"The energy of the camera is determined by how our main character, Logan, is feeling. In his moments of clarity the camera is more controlled, and when his emotions are heightened the camera moves are chaotic and unpredictable.
"I appreciated being present and reactive to the cast and working with director Štefánia Lovasová. We often intentionally made the camera off kilter, our intention to make the audience feel uncomfortable and ungrounded."
British Cinematographer takes you behind the scenes to explore the 10 films screened at the NFTS Fiction Graduate Showcase, including interviews with the cinematographers, stills and shots taken during filming for each incredible production.
Adenike Oke discusses What Could You Buy With Your Body Count?, which explores teenage loneliness across a single night - and is one of the films showcased.
📸 BTS of DoP @denike shooting a live music session this week for artist @konyikeh at the legendary @konkstudios
🎥 Alexa Mini + Angenieux Optimo Style Zooms (Fun fact, Mini’s are still busy 10 years on!)
🎬 Directed by @ivor.ws
🎙️ Record label @famm.uk
Photo credit @rathekashoots (1st AC) 🙏
on this world renewal day
the memory of my ancestors purposeful footsteps move me forward
📸. taken year 418 (sidereal calendar) in Jamestown, Accra. In the presence of new friends who are now family, regardless of distance @richardkofiart@jess_creighton@chalewoteofficial
#fuji400
Close-Up (2024)
Deborah-Joyce Holman
16mm colour film transferred to 4k video, stereo sound, 16:33 min
Shown at Kunstverein Freiburg
🫶🏽🫶🏽🫶🏽
One take, handheld, with a mag change. Very fun. Thank you for trusting me @deborahjoyceholman and for the joyful collaborations.
Producers: @tobikyere@priyakaurpalak
Focus Puller: @joshuabaylis
Lighting: @londonlighting10
Production Designer: @theresomethingaboutbeth
Sound Designer: @chaddesignssound
Art Assistant: Hannah Naomi
Production Runner: @kc_ugwu
