A little snippet of Injured? ahead of its screening @dctvny Thursday 11:45pm as part of @prismaticground
Music by @katesin___
Thanks to Kathleen Langjahr & Screen Slate and Soham Gadre & @thefilmstage for including the film in their coverage of the festival #griftcore #runhisassover
and to @inneyp for programming the film, which is also now available to stream through the weekend at prismaticground.com
🚨 🚨 🚨 🚨 🚨
My newest film INJURED? will have its first screenings in April at @onioncityfilmfest and @aifvf with more exciting news on the way.
Injured?
2025 | Super 16mm & digital | 5.1/stereo | 13min
Need help? Crashouts, manifestation influencers and injury lawyers collide in this breakneck ride through the Midwest. 50 years after attorney ads were first legalized, their ubiquitous self-portraits (allegedly) invoke a churn-and-burn economy of volume, velocity, fears and veneers.
Enormous thanks to my collaborators
Camerapeople/Drivers
@matt__feldman@ceejaeyu@deetaah@ekardmas@yasminebench@aaronpellish@stevendeutschjr
Direct Animation
@deathbysmileys@matt__feldman
Music
@katesin___@eqwhy
Crash Dummy
#harper #stone
and much love and gratitude to all my Milwaukee navigators <33
We’re very excited to announce the inaugural Great Lakes Listening Series will be taking place at the UWM Union Cinema on May 5th @ 7PM.
The Great Lakes Listening Series is a new listening event that presents multichannel sonic artworks within a cinema space. This edition will feature new works of sound art that respond to the natural, ecological, political, and cultural complexities of the Great Lakes Region. The works included in this program will explore the potential of the cinematic listening experience as a uniquely immersive and arresting means of engaging with these complexities.
Featuring Works by:
Dominic Bonelli (@dominic.bonelli )
Darren Copeland
Neil Gravander (@neilgravander )
Kate In (@katesin___ )
Kelly Kirshtner (@kelly_justkelly )
Regina Martinez
Christina C Nguyen (@christina_c_nguyen )
Karthik Pandian (@lucid_decapitation )
John Shiga
Artists will be in attendance, and there will be a Q&A moderated by Joshua Minsoo Kim (@misterminsoo )
Special thanks to The Midwest Society for Acoustic Ecology (@midwestsocae ), The UWM Union Cinema, and the UWM Dept. of Film, Video, Animation & New Genre’s (@uwmfilm ), for sponsoring this program.
Curated by Tom Dixon & Matt Feldman
THIS EVENT WILL BE FREE TO ATTEND FOR ALL!!!
@dostuffuwm@uwmunion@uwmilwaukee@uwmpsoa
Discrete Kinesis #1 by Eislow Johnson
USA | 2024 | 1' | Super 16mm
Italian Premiere
Il primo di una serie di interludi all'interno dei molteplici stati interstiziali potenziali degli armonici delle corde. Lo sviluppo a mano e la scansione 16mm-digitale sono trattati come punti di intervento e strumenti compositivi.
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#adriatikino #experimentalfilm #analogfilm #filmfestival #shortfilm #foundfootage #filmisnotdead #fermo #lemarche
This Friday I will be in conversation with @gzinman for Last Exit, a screening of films and film sounds made during my fellowship @emoryarts@emoryufm
The works included circle around the road, the mystical and the spectacle, drawing out sounds from beneath the surface of the image and beckoning to the beyond.
Featuring films by @m4sh4_v1as0va@amekimeki@blueplate.special@the_craplord
Plus collaborative works in progress with @matt__feldman and @sarblrd
OPEN CALL FOR SOUND ARTISTS BASED IN THE GREAT LAKES REGION
(Submission Form Link in Bio)
Great Lakes Listening Series is a new experimental listening event that presents multichannel sonic artworks within a cinema space. Our inaugural program will be hosted by the Union Cinema at the University of Wisconsin-Milwaukee, with support from the Midwest Society for Acoustic Ecology and the UWM Department of Film, Video, Animation and New Genres.
This year’s open call is for new works of sound art, music and audio performance that respond to the acoustic ecology of the Great Lakes Region and that are designed for playback in a 5.1 cinema surround sound system. Artists are encouraged to consider the cinema space as a unique listening environment – one with a seated audience and a fixed orientation towards the speaker system – just as they are encouraged to consider the unique locale and ecology of the region in their composition.
Absolutely no entry fees.
Selected artists will be paid an honorarium for their work and offered technical support for 5.1 surround sound mixing in the cinema space.
We are especially interested in projects that consider the many natural, ecological and political complexities of the Great Lakes. Our intention is to explore the potential of the cinematic listening experience as a uniquely immersive and arresting means of engaging with these complexities. For this year’s selection, we will be prioritizing artworks that are anchored in the region.
Announcing DISCRETE KINESIS 2, a film-scan-video by Eislow Johnson & Kate In
-Showing at @antimattermediaart festival October 17 (and then available to watch for free online for 24 hours after the in-person screening)
-At Enguage Experimental Film Festival @nwfilmforum in November in Seattle
-And @lightmatterfilmfestival in November in Alfred, New York and Buenos Aires
Discrete Kinesis is an interlude series within the multiple potential interstitial states of string harmonics. Hand processing and 16mm-to-digital scanning are treated as points of intervention and compositional instruments.
Sound Design & Mix by Kate In and Eislow Johnson.
Recorded with/special thanks to @matt__feldman
#shortfilm #experimentalfilm #16mm #handprocessedfilm
