Psychofuturist always been fascinated with the idea of digital moving pieces.
He started with his idea of rendering what human emotions are. He’s been working on digital images, animations, and music for the past 15 years.
GET TO MEET:: Psychofuturist
@psychofuturist_
His work as a Psychofuturist is defined by his exploration of the future of human emotions.
What matters most to him is the gaze towards our oldest impulse: the need to give form to the divine.
Psychofuturist is fascinated by the act of “rendering” God-a gesture he knows is doomed to fail. He thinks that’s the beauty of it, it’s very human. For him, it is both noble and pathetic.
For Night Lights Denver, Braw Haus curated a façade-based exhibition that treats architecture not as a backdrop, but as an active collaborator.
Bringing together nine international digital artists, the curation was conceived as an open field of experimentation inviting each artist to freely explore scale, rhythm, texture, and narrative in direct dialogue with the building’s surface.
Spanning generative systems, audiovisual composition, 3D world-building, motion design, and painterly animation, the selection reflects our belief in curation as storytelling: a choreography of diverse digital mediums that transforms the urban skin into a living, evolving canvas.
Artists Featured: @danaegosset , @dirkkoy , @finnberenbroek , @shapiro500 , @kakioni , @velvet_kaoru , @kerimsafa , @kyndinfo
Takis studied communication design, working with various digital mediums, and toward the end of his studies began focusing primarily on 3D.
Although much of his work is digital, he sees it as part of a broader visual arts practice that continues to evolve.
This project by Takis is from 2024, titled “Late for work” and reflects the feeling of having a 9-to-5 job you’re not particularly excited about.
It touches on the monotony and alienation built into modern labor structures and the relentless extraction of workers time, energy, and attention for the benefit of profit, as well as the systematic suppression of individuality, joy and creativity.
All three videos are meant to be watched simultaneously while playing some hold or elevator music.
GET TO MEET: Takis Basil Boyacos
@takisbasil
Stone Smileys: The Stone Smiley series started as a technical exploration. Takis built a spraypaint particle simulation in Houdini and needed objects that would work well with it, so he chose stones (Thinking that he will have more variety in the distribution of the paint, compared to a flat surface).
Takis also liked the repetitive nature of this series.
Most of the time he does works that use 1 setup 1 time, but with this series he made a setup where you can (in theory) plug in multiple 3D models (stones) and sketches (smileys), and the software makes all the different variations on its own.
Growth by Dirk Koy on @night_lights_denver curated by Braw Haus.
The artwork shows a seagull taking off from a streetlamp, capturing a fleeting moment of movement.
Through subsequent digital manipulation and the multiplication of the scene, a grid emerges that gives the image a technical, systematic appearance.
Fun Fact: Elon Musk used a picture of the dog a few times, which some people claim helped pump and dump the value of the DOGE cryptocurrency.
In reality, Robin couldn’t take any legal action over rights of use because the image is a collage.
One base of Robin’s work is the quote from Lavoisier : “nothing is lost, nothing is created, everything is transformed”.
For Robin every piece of art can be seen as a collage.
Robin’s most known image is “dust storm dog”
[first artwork].
The artwork became a meme and one of the most seen image in 2020.
It’s a simple collage of a dog’s head on a dust storm.
It’s part of a series about how the images in the media influences our critical thought.
Robin created it in roughly two minutes while he had a bit of a downtime at work.
GET TO MEET:: Robin Lopvet
@robinlopvet
Robin started using Photoshop at the age of 13, well before developing an interest in photography. From the beginning, he was drawn to image manipulation—not just as a technical skill, but as a way to reshape reality and explore its more deceptive possibilities.
He consider himself a painter, but instead of working with oil and canvas, he used fragments of captured reality to construct my images.
![Robin’s most known image is “dust storm dog”[first artwork].The artwork became a meme and one of the most seen image in 2020.It’s a simple collage of a dog’s head on a dust storm.It’s part of a series about how the images in the media influences our critical thought.Robin created it in roughly two minutes while he had a bit of a downtime at work.](https://sp1.picnob.com/p/pt_6739335243644663725737_0_588342e4c426d7a064e47d5f8b8fe018.jpg?o=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&h=ee30e83f4793c8c7c7af06e64097276f)
