Thursday, May 28th!!!
*Sleep Dep Presents*
Disaster Area May 2026
Modular Sound Bath
Sydcon
Laura Shumate
Buddha Awakening
Visual by Grimn0de
LACDA
410 S Spring St
Los Angeles
Thursday, May 28th!!!
*Sleep Dep Presents*
Disaster Area May 2026
Modular Sound Bath
Sydcon
Laura Shumate
Buddha Awakening
Visual by Grimn0de
LACDA
410 S Spring St
Los Angeles
This Thursday, April 23rd!!!
The return of Disaster Area to our home at LACDA!
Crank Sturgeon - @crankst
DeathFlavorKiss - @deathflavorkiss
Casey Anderson - @fakecaseyanderson
Liam Mooney - @liam.mooney.music
Live Visuals by Dennis Tac - @dennis.tac
Doors 8pm
Sounds 8:30
Free for the community
Bring a friend
LA Center for Digital Arts
410 S Spring St
90004
We're happy to announce the return of Disaster Area @ LACDA
Thurs, April 23rd
Crank Sturgeon
DeathFlavorKiss
Casey Anderson
Liam Mooney
Live Visuals by Dennis Tac
Doors @ 8
Sounds @ 8:30
Free
LACDA - 410 S Spring St, LA, CA, 90004
Indexical presents an evening of improvised and conceptual noise with LAβs War Hippy and Filoplume. Local support from Ministry of Apathy.
π Fri., Mar. 27, 2026
π Doors at 8pm | Show at 8:30pm
π1050 River St #119, Santa Cruz, CA
War Hippy
War Hippy is a Noise duo based out of Los Angeles consisting of Cole Miller (Vortal Curb/Human Hands/Men Who Can't Love) and Jess Coble (The Zero Collective/Disaster Area/Island of Misfit Toys/NovaHead vs ChickenTron). Focusing on the moment of inspired creation amidst the rubble; following the destruction/decimation of all you have held dear.
Filoplume
Filoplume is the Los Angeles based musical duo of Nicki Chen and Kane Abolafia. Utilizing a highly focused improvisational approach, they perform using electro-acoustic viola and electronics with homemade instruments, exploring dynamic and atmospheric extremes. Shifting between dense and spacious sound combining elements of noise, glitch, ambient, classical and industrial music. The duo attempts to break apart sound in order to distill it down to its emotional core.
Ministry of Apathy
Ministry of Apathy grew out of a passion for harsh noise, rare sounds, and the power of empathy for outsiders. Using contact mics, power tools, effects pedals, feedback loops, and synth drones, MoA layers timbres and textures for spoken ruminations of a sociopolitical nature.