Going to to be playing this single “Scattered” off my upcoming EP “Abysmal Zones” this Saturday 6/15 @palacio_palace at woodley park don’t miss it!
📷: @j8hns
#experimental #electronic #roland #mannequin #digitalart #synths #glitch #drummachine #ambient #idm
Another Anniversary exploring national parks and growing stronger together
I couldn’t ask for anyone else to live this life with
happy 2 years my love 💗👩🏽❤️👨🏽
Come grab a drink and enjoy some great bands this Saturday @caseysirishpub I’ll be on around 8pm with live hardware and some new songs don’t miss it! 🫡
Catch my experimental electronic set this Saturday gonna be playing songs off my upcoming EP “Abysmal Zone” with some ambient works, alongside some great experimental and electronic artists don’t miss out!
woodley park 06/15
open decks with @dawntin_loo@killbotnoise@antsnow_@ibx_4m@neyvathealien@thezerocollective@robin__hatch@sangreluz
#electronicmusic #synths #experimental #ambient #noise
So far one of the best years, from traveling with friends and loved ones, to finding love, seeing great bands play, and overall just having a great time, I’m blessed to have those around me and my experiences. To more adventures with much love this new year 🖤
Heaven Up Here - Echo & The Bunnymen
Favorite Tracks: Show of Strength, Over The Wall, No Dark Things, All I Want
Released: May 29, 1981
In the waking years of Echo & the Bunnymen and their releases came their second album of their discography “Heaven Up Here”, an album that was received well amongst fans and critics and even placing itself as best album of the 1981 NME awards and 463rd place of Rolling Stones 2012 Greatest albums of all time. With critics and fan’s alike calling the album “majestic with hints of glamour and doom” and some even comparing it joy divisions “closer” heaven up here carries that traditional goth post punk sound to another place. Now as someone who only knew their hits such as “the killing moon” and “lips like sugar” I wasn’t sure to expect either ethereal haunting Melodies or danceable goth post punk, never did it cross my mind that this album could have both. With Ian McCulloch voice raising high in pitch and frantically yelling words similar to Nick Cave, Pete De Freitas Drumming squeezing fills in any moment of tension, and Les Pattinson with Will Sergeant playing some of the grooviest post punk riffs over these frantic dark songs of wishful thinking and desires, this album is a rush of blood hitting you as you can’t choose whether to dance or run around. With its unique sound and energy it’s no surprise that this album is hailed as a classic, though I still don’t see songs from this album appear in essential 80s music playlists and goth clubs I hope someday I will catch myself somewhere hearing a song from this album and smile knowing it’s getting the recognition it deserves.
Talk Talk - Laughing Stock
Favorite Tracks: After the Flood, New Grass
Released: September 16, 1991
Perhaps one of their best releases from their ever changing discography, Even one that Mark Hollis hails as their experimental opus. Laughing Stock can be seen as the stepping stone of art rock and post rock with many critics and bands sighting it as influence, with some including Mark Hollis, saying that the record is genre-less, stylistically and in sound. While being influenced by artists such as Love, Can, Bob Dylan and jazz greats such as Miles Davis and John Coltrane. And Having hits like “It’s My Life” and “Life’s What You Make It”. Talk Talk aimed to not sound like the year that they were recording, instead they aimed to take different approaches to their sound, as Mark Hollis put it “The quietest possible form of uncompromising experimentalism”. After their bassist Paul Webb Left the group, Singer and multi instrumentalist Mark Hollis and Percussionist Lee Harris began to work with a 16 set of musicians recording avant-garde improvisations, all While Hollis directed each musician to play to images of imagination such as that of a person losing hope in religion or a person seeking identity, in studio the musicians said Hollis took the approach as if he was a filmmaker, setting the scene with sounds and words. Ultimately telling a story only the musicians would understand, It took awhile for the Label too see their approach but once records hit the shelves, there was no way to deny that Laughing Stock was a success with some saying it was one of the best albums to come right at the beginning of the 90s. This would be Talk Talks last release and one that served as a staple of influence. Once the record was over there were no live shows, Mark Hollis told his band members that he wish to focus on his family while Webb and Harris continued on to forming O Rang. Mark Hollis was Born January 4, 1955 and Died February 25, 2019 at 64
