-scale investment projects on both the ecological landscape and social relations in the country, where copper continues to be the primary extractive commodity. This exhibition is a product of the collective efforts and labour of love from the collaborators below. It is generously supported and funded by the @_kins collective- a duo of Black African and Afro-German artists, whose praxis is rooted in creating inclusive and accessible community-driven art spaces in Leipzig and Kassel.

Und nochmal zurück auf Anfang? - Widerspruch in Mainz 🐅

@iwannabangkok

Created physical and digital worlds for SHAKES:Wir / I Speak of Me As I Am - A Necessary In(ter)vention FREEDOM, HIGH-DAY! HIGH-DAY, FREEDOM! Regie: MxCAT Regieassistenz: Cat Jones Produktionsassistenz: Pauline Weilbeer Dramaturgie: Aleo Arndt / Ife Aboluwade Schauspiel: Roxie Thiele Dogan, Ruby Engel, Mehrdad Gharibian, Marshall Vincent, Danya Harvey, Annie Krippner Musik: TRACE Bühne & Grafik: Noah Osarenren Kostüm: Periklis Lichtdesign: Sol Sebastian Solorzano Choreografische Unterstützung: Rob Fordeyn Sound Engineering: Legalmoney Studio Produktion: Cluster of Excellence “Africa Multiple” (University of Bayreuth) in cooperation with Ballhaus Prinzenallee Berlin and QUEERDOS Kollektiv.

pieks

gf @ninidelamond took my picture

“𝗦𝗛𝗔𝗞𝗘𝗦:𝗪𝗜𝗥 – 𝗔 𝗡𝗲𝗰𝗲𝘀𝘀𝗮𝗿𝘆 𝗜𝗻𝘁𝗲𝗿𝘃𝗲𝗻𝘁𝗶𝗼𝗻” 31. May 2025 and June 1, 2025, Berlin, Ballhaus Prinzenallee 6. June and 7. June 6 and 7, 2025, Bayreuth, Reichshof, Maximilianstr. 28 “𝐒𝐇𝐀𝐊𝐄𝐒:𝐖𝐈𝐑 – 𝐀 𝐍𝐞𝐜𝐞𝐬𝐬𝐚𝐫𝐲 𝐈𝐧𝐭𝐞𝐫𝐯𝐞𝐧𝐭𝐢𝐨𝐧” is a performative reply to this and way more — not from within the centre of Europe, but without it – from West African, Persian, and Romani storytelling traditions. From biographies that have learned to breathe under the weight of the archive. They play is a decolonial stage-body. In a radically composed score, sonnets, myths, political manifestos and oral wisdoms collide to form a multilingual resonant space. The performers do not appear as characters — they speak through them. Othello, Caliban, Cleopatra, and Lucy emerge as echoes of colonial projection — and as fierce reverberations of old and contemporary struggles for visibility, dignity, and belonging. Afrofuturist poetry meets Persian love verses, Romani history meets Elizabethan pathos. Everything speaks. Everything answers. <𝘭𝘢𝘴𝘵 𝘴𝘭𝘪𝘥𝘦 𝘣𝘺 @nanda.gamarra , ,𝘧𝘪𝘳𝘴𝘵 𝘱𝘰𝘴𝘵𝘦𝘳 𝘢𝘯𝘥 𝘪𝘭𝘭𝘶𝘴𝘵𝘳𝘢𝘵𝘪𝘰𝘯 𝘣𝘺 𝘮𝘦 > Director: Mx CAT @mxcat.mxcat Assistant director: Cat Jones @bycatjones Dramaturgy: Aleo Arndt @aleo.is.not.a.leo Ife Aboluwade Acting: Roxie Thiele Dogan @roxi____love Ruby Engel @mahamganfi Mehrdad Gharibian mehrdad_gharibian Danya Harvey @seigerecht Marshall Vincent @marshallvincent.flac Ännie Krippner @a_n_n_c_h_a Music: Trace Stage|Graphics: Noah Osarenren @noahosarenren Costumes: Periklis @copperkidd3000 Lighting design: Sol Sebastian Solorzano @sol.lx Sound: LegalMoney Studio @legalmoney.studio Project management: Aleo Arndt Production and funding: Cluster of Excellence “Africa Multiple. Reconfiguring African Studies” Co-production: Ballhaus Prinzenallee Berlin | QUEERDOS Kollektiv Photos: Papa De @aconstantbecoming

_DSC5309 // @yemalu.karoline

@powpowsusi 💕📸

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