Caleb Ferris

Thank you to everyone who came out for Forced Perspective group show curated by @kikigoti @njroseti , @calebferris , and @house_special_studio ! We were thrilled to welcome over 400 guests, and @theradiostarnyc made sure everything ran so smoothly. It was a great celebration of the 15 artists who brought their work and voices to this show: @aydannova @calebferris @ellen.pong @formarosastudio @heechan_kim_art @jack_simonds_studio @_jessegroom_ @kikigoti @pangilai @lukemalaney @madeline_isakson @tangible.space @wallpaperprojects @theperfectnothingcatalog @yuxuan_huang__ Special thanks to @edward.shaughnessy for visual identity @sahrajajarmikhayat for photography @chrischerry for music @faccia_brutto_spirits for the cocktails @steven.graf.imports for the wine @fabberz for the signage We’re still buzzing from the energy and are so grateful to everyone who helped make it what it was.

Regolith Rush brings together hand-carved mahogany forms and a digitally engineered structure to explore how we’ve expanded across landscapes, both past and future. On view May 19-20 at Forced Perspective, a group show featuring 15 New York based artists during NYCxDesign. RSVP to the opening party at the link in my bio. Main photo: @sahrajajarmikhayat

A little bts of my latest work, Regolith Rush A piece comparing two landscapes of red soil - Oklahoma, my hometown, and Mars, the next frontier. On view May 19-20 at Forced Perspective, a group show featuring 15 New York based artists during NYCxDesign. RSVP to the opening party at the link in my bio. Main photo: @sahrajajarmikhayat Second photo: @nasa Laser cutting: @fabberz Oklahoma soil procurement: @reeseferris

Created in 2024 but perfect for 2025. Heads and Tails vessel snuggled in and ready to survive ‘25.

Don’t Wanna Know ebonized red oak, maple ‘Don’t Wanna Know’ represents the structures built to maintain momentum in the fast-paced life of New York City. After nearly a decade away, I’ve been reflecting on the changes and surprises of re-adapting to the city’s relentless and ever-changing energy. This column captures the tension between curiosity and the instinct to let certain things remain a mystery—a common, almost humorous dilemma in a place where time is a luxury. The carved details are meant to be both inviting and elusive, reflecting the parts of the city that catch our eye, which we may choose to explore—or leave untouched. Sometimes it’s better to keep things light, let the unknown be, and simply enjoy the ride.

Come see me and my new piece, ‘Don’t Wanna Know’, today @collectiblefair NY 2024 @wsanyc 161 Water Street, 4th floor, booth A5 VIP and Press Preview Wednesday, September 4 at 11:00 AM to 05:00 Public Show Thursday September 5 at 11:00 AM to 06:00 PM Friday September 6 at 11:00 AM to 06:00 PM Saturday September 7 at 11:00 AM to 06:00 PM Sunday September 8 at 11:00 AM to 05:00 PM Curated by @studioahead

𝗔𝗥𝗖𝗛𝗜𝗧𝗘𝗖𝗧 <=> 𝗗𝗘𝗦𝗜𝗚𝗡𝗘𝗥 🔹 𝗡𝗝 𝗥𝗼𝘀𝗲𝘁𝗶 (@njroseti ) & 𝗖𝗮𝗹𝗲𝗯 𝗙𝗲𝗿𝗿𝗶𝘀 (@calebferris ) At COLLECTIBLE New York 2024, NJ Roseti and Caleb Ferris will showcase their unique interpretations of architectural columns, exploring the intersection of furniture design and architecture. NJ’s column blends intricate wood marquetry with modern forms, reflecting the dialogue between tradition and modernity, while Caleb’ piece, “Don’t Wanna Know,” crafted from ebonized red oak and carved maple, captures the tension between curiosity and the desire to leave certain mysteries of New York City untouched. Their side-by-side presentation highlights the power of collaboration and the diverse approaches that emerge from shared creative challenges. See this pieces among the 𝗔𝗥𝗖𝗛𝗜𝗧𝗘𝗖𝗧 <=> 𝗗𝗘𝗦𝗜𝗚𝗡𝗘𝗥 𝘀𝗲𝗰𝘁𝗶𝗼𝗻 chaired by @studioahead . 𝗖𝗢𝗟𝗟𝗘𝗖𝗧𝗜𝗕𝗟𝗘 𝗡𝗘𝗪 𝗬𝗢𝗥𝗞 September 5—8, 2024 Water Street Projects WSA, 161 Water St New York, 10038 𝗗𝗢𝗡’𝗧 𝗙𝗢𝗥𝗚𝗘𝗧 𝗧𝗢 𝗕𝗢𝗢𝗞 𝗬𝗢𝗨𝗥 𝗧𝗜𝗖𝗞𝗘𝗧 Link in our bio. Photo: Peter Favinger @peterbrittfavinger __ #collectible #collectibledesign #collectiblefair #ContemporaryCollectibleDesign #collectibledesign #sculpture #furnituredesign #functionalart #InternationalScene #FunctionalArt #ContemporaryDesign #ContemporarySculpture #ArtandDesign #designgallery

Some moments in the studio while making ‘Heads and Tails’. Show opens today in LA! See @vesselgroupshow for details. Don’t forget to RSVP!

Heads and Tails Cherry, Cotton Blend Moiré, Twisted Cord This piece examines how, throughout history, decorative objects such as vases were often adorned with fashionable motifs. One such motif is the serpent, borrowed from ancient mythologies around the world. “Head and Tails” reflects our tendency to repurpose and reinterpret symbols without fully knowing their origins, thus creating new meanings and sometimes losing the original intent. On view this Friday in LA during @ladesignweekend at @figandoak see @vesselgroupshow for more info. Thank you again to @anand.g.sheth and @canoa.supply for pulling this show together. Round 2 here we go!

I’ve been slithering around the shop working on a new piece! Come see me and the new work tomorrow in SF. Deets below👇🏻 VESSEL @vesselgroupshow is a group exhibition presented by @canoa.supply and curated by @anand.g.sheth Exhibiting during @sfdesignweek at @_p_a_l_l_a_s_ on June 7 at 6pm, and traveling to @ladesignweekend at @figandoak on June 21 at 7-10pm.

VESSEL features @calebferris , a furniture artist who creates tongue-in-cheek designs that remind us not to take ourselves too seriously. Finding inspiration in life’s overlooked and underappreciated details––such as the ruffled curves of noodles, the tempting glint of fishing lures, or the bounce of inflated cartoons––Caleb draws attention to the things we often take for granted. His creative process borrows motifs from his personal library of objects, which he abstracts and recontextualizes until each piece is infused with its own distinct personality. He also incorporates spontaneous finishing techniques that celebrate materiality and the fabrication process behind the finished product. Through his work, Caleb invites viewers to appreciate the atypical beauty surrounding us and encourages us to be present and receptive to it. Portrait and Image 3 by @sahrajajarmikhayat Image 2 and 4 by @damienmaloney #vesselgroupshow #studioanandsheth #createwithcanoa #calebferris @canoa.supply @anand.g.sheth

I feel so privileged to be included in [Works in Progress], a showcase of the talent here in the Bay. The show marks a bittersweet moment for me because, as many of you know, my time in the Bay Area is coming to a close after nearly 8 years. In some ways I feel like my time here is just getting started and I have this community to thank for that. Come say hi / bye tonight from 5-8. ❤️ [Works in Progress] is a dialogue, teasing at the question — what is contemporary Bay Area design? Each exhibited studio envisions furniture as a central arm of their practice, whether it is through the lens of craft-based expression, interior design, or product design. When the works are viewed in adjacency, they create a beautiful conversation around community, sensibility, and the Earth. We are incredibly proud to show this body of work, and would love for you to stop by during open hours: ADDRESS: American Industrial Center 2331 3rd St, San Francisco, CA OPENING HOURS: Jan 18: 3 - 7pm Jan 19: 3 - 7pm Jan 20: 5 - 8pm (opening party) Jan 21: 12 - 5pm Jan 22: 3 - 7pm Jan 23: 3 - 7pm — or by appointment INFO: @worksinprogress_sf CURATION: @kate.hands.co @sahrajajarmikhayat @tangible.space PHOTOGRAPHY: @sahrajajarmikhayat