67206 Days, 2276 Full Moons
April 10 – May 4, 2024
Becky Bliss, Nadene Carr, Aphra Cheesman, Nina van Duijnhoven, Neke Moa, Mia Straka, Caroline Thomas, Sarah Walker-Holt, and Raewyn Walsh
The NZ jewellery artists featured in this exhibition contemplate themes of discovery, origins, integration, transformation, virtue, cultural respect, differences, and conflict.
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NEW HS EXHIBITION at Stanley Street Gallery, Sydney
'67206 Days, 2276 Full Moons'
April 10 - May 4, 2024
The NZ jewellery artists featured in this exhibition contemplate themes of discovery, origins, integration, transformation, virtue, cultural respect, differences, and conflict.
Becky Bliss, Nadene Carr, Aphra Cheesman, Nina van Duijnhoven, Neke Moa, Mia Straka, Caroline Thomas, Sarah Walker-Holt, and Raewyn Walsh 6720 days, 2276 full moons since the signing of the Treaty of Waitangi ...who’s counting? Nine New Zealand artists from the Handshake Project with the support of Creative New Zealand and in partnership with Stanley Street Gallery present a powerful and thought-provoking exhibition.
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CONTAINMENT / UNCONTAINED
Artists: HSDCTC collaboration (HandShake project + Dialogue Collective + TempContemp)
HSDCTC collaboration, three jewellery artists’ groups from New Zealand, United Kingdom and Australia joined forces to explore the ‘Containments/Uncontained’, reflected by the relationships between jewellery objects and themes of freedoms and restrictions.
This exhibition encompassed the stormy journeys that triumphantly sustained the demoralising worldwide pandemic and actual geographical borders. Each of the twenty artists concluded their collaboration voyage at the Refinery Art Space, Nelson, during Nelson Jewellery Week 2023 with dissected theme studies and jewellery objects, supported by images, texts, and video.
See the handshakeproject.com website for more.
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WHĀNUI
Handshake Jewellery Alumni
The National, Christchurch, New Zealand
27 Oct – 26 Nov 2022
Sam Kelly
Neke Moa
Simon Swale
Renee Bevan
Nadene Carr
Jennifer Laracy
Aphra Cheesman
Nina van Duijnhoven
Raewyn Walsh
Jack Hadley
Whānui is an exhibition by ten innovative Aotearoa artists that have participated in former HANDSHAKE projects.
by Susan Videler | Oct 16, 2022 | Handshake6
‘Any group, society, institution, or organisation that encourages women to revile the eccentric, to be suspicious of the new and unusual; to avoid the fervent, the vital, the innovative; to impersonalise the personal, is asking for a culture of dead women.’ Clarissa Pinkolas Estés
The work that emerged for the final Handshake Exhibition, Morph, was purely intuitive and a direct result of reading Estés ‘Women who Run with the Wolves’; a book that insists on the rights of women who have lost their way to reclaim their power, their internal wild woman. It is a seminal work.
I began my Handshake 6 journey in 2020 with a Masterclass taken by my chosen mentor Iris Eichenberg. I was fortunate to have the opportunity to meet her in person at this Masterclass before the world went into a state of lockdown and confusion. Our monthly Zoom meetings took on a different tone as we all tried to come to terms with the new order. My work was, I felt stilted and scattered. Ironically, I had chosen knots as my subject of investigation and there were plenty of tangles around us, and my own hands felt knotted and unable to make with fluidity.
We had a successful exhibition, ‘Signing In’, at Te Auaha at the close of 2020 between lockdowns and my work was an exploration of knots as discussed in previous blogs. Nelson Jewellery Week, 2021 saw the development of my work,’ The preservation of Memory’, using wax as a preservative and medium.
As 2021 dragged on I, like many others it seems, became listless with my making and unsure about where I wanted to put my energy. The ‘Glimmer’ exhibition at Whirinaki Ware Taonga early this year was a wonderful opportunity to reconnect with the other Handshakers and discuss our work. My contribution,’ Diary; 364 days and a Glimmer of Hope’, was a chain made of links created during 2021. I had made a link for every day of the year, predominantly sterling silver, but also, gold, paper, fabric and wire. It was a personal chronicle of a year of wonderful highs, (the purchase of a new home and the arrival of my first grandchild) odd lethargy and a heart wrenching low (the death of a dear friend and fellow
MORPH
NORTHART, Auckland, NZ
Till Sun 8 October 2022
Final HS6 exhibition. This end-of-project exhibition showcases the final works of 12 HS6 artists. Originally a two-year programme became through Covid close to a three-year event. During these three years, the artists enjoyed feedback from their personal mentors and got inspired by several lectures and masterclasses. See their journey….. last days (see more on the ‘handshakeproject.com’ website)