Junta-te a nós no dia 12 de dezembro para a sessão de cinema com o filme, Ali, Aqui, um filme de ficção coletiva realizado pelo Atlas Almada, que acompanha as vidas entrecruzadas de várias personagens.
“Numa aventura pelos diversos bairros do Monte da Caparica, Ali, Aqui é uma versão de um território e de uma história, a partir do lugar de memória dos seus habitantes.”
Os realizadores estarão presentes para uma conversa após a projeção, partilhando o seu processo colaborativo e as histórias por detrás do filme.
Neste evento faz parte do um novo ciclo de cinema, nas nossas mãos, uma programação dedicada ao cinema comunitário, com temas locais. Esta primeira sessão terá lugar em Cooperativa Cultural Popular Barreirense, no Barreiro.
12 Dezembro
21h
Entrada livre
Last week @entropies_collective launched *serres*’s 3rd edition : a glasshouse in summer / une serre l’été.
It features some very special contributions by artists and friends @tingchzy@chendi_chen_di@loftmoth@bait.ball@ennie_where@ritaissonaive
Along with the artists, we screened films, a series of readings, and discussions. It was hosted simultaneously online and in person at both @dos.mares in Marseille, France, and @futurecultures in Lisbon, Portugal.
This publication has been a joy to curate, translate and design ; therefore, a big thank you is extended to everyone who came, and everyone involved, especially, @nbrunelle_ , without whom, this idea would never have seen the light of day. @cobyrae
If you’d like a copy sent your way (far and near) please check out @serres_revue or shop.entropies.xyz
In the meantime, here are some photos.
Join us this Friday for a launch event of @serres_revue *serres* n.3 - une serre l’été / a glasshouse in summer
Pre-orders are opened ! (link in bio)
If the issue is officially launched and available on the 21th, we’re organizing an event to present it at multiple places on the 27th :
- Reading and screening at Dos Mares ( @dos.mares ), 5 rue Vian in Marseille, France
- Reading and screening at Future Cultures ( @futurecultures ), R. Dom Domingos Jardo 12A, in Lisboa, Portugal
- Particpation at zineclub ( @atelier.lerecif ) in Toulouse, France
shop.entropies.xyz
Some views from our launch event last week 🌟
Our next event will be on 27th June, with a launch of @serres_revue via @nbrunelle_ (with a simultaneous launch between Marseille, Lisbon & London)
Launch Event
Association Future Cultures
Next week
17.06.25, 18h
R.Dom Domingos Jardo 4B + 12A
Looking to join building alternative artistic structures, economies and discussions? get to know our programme, vision, and how you can get involved.
Join us next week at 18h on 17.06.25
Meeting point: R. Dom Domingos Jardo 4B
Sound art installation:
R. Dom Domingos Jardo 12A
With sound art work from:
Madalena Anjos
Nicolas Brunelle
Nicholas Fudge
Léna Lewis-King
Michelle Lewis-King
Isabel Medeiros
Xavier Ovídio
Sasha Webb
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Evento de Lançamento
Associação Future Cultures
Próxima semana — 17.06.25
Às 18h
Queres juntar-te à construção de estruturas artísticas, economias e diálogos alternativos?
Vem conhecer o nosso programa, a nossa visão e saber como te podes envolver.
Ponto de encontro:
Rua Dom Domingos Jardo 4B
Instalação sonora:
Rua Dom Domingos Jardo 12A
Com obras sonoras de:
Madalena Anjos
Nicolas Brunelle
Nicholas Fudge
Léna Lewis-King
Michelle Lewis-King
Isabel Medeiros
Xavier Ovídio
Sasha Webb
Residency Announcement: Babette Semmer
Future Cultures is glad to welcome Babette Semmer for our first hosted residency in Lisbon from March 12-19, 2025!
This residency supports Babette’s project, “Milk and Tears” by fostering connections with Lisbon’s artistic community and providing access to archives, museums, and the city’s rich publishing heritage, as well as developing an exchange between the feminist perspectives of Babette Semmer’s and Léna Lewis-King’s practices and narratives.
Artist biography:
Babette Semmer (b. London, 1989) is a painter based in Berlin.
Semmer's work explores sentimentally charged subject matter such as female subjectivity, romantic love, family and the private sphere. She translates found footage, autobiographical or imaginary scenarios into highly evocative, atmospheric images.
For her most recent series she gleans certain motifs such as still lives, portraits and staged scenes from vintage magazines, and then crops, magnifies and distorts them through painterly processes. She combines the granular texture of coarse sand with the melting and luminous qualities of oil paint to create sensual effects that both echo analogue photography and undermine a purely representational reading of the work. This tactile approach to photo-realism allows the eye and the mind to oscillate between the concrete reality of the canvas as an object and its narrative and mimetic allusions.
Semmer studied at the Slade School of Fine Art in London and at the Städelschule in Frankfurt am Main. In 2022 she participated in the Goldrausch Artist Project and in 2024 she was a recipient of the visual arts grant of the Berlin Senate Department for Culture and Social Cohesion. A selection of her drawings was recently published with Nieves Books in Zürich. Her works has been shown at Bonner Kunstverein, Galerie Setareh in Berlin and Three Works in Scarborough.
Soon we will announce the details of an informal artist talk with Babette.
Photo credit: Lee Everett Thieler
Paintings above: Ute & Martin (2024), Mascara (2024), She feels no sadness (2024).
#FutureCultures #ArtistResidency #BabetteSemmer #Painters #CultureMoves
