Facility by Malte Bentzen @malte_bentzen in use by Daly & Lyon @daly_lyon for the publication for SO THIS IS REAL LIFE: punk-post-punk imagining 1975–85 at John Hansard Gallery @johnhansardgallery
💥
Curated by writer Philip Hoare, the exhibition looks at the impact of the punk and post-punk period of the 70s and 80s, and its present-day reverberations.
📷 @daly_lyon
#facilitytypeface #optimofoundry #sothisisreallife #dalylyon
⚠️ Reply update⚠️
After a first release in 2021, we are glad to share an update on Reply’s character set: pictograms, circled numbers and a full set of currencies are now included, creating new possibilities and expanding new horizons ✏
#reply #rappo #optimo #365typefaces #contemporarytype
Our publication Words Rather than Pictures has been selected as one of the Most Beautiful Swiss Books 2026 @mostbeautifulswissbooks 📚🇨🇭
Published as a type specimen for SuperScotch, a typeface designed by François Rappo, the publication was produced on the occasion of the typeface’s release and features writings by the artist John Baldessari.
Letterpress printing by Che Huber, Noir sur Noir
Graphic design by Joana Siniavskaja @joanasiniavskaja
SuperScotch by François Rappo @jfrappo available at Optimo @optimofoundry
Text excerpts courtesy JRP|Editions @jrpeditions
#mostbeautifulswissbooks #superscotch #contemporarytype #365typefaces
Ritmica 🪩 by François Rappo @jfrappo
Unfolding with personality and clarity, Ritmica immediately feels essential and authentic.
Its character draws from an early modernist candor, expressed through subtle, potent features rather than overt display. Ritmica’s paced recurrence of forms create a hypnotic, almost magnetic, texture.
You can try Ritmica via our link in bio 🌐
Animation coded by Elodie Anglade @elodidthat
Ritmica ✨ by François Rappo @jfrappo
Aligned with mid-century grotesque traditions through its horizontal terminals and straightforward stance, Ritmica reveals a unique personality beneath its seemingly plain forms.
It is distinguished by a series of idiosyncratic details, most notably the unusually almost-sealed negative spaces in the a, e, and s, forming a clasp-like relationship between letterforms and counterforms.
Try Ritmica now via our link in bio ⭐️
Animation coded by Elodie Anglade @elodidthat
New release! Ritmica 🥁 by François Rappo @jfrappo
Unfolding with personality and clarity, Ritmica immediately feels essential and authentic. Its character draws from an early modernist candor, expressed through subtle, potent features rather than overt display.
Ritmica’s paced recurrence of forms create a hypnotic, almost magnetic, texture.
You can try Ritmica now via our link in bio 🧑💻
Animation coded by Elodie Anglade @elodidthat 🪄
Executive in use by Wolfe Hall @wolfehall.studio for Dirty Looks: Desire and Decay in Fashion @barbicancentre
‘Dirty Looks’ explores how dirt and decay have been used to defy beauty standards, and why it’s going through a resurgence in young designers’ work. As a counterpoint to glossy digital perfection, these varied practices point us to a new way of thinking about a sustainable fashion future.
A 112 page gallery guide accompanies the show containing floorplans and extended caption information. The book is printed with numerous cover variations, layering dirt over the text to echo the hand-rendered title treatment within the exhibition design. The uncoated white board will get stained and marked as its handled, adding to these layers of grime.
Curator: @karen_vangodtsenhoven
Assistant Curator: @jonastbury
Scenography: @studiodennisvanderbroeck
Graphic Design: @wolfehall.studio
Type: Executive by @optimofoundry
Photography: @thomasadank
Clarkson, our custom typeface for Squarespace @squarespace designed by François Rappo @jfrappo , in use in their 2026 🏈SuperBowl🏈 ad “unavailable” featuring Emma Stone and directed by Yorgos Lanthimos @_yorgos_lanthimos_
FLW Reply for the Frank Lloyd Wright Building Conservancy @savewrightflwbc 💚🤎💙 commissioned by Order @order.design.nyc .
Order selected our typeface Reply, designed by François Rappo @jfrappo to serve as the primary voice of the identity. Reply draws direct inspiration from the refined texture of Frank Lloyd Wright’s correspondences, produced using a typewriter version of Vogue Intertype.
We reworked Reply with custom alternate characters and renamed it FLW Reply, bringing the typeface full circle: back home to the work and the words of Frank Lloyd Wright that once inspired it.
Images and videos courtesy of Order @order.design.nyc
🌐 Read more about this project via our link in bio
New custom project 🏠 📐 🔤
FLW Reply for the Frank Lloyd Wright Building Conservancy @savewrightflwbc , commissioned by Order @order.design.nyc .
Order selected our typeface Reply, designed by François Rappo @jfrappo to serve as the primary voice of the identity. Reply draws direct inspiration from the refined texture of Frank Lloyd Wright’s correspondences, produced using a typewriter version of Vogue Intertype.
We reworked Reply with custom alternate characters and renamed it FLW Reply, bringing the typeface full circle: back home to the work and the words of Frank Lloyd Wright that once inspired it.
Images and videos courtesy of Order @order.design.nyc
🌐 Read more about this project via our link in bio
New custom project 🏠 📐 🔤
FLW Reply for the Frank Lloyd Wright Building Conservancy @savewrightflwbc , commissioned by Order @order.design.nyc .
Order selected our typeface Reply, designed by François Rappo @jfrappo to serve as the primary voice of the identity. Reply draws direct inspiration from the refined texture of Frank Lloyd Wright’s correspondences, produced using a typewriter version of Vogue Intertype.
We reworked Reply with custom alternate characters and renamed it FLW Reply, bringing the typeface full circle: back home to the work and the words of Frank Lloyd Wright that once inspired it.
Images and videos courtesy of Order @order.design.nyc
🌐 Read more about this project via our link in bio
