The first book we started experimenting with shape and typesetting was the catalogue of @evaberendes for her show @kunstverein_siegen , Published by @spectorbooks in 2022.
Typeset again in the beautiful Matriacato Beta version of an upcoming release at
@optimofoundry by @malte_bentzen and in most loved work horse Diatype by @abcdinamo .
#typography #typografie #graphic #design #lammkirch
#thedesignblacklist #repostersworld #posterreposter
#collectgraphics #lebenliebegrafik #selectedwork
#designeverywhere #digitalarchive #snapmag
#generalecletics #graphicdirectory #typoster
#graphicindex #certainmagazine #visualgraphic
#itsnicethat
Some spreads from Alan W. Moore published by the Journal of Aesthetics and Protest last Year. We were happy to experiment with some shapes and typesetting.
Font: Beta version of an upcoming release at @optimofoundry by @malte_bentzen .
#typography #typografie #graphic #design #lammkirch #thedesignblacklist #repostersworld #posterreposter #collectgraphics #lebenliebegrafik #selectedwork #designeverywhere #digitalarchive #snapmag #generalecletics #graphicdirectory #typoster #graphicindex #certainmagazine #visualgraphic #itsnicetha
The latest book we´ve been experimenting
with shape and typesetting is the catalogue of
@evaberendes for her show @kunstmuseumbonn ,
Published by @spectorbooks in 2022.
Typeset again in the beautiful Matriacato Beta version
of an upcoming release at
@optimofoundry by @malte_bentzen and in most
loved work horse Diatype by @abcdinamo .
And as usual: together with @casparreuss
#typography #typografie #graphic #design #lammkirch
#thedesignblacklist #repostersworld #posterreposter
#collectgraphics #lebenliebegrafik #selectedwork
#designeverywhere #digitalarchive #snapmag
#generalecletics #graphicdirectory #typoster
#graphicindex #certainmagazine #visualgraphic
#itsnicethat
Berliner Nachhaltigkeitsplaner 2026
Der Nachhaltigkeitsplaner vereint Kalenderfunktion und Bildung für nachhaltige Entwicklung in einem Format, das im Arbeitsalltag seinen Platz findet.
Die Gestaltung von @florian.lamm@lammkirch , die buchbinderische Verarbeitung von @buchbinderei_spinner und der Druck prägen das Ergebnis gemeinsam. Wir freuen uns, dieses Projekt als Druckerei begleitet zu haben und Teil der Zusammenarbeit gewesen zu sein.
Druck:
• Offsetdruck: 1/1-farbig K // 4/4-farbig CMYK
Material:
• Inhalt: 80 g/qm Vivus 100
• Einband: Ganzleinen
Weiterverarbeitung:
• Prägung
• Gummiband
•
Berlin Sustainability Planner 2026
The Sustainability Planner combines a calendar with education for sustainable development in a format that fits seamlessly into everyday work life.
The design by @florianlamm@lammkirch , the bookbinding by @spinner , and the printing all come together to shape the final product. We are happy to have supported this project in printing and to have been part of this collaboration.
Printing:
• Offset printing: 1/1-color K // 4/4-color CMYK
Material:
• Interior: 80 gsm Vivus 100
• Cover: cloth
Finishing:
• Embossing
• Elastic band
#book #offsetprinting #nachhaltigkeitsplaner #berlin #grammlich Nachhaltigkeit digitalprinting photography artprinting art buchbinderei digitaldruck printing bookproduction bookstagram printing Offset pliezhausen color spotcolor special design kunstbuch druckereigrammlich offsetdruck fadenknotenbindung offsetdruckerei grammlich bookondemand bod
When in Lisbon today, May 5th, 2026… meet Ute and Werner Mahler at 7 pm in the wonderful auditorium of @goetheinstitut_portugal in Lisboa where they present and sign their book “Lissabon 1987/88” and talk to Mario Cruz, the director of @_narrativa , co-organisers of the exhibition at Praça dos Restauradores (still on until May 29)! We sent books to the Goethe Institut and you could get a signed copy today!! #hartmannbooks #lisboa #lisbon #goetheinstitutlissabon #uwmahler @uwmahler@agenturostkreuz@florian.lamm (designer of the book and also in Lisbon today!). The picture with Ute, Werner and Florian was taken @bildband.berlin a while ago….
Poster and exhibition design for
The Mushroom and the Cloud
The World That Uranium Built
Chapter Wismut
Egon Eiermann Fellowship 2024/25
By Oxana Gourinovitch
Presented @ethzurich / @gta_archive_ethz
“Nature does not know extinction; all it knows is transformation.”
— Werner von Braun, quoted in Thomas Pynchon, Gravity’s Rainbow, 1973
Centering on the example of the Soviet-German uranium mining corporation Wismut, the research exhibition The Mushroom and the Cloud examines how nuclear extractivism shaped spatial thinking and practice in the 20th century. It explores how these developments—understood as part of the broader nuclear condition—responded to, and ultimately transcended, the political confrontations of the Cold War.
Typefaces in use:
Arketa by @outline____online
Rapid by @sourcetype
