Amanda Chong

@asenseoffalling

Lawyer lady Late night poet & playwright Co-creating @walkwithyou.sg ๐Ÿ’—๐Ÿ‡ธ๐Ÿ‡ฌ ๐Ÿ“•Professions ๐ŸŽญ@psychobitchplay ๐ŸŽญ๐ŸŽตThe Feelings Farm ๐ŸŽญ #WomenSupportingWomen
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I had the honour of being the Guest of Honour at @raffles_girls_school Founderโ€™s Day last week. 18 years after I graduated, I was greeted with big hugs from Deputy Principals Ms May Tan (in photo), my chemistry teacher who gave me my first zero on a test ๐Ÿ˜†, and Mrs Mary George Cheriyan, my history teacher who indulged me by allowing me to write plays about women in history, instead of essays, as my graded assignments.๐Ÿฅฒ I wasnโ€™t sure what to speak about as teenage girls face a huge deal of pressure, much more so than in my day. But a recent experience taking my first exam in a decade unlocked all the inspiration I needed. I decided to speak on ๐—ฃ๐˜‚๐—ฟ๐˜€๐˜‚๐—ถ๐—ป๐—ด ๐—ฒ๐˜…๐—ฐ๐—ฒ๐—น๐—น๐—ฒ๐—ป๐—ฐ๐—ฒ ๐˜„๐—ถ๐˜๐—ต ๐—ท๐—ผ๐˜†: โ€œโ€ฆThere is a tendency for perfectionism in us RGS girls. We make excellence an extreme sport. 100% is never enough, weโ€™re always giving 200%. Our toxic perfectionism manifests in a range of ways. Perfectionism can look like not being satisfied with an A-grade and berating yourself that you didnโ€™t write โ€œthe perfect examโ€. Perfectionism can also look like deciding that you wonโ€™t even bother trying because deep inside you are so afraid of failing. It is a wonderful and worthy thing to pursue excellence. But our desire to be excellent can enslave us when it turns into perfectionism. It can make us feel anxious and hopelessly inadequate. Is there a way that we can pursue excellence with joy? As I found myself hyperventilating over my own A-grade exam paper at the age of 34, I knew what I needed to tell you today. I did not want to tell you to be โ€œbetterโ€, or to โ€œstrive for a brighter futureโ€. I want to tell you that you are worthy, just as you are. Much has been said about RGS girls as โ€œDaughters of a Better Ageโ€. But letโ€™s put the โ€œBetter Ageโ€ aside for today, because I want to focus on your identity as ๐˜‹๐˜ข๐˜ถ๐˜จ๐˜ฉ๐˜ต๐˜ฆ๐˜ณ๐˜ด. Understanding you are a daughter is the key to pursuing excellence with joy. There are three reasons for thisโ€ฆโ€ Swipe to read my full speech โฉ๏ธ๐Ÿ’ซ
4,418 51
2 years ago
Hereโ€™s a longer interview with playwright Amanda Chong as she chats with us about the inspirations (and infographics!) behind Psychobitch, from its provocative title to her decision to write it as a one-woman show starring Sindhura Kalidas! โœจ Psychobitch opens this Thursday and will run till 19 August 2023. Book your tickets now before they run out โ€“ link in our bio! ๐Ÿฉท โ€”โ€”โ€” ๐—ฃ๐—ฆ๐—ฌ๐—–๐—›๐—ข๐—•๐—œ๐—ง๐—–๐—› Written by Amanda Chong Directed by Pam Oei Starring Sindhura Kalidas When tasked by her fiancรฉ to explain the four times she has cried in public since they started dating, Anya Samuel must confront harsh truths about herself as she prepares a slide deck to save her relationship. Psychobitch is a darkly funny, thought-provoking one-woman show that boldly dissects gender power dynamics and toxic relationships, while challenging us to examine the concessions we make in our search for love. Duration: approximately 1 hour 30 minutes (without intermission) IMDA Advisory 16 (Some Mature Content and Coarse Language)
1,347 6
2 years ago
Thank you @straits_times for this review of Psychobitch. First public acknowledgement that Mandy has the โ€œcrowd-pleasing jokesโ€ (even my own brother-in-law was surprised I wrote them ๐Ÿฅฒ). Iโ€™m ๐Ÿ’ฏ here for @sindhukalidas and a uterus animated by @_elizabethmak taking up a half page spread on the national broadsheet.๐Ÿฉธ So grateful for the overwhelming response to this one woman show that my sister Sindhu and I dreamt up together last year, directed by our stage mom @pam_oei . We sold over 1000 tickets on our opening weekend and Sindhu received standing ovations for her tour de force performance. The run was sold out last night, but a few more tickets have been released today so HURRY on to @wildricesg if you want to catch our show before we close on 19 August! โžก๏ธ Swipe for the three bitches behind the show.
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2 years ago
Throwback to the last slices of Singapore in August: Turned 36 and @jonkkk presented me with a birthday card emblazoned with my own quote to @straits_times about gendered expectations which led to much cackling. Many last meals and parties (even one on a yacht by my broets from the Pulau) with dearest friends to send me off into the new chapter ๐Ÿ—ฝ. Grateful to be carried by so much love ๐Ÿ’—
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5 months ago
๐‡๐š๐ฉ๐ฉ๐ฒ ๐Ÿ”๐ŸŽ๐ญ๐ก ๐๐ข๐ซ๐ญ๐ก๐๐š๐ฒ, ๐’๐ข๐ง๐ ๐š๐ฉ๐จ๐ซ๐ž ๐Ÿ‡ธ๐Ÿ‡ฌ Sixty years ago, we became a nation. Today, we celebrate who weโ€™re becomingโ€”a people who choose to walk with each other through every season. This milestone belongs to all the moments when Singaporeans chose to see others with fresh eyes. The auntie who teaches you her recipe. The colleague who checks in during your tough week. The stranger who becomes a friend when you need one most. True community is not built on fleeting gestures but on the willingness to show up, time and again. As we step into our next chapter, weโ€™re shaped by the people we choose to share life with, adjusting our pace to walk side by side through small, brave, and consistent actions. Hereโ€™s to more years of walking togetherโค๏ธ๐Ÿค #walkwithyousg #waystowalk #sg60
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9 months ago
I am grateful for Melissa Kwee for walking with me through seasons of joy and disappointment as a mentor and friend, and for coming alongside to lead @WalkWithYou.sg . I first met Mel when I was fifteen and she spoke about sex trafficking in my class as the President of UN Women. It is no exaggeration to say that meeting her inspired the course of my life. I knew instantly that when I grew up, I wanted to be just like her โ€” to go to Harvard, advocate for gender justice and work with the UN. Her parting shot to us was, โ€œTo those who have been given much, much is expectedโ€ โ€” a principle that Mel exemplifies, which has, in turn, guided all that I do. Melโ€™s gift is in seeing the true, good and beautiful in others and calling forth their highest selves. While teenage Amanda was impressed with Melโ€™s many accomplishments, I now know Mel deserves greatest honour because of how well she loves others. Everyone is welcome around her table โ€” from town council cleaners and persons with disabilities, to youth facing adversity. She speaks to all as equals, looking to them for ideas and contributions. She confesses her own weaknesses, and invites all to find strength in community. It is so precious to me that WalkWithYou was birthed around Melโ€™s table. Mel has also loved me well. She has spoken life into challenging situations and taught me to keep my heart tender, even in the face of betrayals that have wounded me. She always calls forth the highest thing from me โ€” forgiveness, integrity, character. More than twenty years on, I still want to be like Mel when I grow up โ€” slow to judge others, quick to extend grace, and a faithful walking companion to anyone whose steps have faltered, until they find their feet again. โ€” Amanda Chong @asenseoffalling (lawyer, poet, playwright & co-leader @walkwithyou.sg ) #waystowalk #walkwithyousg #sg60
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9 months ago
We are a group of friends and neighbours who heard a beautiful song of this title written for SG60 by @linying._ and we knew it belonged to a vision of the Singapore we dream of. A vision that can be seen only with fresh eyes towards our fellow humans in this island we call our home. To paint a collective picture of this, weโ€™re sharing stories of the joy we find when we walk with each otherโ€”yours included. Our stories help us see that we all need people to walk with us, and we can all be people who walk with others.โค๏ธ ๐ŸŽถ The music video for โ€œ๐™„ ๐™ฌ๐™ž๐™ก๐™ก ๐™ฌ๐™–๐™ก๐™  ๐™ฌ๐™ž๐™ฉ๐™ ๐™ฎ๐™ค๐™ชโ€ by ๐‹๐ข๐ง๐ฒ๐ข๐ง๐  which is based on real stories of the joy we find when we walk with others drops on ๐Ÿ๐Ÿ• ๐‰๐ฎ๐ฅ๐ฒ. #walkwithyousg #waystowalk #sg60
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10 months ago
A decade ago when I was a baby poet, a few of us young writers came together to co-found @poetry.sg โ€“ a directory of Singapore poetry complete with critical analyses. Our mission was to provide resources for academics, teachers and students, so they would be able to actively teach and study Sing Lit (and not just the Western canon many of us grew up with). The founding team committed to a moratorium on us being featured on the site, as we built up our archive of poets from Singaporeโ€™s literary history. Ten years on, @poetry.sg is ably led by editor @fivefoundings and a new generation of younger writers, who have decided it was time for the old guard to be featured. The critical introduction of my work (authored by Tan Jingmin and @edenlaughs ) brought me to tears with its generosity ๐Ÿ˜ญโ™ฅ๏ธ. Was it the literary praise ๐ŸŒธ or my luteal phase ๐ŸŒš? All I know is I am truly blessed to have such sensitive readers who see the very best in me as a writer, and this is every motivation I need for me to return to my first love โ€” poetry, after a multi-year affair with playwriting. ๐Ÿฅฒ โžก๏ธ Swipe to read all the bits that made me cry ๐Ÿฅน๐Ÿ˜ญ๐Ÿ˜ฉ๐Ÿฅฒ, with a bonus photo of the founding team at our 2015 launch.
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11 months ago
[PREORDER] [HARDCOVER] Announcing ๐™„๐™› ๐™„ ๐™‡๐™ค๐™ค๐™ ๐™š๐™™ ๐™ˆ๐™ฎ ๐™‡๐™–๐™˜๐™  ๐™„๐™ฃ ๐™๐™๐™š ๐™€๐™ฎ๐™š, the companion book to ๐˜š๐˜ธ๐˜ช๐˜ฎ, ๐˜š๐˜ธ๐˜ช๐˜ฎ, the full-length album out today via @nettwerkmusic . ๐˜๐˜ฏ ๐™„๐™› ๐™„ ๐™‡๐™ค๐™ค๐™ ๐™š๐™™ ๐™ˆ๐™ฎ ๐™‡๐™–๐™˜๐™  ๐™„๐™ฃ ๐™๐™๐™š ๐™€๐™ฎ๐™š, ๐˜š๐˜ช๐˜ฏ๐˜จ๐˜ข๐˜ฑ๐˜ฐ๐˜ณ๐˜ฆ๐˜ข๐˜ฏ ๐˜ด๐˜ฐ๐˜ฏ๐˜จ๐˜ธ๐˜ณ๐˜ช๐˜ต๐˜ฆ๐˜ณ ๐˜“๐˜ช๐˜ฏ๐˜บ๐˜ช๐˜ฏ๐˜จ ๐˜ฆ๐˜ฎ๐˜ฃ๐˜ข๐˜ณ๐˜ฌ๐˜ด ๐˜ฐ๐˜ฏ ๐˜ข ๐˜ฌ๐˜ข๐˜ญ๐˜ฆ๐˜ช๐˜ฅ๐˜ฐ๐˜ด๐˜ค๐˜ฐ๐˜ฑ๐˜ช๐˜ค ๐˜ซ๐˜ฐ๐˜ถ๐˜ณ๐˜ฏ๐˜ฆ๐˜บ ๐˜ฐ๐˜ง ๐˜ด๐˜ฆ๐˜ญ๐˜ง-๐˜ฅ๐˜ช๐˜ด๐˜ค๐˜ฐ๐˜ท๐˜ฆ๐˜ณ๐˜บ, ๐˜ต๐˜ณ๐˜ข๐˜ฅ๐˜ช๐˜ฏ๐˜จ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ด๐˜ฑ๐˜ฐ๐˜ต๐˜ญ๐˜ช๐˜จ๐˜ฉ๐˜ต ๐˜ฐ๐˜ง ๐˜ฏ๐˜ข๐˜ต๐˜ช๐˜ฐ๐˜ฏ๐˜ข๐˜ญ ๐˜ง๐˜ข๐˜ฎ๐˜ฆ ๐˜ง๐˜ฐ๐˜ณ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ถ๐˜ฏ๐˜ค๐˜ฉ๐˜ข๐˜ณ๐˜ต๐˜ฆ๐˜ฅ ๐˜ธ๐˜ช๐˜ญ๐˜ฅ๐˜ด ๐˜ฐ๐˜ง ๐˜š๐˜ช๐˜ข๐˜ณ๐˜จ๐˜ข๐˜ฐ ๐˜๐˜ด๐˜ญ๐˜ข๐˜ฏ๐˜ฅ ๐˜ข๐˜ฏ๐˜ฅ ๐˜ฃ๐˜ฆ๐˜บ๐˜ฐ๐˜ฏ๐˜ฅ. ๐˜ž๐˜ฉ๐˜ข๐˜ต ๐˜ฃ๐˜ฆ๐˜จ๐˜ช๐˜ฏ๐˜ด ๐˜ข๐˜ด ๐˜ข ๐˜ด๐˜ฑ๐˜ฐ๐˜ฏ๐˜ต๐˜ข๐˜ฏ๐˜ฆ๐˜ฐ๐˜ถ๐˜ด ๐˜ฆ๐˜ด๐˜ค๐˜ข๐˜ฑ๐˜ฆ ๐˜ต๐˜ฐ ๐˜ธ๐˜ณ๐˜ช๐˜ต๐˜ฆ ๐˜ฎ๐˜ถ๐˜ด๐˜ช๐˜ค ๐˜ง๐˜ฐ๐˜ณ ๐˜ข ๐˜ฎ๐˜ฐ๐˜ท๐˜ช๐˜ฆ ๐˜ด๐˜ต๐˜ข๐˜ณ ๐˜ฐ๐˜ฏ ๐˜ข ๐˜ณ๐˜ฆ๐˜ฎ๐˜ฐ๐˜ต๐˜ฆ ๐˜—๐˜ข๐˜ค๐˜ช๐˜ง๐˜ช๐˜ค ๐˜ฐ๐˜ถ๐˜ต๐˜ฑ๐˜ฐ๐˜ด๐˜ต ๐˜ด๐˜ฑ๐˜ช๐˜ณ๐˜ข๐˜ญ๐˜ด ๐˜ช๐˜ฏ๐˜ต๐˜ฐ ๐˜ข ๐˜ฑ๐˜ณ๐˜ฐ๐˜ง๐˜ฐ๐˜ถ๐˜ฏ๐˜ฅ ๐˜ณ๐˜ฆ๐˜ค๐˜ฌ๐˜ฐ๐˜ฏ๐˜ช๐˜ฏ๐˜จ ๐˜ธ๐˜ช๐˜ต๐˜ฉ ๐˜ง๐˜ข๐˜ช๐˜ต๐˜ฉ, ๐˜ญ๐˜ฐ๐˜ท๐˜ฆ, ๐˜ข๐˜ฏ๐˜ฅ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ข๐˜ณ๐˜ต ๐˜ต๐˜ฉ๐˜ข๐˜ต ๐˜ฃ๐˜ฐ๐˜ต๐˜ฉ ๐˜ฎ๐˜ข๐˜ด๐˜ต๐˜ฆ๐˜ณ๐˜ด ๐˜ข๐˜ฏ๐˜ฅ ๐˜ญ๐˜ช๐˜ฃ๐˜ฆ๐˜ณ๐˜ข๐˜ต๐˜ฆ๐˜ด ๐˜ฉ๐˜ฆ๐˜ณ. ๐˜›๐˜ฉ๐˜ณ๐˜ฐ๐˜ถ๐˜จ๐˜ฉ ๐˜ญ๐˜บ๐˜ณ๐˜ช๐˜ค๐˜ข๐˜ญ ๐˜ฆ๐˜ด๐˜ด๐˜ข๐˜บ๐˜ด, ๐˜ถ๐˜ฏ๐˜ง๐˜ญ๐˜ช๐˜ฏ๐˜ค๐˜ฉ๐˜ช๐˜ฏ๐˜จ ๐˜ฅ๐˜ช๐˜ข๐˜ณ๐˜บ ๐˜ฆ๐˜ฏ๐˜ต๐˜ณ๐˜ช๐˜ฆ๐˜ด, ๐˜ข๐˜ฏ๐˜ฅ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ณ๐˜ข๐˜ธ ๐˜ฑ๐˜ฐ๐˜ฆ๐˜ต๐˜ณ๐˜บ ๐˜ฐ๐˜ง ๐˜ฉ๐˜ฆ๐˜ณ ๐˜ด๐˜ฐ๐˜ฏ๐˜จ ๐˜ญ๐˜บ๐˜ณ๐˜ช๐˜ค๐˜ด, ๐˜“๐˜ช๐˜ฏ๐˜บ๐˜ช๐˜ฏ๐˜จ ๐˜ฏ๐˜ข๐˜ท๐˜ช๐˜จ๐˜ข๐˜ต๐˜ฆ๐˜ด ๐˜ฉ๐˜ฆ๐˜ข๐˜ณ๐˜ต๐˜ฃ๐˜ณ๐˜ฆ๐˜ข๐˜ฌ, ๐˜ง๐˜ญ๐˜ฆ๐˜ฆ๐˜ต๐˜ช๐˜ฏ๐˜จ ๐˜ณ๐˜ฐ๐˜ฎ๐˜ข๐˜ฏ๐˜ค๐˜ฆ๐˜ด, ๐˜ข๐˜ฏ๐˜ฅ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ณ๐˜ฆ๐˜ญ๐˜ฆ๐˜ฏ๐˜ต๐˜ญ๐˜ฆ๐˜ด๐˜ด ๐˜ฑ๐˜ถ๐˜ญ๐˜ญ ๐˜ฐ๐˜ง ๐˜ณ๐˜ฆ๐˜ช๐˜ฏ๐˜ท๐˜ฆ๐˜ฏ๐˜ต๐˜ช๐˜ฐ๐˜ฏ, ๐˜ฑ๐˜ช๐˜ฆ๐˜ค๐˜ช๐˜ฏ๐˜จ ๐˜ต๐˜ฐ๐˜จ๐˜ฆ๐˜ต๐˜ฉ๐˜ฆ๐˜ณ ๐˜ฉ๐˜ฆ๐˜ณ ๐˜ด๐˜ฐ๐˜ฑ๐˜ฉ๐˜ฐ๐˜ฎ๐˜ฐ๐˜ณ๐˜ฆ ๐˜ข๐˜ญ๐˜ฃ๐˜ถ๐˜ฎ ๐˜ข๐˜ฎ๐˜ช๐˜ฅ ๐˜ข ๐˜ญ๐˜ช๐˜ง๐˜ฆ ๐˜ช๐˜ฏ ๐˜ค๐˜ฐ๐˜ฏ๐˜ด๐˜ต๐˜ข๐˜ฏ๐˜ต ๐˜ง๐˜ญ๐˜ถ๐˜น, ๐˜ค๐˜ฉ๐˜ข๐˜ณ๐˜ต๐˜ช๐˜ฏ๐˜จ ๐˜ข๐˜ฏ ๐˜ช๐˜ฏ๐˜ฏ๐˜ฆ๐˜ณ ๐˜ต๐˜ฐ๐˜ฑ๐˜ฐ๐˜จ๐˜ณ๐˜ข๐˜ฑ๐˜ฉ๐˜บ ๐˜ข๐˜ด ๐˜ถ๐˜ฏ๐˜ต๐˜ข๐˜ฎ๐˜ฆ๐˜ฅ ๐˜ข๐˜ด ๐˜ต๐˜ฉ๐˜ฆ ๐˜ญ๐˜ข๐˜ฏ๐˜ฅ๐˜ด๐˜ค๐˜ข๐˜ฑ๐˜ฆ ๐˜ด๐˜ฉ๐˜ฆ ๐˜ช๐˜ฏ๐˜ฉ๐˜ข๐˜ฃ๐˜ช๐˜ต๐˜ด. ๐˜Œ๐˜ฅ๐˜ช๐˜ต๐˜ฆ๐˜ฅ ๐˜ฃ๐˜บ ๐˜ฑ๐˜ฐ๐˜ฆ๐˜ต ๐˜ข๐˜ฏ๐˜ฅ ๐˜ฑ๐˜ญ๐˜ข๐˜บ๐˜ธ๐˜ณ๐˜ช๐˜จ๐˜ฉ๐˜ต ๐˜ˆ๐˜ฎ๐˜ข๐˜ฏ๐˜ฅ๐˜ข ๐˜Š๐˜ฉ๐˜ฐ๐˜ฏ๐˜จ ๐˜ข๐˜ฏ๐˜ฅ ๐˜ง๐˜ฆ๐˜ข๐˜ต๐˜ถ๐˜ณ๐˜ช๐˜ฏ๐˜จ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ฑ๐˜ฉ๐˜ฐ๐˜ต๐˜ฐ๐˜จ๐˜ณ๐˜ข๐˜ฑ๐˜ฉ๐˜บ ๐˜ข๐˜ฏ๐˜ฅ ๐˜ฅ๐˜ฆ๐˜ด๐˜ช๐˜จ๐˜ฏ ๐˜ฐ๐˜ง ๐˜”๐˜ช๐˜ค๐˜ฉ๐˜ฆ๐˜ญ๐˜ญ๐˜ฆ ๐˜”๐˜ฆ๐˜ช ๐˜ข๐˜ฏ๐˜ฅ ๐˜ˆ๐˜ญ๐˜ฃ๐˜ฆ๐˜ณ๐˜ต ๐˜“๐˜ข๐˜ธ, ๐™„๐™› ๐™„ ๐™‡๐™ค๐™ค๐™ ๐™š๐™™ ๐™ˆ๐™ฎ ๐™‡๐™–๐™˜๐™  ๐™„๐™ฃ ๐™๐™๐™š ๐™€๐™ฎ๐™š ๐˜ช๐˜ด ๐˜ข ๐˜ท๐˜ช๐˜ฃ๐˜ณ๐˜ข๐˜ฏ๐˜ต ๐˜ฎ๐˜ฐ๐˜ด๐˜ข๐˜ช๐˜ค ๐˜ฐ๐˜ง ๐˜ข๐˜ฏ ๐˜ข๐˜ณ๐˜ต๐˜ช๐˜ด๐˜ต ๐˜ฆ๐˜ฎ๐˜ฃ๐˜ณ๐˜ข๐˜ค๐˜ช๐˜ฏ๐˜จ ๐˜ค๐˜ฉ๐˜ข๐˜ฐ๐˜ด ๐˜ข๐˜ฏ๐˜ฅ ๐˜ค๐˜ฐ๐˜ฏ๐˜ฏ๐˜ฆ๐˜ค๐˜ต๐˜ช๐˜ฐ๐˜ฏ, ๐˜ด๐˜ฆ๐˜ฆ๐˜ฌ๐˜ช๐˜ฏ๐˜จ ๐˜ข ๐˜ฉ๐˜ฐ๐˜ฎ๐˜ฆ ๐˜ฏ๐˜ฐ๐˜ต ๐˜ช๐˜ฏ ๐˜ฑ๐˜ญ๐˜ข๐˜ค๐˜ฆ, ๐˜ฃ๐˜ถ๐˜ต ๐˜ช๐˜ฏ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ค๐˜ฐ๐˜ถ๐˜ณ๐˜ข๐˜จ๐˜ฆ ๐˜ต๐˜ฐ ๐˜ญ๐˜ช๐˜ท๐˜ฆ ๐˜ค๐˜ฐ๐˜ญ๐˜ฐ๐˜ถ๐˜ณ๐˜ง๐˜ถ๐˜ญ๐˜ญ๐˜บ, ๐˜ณ๐˜ถ๐˜ต๐˜ฉ๐˜ญ๐˜ฆ๐˜ด๐˜ด๐˜ญ๐˜บ, ๐˜ข๐˜ฏ๐˜ฅ ๐˜ต๐˜ณ๐˜ถ๐˜ฆ. Available for pre-order at the link in bio.
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1 year ago
I couldnโ€™t be in London for my literature teacher Mr Nick Perryโ€™s funeral today, so I wrote one last essay for him instead. Thank you Mrs @nicola_perry for including it in Mr Pโ€™s wake. โžก๏ธ to read. ๐Ÿ“ท Mr P showing me the handout of my poems he taught in his class in 2018; Mr P and me in 2009 after his glowing testimonial got me into the universities and scholarship of my dreams; Mr P and I in the @hwachong.official Humanities Programme lecture theatre during his retirement party in November 2021 when his students had me burst through the doors as a surprise after a video tribute; Mr P and my sisterโ€™s kids (he taught @bravenew.worlds too); the handout by Mr P that gave me greatest legitimacy as a poet. ๐Ÿฅฒ๐Ÿค
3,698 49
1 year ago
Entering into my fourth snake era since 1989 ๐Ÿ๐Ÿ๐Ÿ๐Ÿ๐Ÿชท (First photo was taken by my 8 year old niece ๐Ÿ‘ง๐Ÿฝ๐Ÿ’•)
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1 year ago
Amanda Chong (@asenseoffalling ) speaks on an unforgettable moment at a workshop she conducted with Migrant Writers of Singapore (@migrantwritersofsingapore ). Very often, we overlook the migrant writer community and the stories and perspectives they have. With our current fundraiser, we are accepting donations to open up opportunities for this community to keep writing and add their own narratives to the larger tapestry of Singaporean stories. You can help donate and give this community more opportunities to shape and share their craft here: https://www.giving.sg/donate/campaign/a-home-for-all-writers #literaryarts #migrantwriters #artsfunding #singlitstation #singlit
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1 year ago