Aron Bothman

@aronbothman

Animation artist based in Los Angeles. Mostly sculptures and vegetables
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Weeks posts
Wax work
48 0
2 days ago
Portrait of Andy, cast in aluminum at @the_crucible last month. The portrait started in ceramic clay when we were hanging out in my backyard a couple years ago, and I continued working on it in Chavant during subsequent visits to the Bay. This is my first time casting a sculpture in aluminum, I like how the metal picks up the oilclay sculpting marks. @andywarnercomics
34 0
2 days ago
A portrait of @andywarnercomics in cast iron. Slide 1 is freshly sandblasted, slide 2 is heated in the kiln with a coat of beeswax, slide 3 is a wax cast, and slide 4 is @jeannietaylor and @chris_keating_art pouring this mold about a month ago at @the_crucible
67 2
5 months ago
FYC for best cinematography, Children’s and Family Emmys voting starts Oct 3! @aaronwisedp The Krusty Krab was the first set that we dug into on the @screennovelties SpongeBob and Sandy’s Country Christmas holiday special. This was the first time I’d used @gravitysketch as a set design tool. The character puppets were mostly built by the time the sets were getting going, so I was able to plug those in at scale to guide the design work. This workflow benefitted the art-cinematography collaboration, giving Aaron the DP the ability to look at the designs spatially before construction started, and, for example, indicate where space would be needed for light access, or where a section of ceiling might need to come out for a certain lighting setup. Once the designs were pitched to the directors and approved, we printed orthographics at full scale as a guide for @hill.bug , who was the main builder for this set, assisted by @charleswyson . We put a lot of attention into making the shapes and textures reference the midcentury illustration style linework and brushwork of the original cartoon art — the wood floorboards and the foam-carved wood paneling, for example — through faceted surfaces and irregular beveling of edges. The set was mostly based on the original show artwork, except for the hearth, which @edlynbot designed and @littlescenery built. The bric-a-brac above the counter was mainly built by @clugstonl (note the pleasingly dimensional anchor and flour sacks), and the boat-counter and coral tree were refurbished from previous builds. I think everything here was painted by @themanylivesofboo and @ming_mingh . For the Squidward clarinet gag, Lesley sculpted the hero clarinet, then @fonzestrada , the animation director, drew shapes for sagging replacements, which I modeled and printed. @littlescenery ’s Krabby Patties are a highlight of the sequence — the onions, tomatoes and pickles are slices off rolled up logs of Sculpey. Also, check out some special squash poses in slide 1, animated by @colinlepper . I took some pinhole BTS photos on 120 film during the course of the production, the final slide shows the squirrel hoedown stage setup.
781 25
7 months ago
This evil junkyard mech foundry was a particularly delightful bit of @dimension20show to work on as one of the current season’s art directors. The model was a digital kitbash which I then 3D printed in resin. Production designer @thatsrickperry kicked the project off with a couple models from @bestiarum.games , and I ended up taking pieces of 6-8 other models of theirs to collage together in @gravitysketch with some other mechanical looking kit bits. @ming_mingh and @edlynbot did the OSL-style paint work on the resulting print, @heavysweaterproductions and @ooopsifelted were the main builders for this set, and @kelsey_and_the_universe was the art shop manager. The metal pouring from the crucible is a stream of shrink-wrapped LEDs. The last slide is a recent iron pour at @the_crucible ; learning foundry work there recently dovetailed nicely with this particular project.
181 13
7 months ago
I’ve been chipping away at this figurative sculpture for a lot of the last year or so, and finally cast it in bronze at @thecrucible . I sculpted the original in pottery clay over an aluminum wire armature, mainly from life during a dozen or so modeling sessions with a friend in 2023-4. It’s a little over two feet high, and the final cast (hollow) is around 65 pounds of bronze. If you’re in the Bay Area, you can see it at my exhibition booth at SF Pride this weekend. I’ll be on Golden Gate Ave between Larkin and Hyde on Saturday and Sunday and will happily talk your ear off about the mounting/fastening mechanism. Thanks to the model, to @rusehausler , @luciedoodles and @jeannietaylor for help with the extremely heavy ceramic shell, to @aedenwolfe for welding and to @jrusten for the walnut base.
185 11
10 months ago
Old Zoo sycamores, Griffith Park, last January
67 2
10 months ago
An afternoon at Dolores Park last month
53 5
10 months ago
A beach cave at Montaña de Oro, this past April
51 2
10 months ago
Artifacts of Steventology 3, bronze. Installed at Albany Bulb looking towards Mt. Tam. Most of these pics by @teemujluoma
46 1
11 months ago
Artifacts of Steventology 2. Wax, wicks and balsam fir essential oil. Cast by @steventology
30 0
11 months ago
Artifacts of Steventology 1, clay
104 5
11 months ago