Disposables and digis from the last Trespassing at Huis Marseille đč It was my favorite version of Cold Line so far, thank you @_puckvdwerf@humie___p for having me đ€
Cold Line is the first object of the triad âTools of Abject Empathyâ.
Designed as an evocative object inspired by landline eavesdropping, the work explores the isolating nature of tools of intimacy. Presenting two telephones that have become autonomous, that neither ring nor can be dialled, Cold Line imagines an intimacy abstracted through a tool that has moved into this tool and now exists beyond its persons.
A phone line that roams freely by its own will between connections and conversations, where the only seat to take is that of the intruder.
âI am a good intention split into fragmentsâ
From the soundwalk âCorrectionsâ @un_mateo_ and I created for the second edition of Trespassing at Rijksmuseum, curated by @_puckvdwerf and Charles Pas
âPlaying with the form and tropes of a museum audio guide, Corrections subverts traditional notions of authority and offers a surreal guided walk through the Rijksmuseumâs Gallery of Honour, in which disembodied narrators open the gates for affects destabilizing of the distance these spaces require.â
It was great to have the opportunity to experiment along with these amazing talented people!
Join us at Eye Filmmuseum on February 13th, where we will be showing Room Tone along with other amazing films as part of âShadowplayâ
Director: @delfinlev
DOP: @rickdebeurs_
Sound design: @andreas.tegnander
Producer: @melismenkuer at Simyth
Actress/ MUA: @vasilisaikra
Actress/ Actress: @_charlottegillain__
Color: @utkantopuzlu
Against the backdrop of ongoing industry reckonings, Room Tone traces a brief exchange between an actress and a makeup artist, as abuse of power is enabled in passing.
A Place in the Middle was conceived at a morning concert at the Oude Kerk. While watching people weâd only seen on nights out before, sprawled on the floor, listening to experimental noise at 8am.
We got talking about how impossible this would have been a decade or two ago, about how living bodies can negotiate what is, quite literally, set in stone.
Then what happens when monuments are no longer untouchable? A Place in the Middle circles around this question. The result is a short documentary on 16mm, finally complete and entering the festival circuit very soon.
I am infinitely grateful to all the insanely talented people who made this film possible, to @afk020 for their support, and to Dr. Dorita Hannah for her generous mentorship.
Directed by Delfin Lev @delfinlev
& Fio de Lange @fioseptember
Cinematography: Elf Godefroy @11godefroy
Editor: Pedro Gossler @pedrogossler
Sound recordist, Sound Design and incidental music: Andreas Tegnander @andreas.tegnander
Color Grade: Barry Clarke @eyeniinthesky
Sound recordist Thomaskerk: Abi Meekel @abimeekel & Claire Meekel @claire_meekel
@delfinlev is an Amsterdam-based filmmaker and creative producer from Istanbul.
In dialogue with cultural tropes, her work examines spatial politics and feminine identity within inherited power structures.
Full interview in BIO
đž @_romanermolaev
Thank you for coming by and sharing your beautiful films with us! Get your dcps in a row because weâre putting out a new open call soon. Next time, I will also not spill coffee exactly on our mention in the Het Parool weekend tips. Thank you @lab_111 for hosting us.
This is real stacks! Pamphlets designed by Beatrice Cauda for the latest edition of Circulo Roto, printed on recycled money đ” We sold out much sooner than expected, the Spring edition will be prepared for a larger capacity.
We love watching your films and programming them and getting to meet you all. Thank you @lab_111 for having us
