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Chung-hoon Chung

@chung615

Cinematographer
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79 0
2 months ago
"I’ve shot very dark noir films, I’ve shot comedies and every genre in between. This one felt like everything mixed into one. "Edgar [Wright]’s energy is incredibly high — he makes the crew work hard, but in a good way. You always want to give him something great. Every second you have to pay attention. That’s why we want to work with Edgar again." Edgar Wright’s 2025 The Running Man remakes the Schwarzenegger classic, embracing Stephen King’s darker vision with DP Chung-hoon Chung ASC’s rich cinematography, digital innovation and high-stakes dystopian action.  Read more on our website.
998 9
2 months ago
On set of the new film @runningmanmovie Director/Producer @edgarwright Cinematographer @chung615 Based on the Novel by Stephen King Screenplay by Michael Bacall & Edgar Wright Actors @glenpowell @joshbrolin @kingofbingo #behindthescenes #learnfilmmaking
1,515 22
6 months ago
The ASC takes a look back at the work of Chung Chung-hoon, ASC @chung615 , in Edgar Wright’s Last Night in Soho. Born in South Korea and now based in Los Angeles, Chung first gained international attention with his camerawork on Park Chan-wook’s Oldboy. He has since built a career that bridges Korean cinema and Hollywood, with standout credits including Lady Vengeance, The Handmaiden, Stoker and It. His most recent projects include Wonka and A24’s Heretic. See the full gallery at theasc.com. #LastNightInSoho #ChungChungHoonASC #AmericanCinematographer #ASC #EdgarWright #Cinematography
2,278 18
8 months ago
Wormholed back to the first time I ever wrote & directed something & just awash with gratitude for the astonishing individuals who came together for it. 8 years ago. @chung615 @ariannephillips @kabukinyc @jcmolina62 @culkamania @humberto @carollim @princesstagram @sordociego @leslieodomjr @houseofwaris @john__maus @alia_pop @realmattlucas @hollismithhead @jamesransone @joaomo @blackframea @kenzo @carriebstan feels like a lifetime ago, but I guess it was this lifetime. 🪩🤍🩰#GretaLee ❣️🎪❣️ @bobbakermarionettes
5,335 57
1 year ago
“The moment I received the offer for this film, I knew how I wanted to shoot it and that it shouldn’t feature special, innovative, or flamboyant camera movements. My aim in this film was differentiation. With numerous characters, I used anamorphic or spherical elements – depth, curvature, and distortions – to distinguish each character.”  Chung-Hoon Chung ASC on shooting ‘Wonka’. Read the full interview via the link in bio. - 📸: Jaap Buittendijk / Kevin Baker / Warner Bros. Pictures
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2 years ago
Rafael, 1st AC. Berlin.
749 10
5 years ago
His water.
2,456 26
6 years ago
I’m so proud of him.
1,286 18
6 years ago
We are very Professional.
771 8
6 years ago
Yes, We can.
816 6
6 years ago
Big camera with Edgar.
1,987 23
6 years ago