𝘊𝘩𝘢𝘳𝘥𝘰𝘯 𝘴𝘶𝘳 𝘤𝘩𝘢𝘪𝘴𝘦 ou 𝘕𝘦 𝘱𝘢𝘴 𝘴’𝘢𝘴𝘴𝘦𝘰𝘪𝘳.
Wondering about dried spiky flowers on chairs and not being allowed to sit.
* Fauteuil, Louis Cresson, 1735. Displayed with a thistle on top at Musée des Arts Décoratifs, Paris. April 2025.
** Paper maquette of a thistle.
*** Flesh and Stone, Richard Sennett, 1994.
A focus on the 𝘳𝘪𝘱𝘱𝘭𝘪𝘯𝘨 𝘵𝘩𝘳𝘰𝘶𝘨𝘩 publication, designed by Emma Burel @emmaburel . Emma carefully considered the project and the artists intentions, translating it visually for the graphic elements of the exhibition.
Camille, Charlotte, Julia and Natalija gathered together on Friday, February 6th, at 14h in the afternoon. A month and a half before the opening of their exhibition 𝘳𝘪𝘱𝘱𝘭𝘪𝘯𝘨 𝘵𝘩𝘳𝘰𝘶𝘨𝘩, they took an active moment in time to have a conversation about their process during the project. Flow through their thoughts, reflections and unfolding ideas as the conversation continues across the pages.
They were in the company of Emma and PC Malet, who took care of the production and scenography of the exhibition.
The beautiful publication is available at Komplot. It’s the final weekend to visit 𝘳𝘪𝘱𝘱𝘭𝘪𝘯𝘨 𝘵𝘩𝘳𝘰𝘶𝘨𝘩—open Friday, Saturday and Sunday, 14:00–18:00.
𝙧𝙞𝙥𝙥𝙡𝙞𝙣𝙜 𝙩𝙝𝙧𝙤𝙪𝙜𝙝
Natalija Gucheva and Julia Tröscher
Curated by Camille Van Meenen
Assistant Curator Charlotte Frenay
Scenography and production by PC Malet
Co-produced with Gilbard
Graphic Design by Emma Burel
Part of the @artbrussels OFF Programme
𝙀𝙭𝙝𝙞𝙗𝙞𝙩𝙞𝙤𝙣
20.03-26.04.2026
📍Komplot, Place du Conseil 4 Raadsplein, 1070 Anderlecht
Thur. - Sat. | 14:00 - 18:00 or by appointment
This exhibition is generously supported by FWB, VGC, Commune d’Anderlecht and Gilbard.
Images slide 1: @janstaiger
Scans: @emmaburel@natalija.gucheva@juliatr.o.scher@camille_vm@chafrenay@shift_entity@emmaburel@gilbard.e.s
🌀Upcoming Exhibition🌀
Komplot Brussels is proud to present 𝘳𝘪𝘱𝘱𝘭𝘪𝘯𝘨 𝘵𝘩𝘳𝘰𝘶𝘨𝘩, a duo exhibition with Ghent-based artist Natalija Gucheva and Antwerp-based artist Julia Tröscher, opening on March 19th at 18:00.
𝘳𝘪𝘱𝘱𝘭𝘪𝘯𝘨 𝘵𝘩𝘳𝘰𝘶𝘨𝘩 explores the porous boundaries between our inner and outer ontology, looking at modes of imaging and imagining as active tools for accessing deeper parts of our emotional landscape. Through their video and installation practices, Gucheva and Tröscher engage in a meditative methodology, bringing about a potentially healing process by tapping into suppressed emotions and memories. Taking the intimate and the personal as a starting point, the exhibition simultaneously questions how internal messages speak to a wider collective context.
Presenting an immersive installation with video and sound elements at its core, the artists create a space for 𝘳𝘪𝘱𝘱𝘭𝘪𝘯𝘨 𝘵𝘩𝘳𝘰𝘶𝘨𝘩 that invites the audience to relate to their work. How can the personal and universal come together? What can sensibility tell us?
𝙧𝙞𝙥𝙥𝙡𝙞𝙣𝙜 𝙩𝙝𝙧𝙤𝙪𝙜𝙝
Natalija Gucheva and Julia Tröscher
Curated by Camille Van Meenen
Assistant Curator Charlotte Frenay
Scenography and production by PC Malet
Co-produced with Gilbard
Graphic Design by Emma Burel
Part of the @artbrussels OFF Programme
𝙊𝙥𝙚𝙣𝙞𝙣𝙜
Thursday 19.03.2026 | 18:00 - 22:00
𝙀𝙭𝙝𝙞𝙗𝙞𝙩𝙞𝙤𝙣
20.03-26.04.2026
📍Komplot, Place du Conseil 4 Raadsplein, 1070 Anderlecht
Thur. - Sat. | 14:00 - 18:00 or by appointment
This exhibition is generously supported by FWB, VGC, Commune d’Anderlecht and Gilbard.
@natalija.gucheva@juliatr.o.scher@camille_vm@chafrenay@shift_entity@emmaburel@gilbard.e.s
𝓗𝓪𝓬𝓮 𝓿𝓪𝓻𝓲𝓸𝓼 𝓪𝓷̃𝓸𝓼 𝓷𝓸 𝓷𝓸𝓼 𝓵𝓸 𝓬𝓻𝓮𝓲́𝓪𝓶𝓸𝓼
Intervención editorial en textos y dibujos de Hodei Herreros Rodríguez, que tomó cuerpo en forma de publicación en junio de 2025, entre Bilbao, Amberes y París.
«Un proyecto que surge de un deseo de aprovechamiento, casi de reciclaje. Reunir todo aquel material que forma parte del trabajo artístico pero que normalmente no se muestra. Bocetos y diseños para dossieres que nunca llegaron a convertirse en piezas o que mutaron por el camino, reflexiones escritas en notas de móvil e stories de Instagram que no pensaron en ser publicadas, ideas no materializadas, textos bastardos… sobre la feminidad, la estética, el ornamento, el cuerpo o el trabajo artístico.
(…) Darle un cuerpo a la imaginación, a aquello que tenía potencia para ser y nunca fue. ¿O sí? »
@hodei_herreros
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La exposición “Proyectos ganadores de PROPUESTAS VEGAP 2024” se inaugura el próximo 25 de febrero a las 11:00h en Centro Cultural Conde Duque (Madrid).
@vegapcreadores@centroculturacondeduque
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Impresión riso Metallic Silver + Metallic Gold + Fluo Pink + Yellow por @magma.editions
Latest obsession: Bosch’s pocket catalogue (11 x 18 cm) from Humboldt Kunstreihe (HKR) collection, published by Gebruder Weiss Verlag Lebendiges Wissen, 1962.
Found at @enter___enter book sale.
Measuring with left hand images that are not allowed to be touched.
[1] A Sudden Rush of Blood, Sanam Khatibi (2022). SMAK Ghent, October 2025
[2] The Cock (kiss), Wolgang Tillmas (2002). Centre Pompidou, July 2025
CHAPTER II. ESCAPES
Four films about getting away —often by digging— that came together after rereading Isabel de Naverán’s Wrap, History and Syncope.
«To dig is a gesture that requires crouching down, making an effort with the hands and arms, putting them in, bending the knees, getting a bit covered in mud or dirt—but in any case, it’s not an action of the gaze, or not only that, but of the body.»
24.11.25
Le trou — Jacques Becker, 1960 (2h)
01.12.25
Un condamné à mort s’est échappé — Robert Bresson, 1956 (1h 39min)
08.12.25
Down by Law — Jim Jarmusch, 1986 (1h 47min)
15.12.25
La Chimera — Alice Rohrwacher, 2023 (2h)
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OV with English subtitles
Everyone welcome, free entrance
Doors 18:15
Start 18:30
KS.01 Auditorium at the Graphic Design Department of the Royal Academy of Fine Arts of Antwerp, Keizerstraat 14-2000.
@graphicdesignantwerp@royalacademyantwerp
Riso postcards in black by @risikopress
About siamese twins and reflections
[1, 2, 3] Schizo-Pullover, Rosemarie Trockel (1988) + Neolithic Black Pottery Jar (Longshan culture, 3rd millennium B.C.) + two herons (unknown)
[4, 5, 6] A Zed & Two Noughts, Peter Greenaway (1985)