"I’ve shot very dark noir films, I’ve shot comedies and every genre in between. This one felt like everything mixed into one.
"Edgar [Wright]’s energy is incredibly high — he makes the crew work hard, but in a good way. You always want to give him something great. Every second you have to pay attention. That’s why we want to work with Edgar again."
Edgar Wright’s 2025 The Running Man remakes the Schwarzenegger classic, embracing Stephen King’s darker vision with DP Chung-hoon Chung ASC’s rich cinematography, digital innovation and high-stakes dystopian action.
Read more on our website.
The ASC takes a look back at the work of Chung Chung-hoon, ASC @chung615 , in Edgar Wright’s Last Night in Soho. Born in South Korea and now based in Los Angeles, Chung first gained international attention with his camerawork on Park Chan-wook’s Oldboy. He has since built a career that bridges Korean cinema and Hollywood, with standout credits including Lady Vengeance, The Handmaiden, Stoker and It. His most recent projects include Wonka and A24’s Heretic.
See the full gallery at theasc.com.
#LastNightInSoho #ChungChungHoonASC #AmericanCinematographer #ASC #EdgarWright #Cinematography
“The moment I received the offer for this film, I knew how I wanted to shoot it and that it shouldn’t feature special, innovative, or flamboyant camera movements. My aim in this film was differentiation. With numerous characters, I used anamorphic or spherical elements – depth, curvature, and distortions – to distinguish each character.”
Chung-Hoon Chung ASC on shooting ‘Wonka’.
Read the full interview via the link in bio.
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📸: Jaap Buittendijk / Kevin Baker / Warner Bros. Pictures