I can’t believe it’s been a whole year since I released GOOD DAY 💚
Time really flies…it’s crazy!
Thank you so much for all the love!
Everyone who listened, shared, supported, contributed to it and celebrated it with me… I’m sooo grateful for you all. This album means the world to me and I’m really proud of it.
If I’m being real… I am strooooggling a little with writing the next one 😅 but I’m working on it, I promise hehe!
In the meantime, please keep living with GOOD DAY. It’s yours forever!!!
P.S I’ve order in some new TEES!
Lots of love
Mychelle xxx
What would a South Asian space in the West sound like if it didn’t have to explain itself? Bait blends cinematic orchestration, psychedelic South Asian film music, contemporary UK artists, and diasporic voices into something broad, layered, and alive. Instead of sticking to one clean mood, it moves across different times, languages, and communities, accumulating tension, memory, and contradiction
There is also something political in what the soundtrack avoids doing. It doesn’t smooth itself out for a global audience or pause to explain its references. That matters, especially since South Asian sound is often softened or presented as something exotic in mainstream spaces. Here, the music resists that impulse. It does not ask for permission to be understood; it simply arrives, fully formed, on its own terms.
