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Alexandra Silber

@alsilbs

Theatre Artist | Grammy nom | Jew-tina | Adapter of ‘Brigadoon’ // Author of AFTER ANATEVKA + WHITE HOT GRIEF PARADE
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For anyone born in #LosAngeles, a feature like this in the @latimes is an honor. But to be featured here for rewriting classic #musicals for the #theatre alongside @thedavidhenryhwang (a fellow #LA-born theatre artist!) is company I *never* dreamed to keep. Thank you to #Brigadoon, @pasadenaplayhouse and the Lerner and Loewe estates for this enormous honor. 🔗 in bi0 & stories! Go see and support ALL of these classics as they make their way through LA this spring. ✍️: @maljanem 📸: @jason_armond
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19 days ago
It with profound sorrow that I join the world in mourning the loss of a once-in-generation musician, Michael Tilson Thomas. I have many memories, (and some shall always remain privately ‘mine’), but what I can say is that MTT gave me was so much more than “a shot” when he selected me—a total nobody— to sing *his* Maria. He also gave me the gift of contributing to the legacy of West Side Story and to crossover music history, happily preserved for all time on our glorious recording. But above all, MTT unsentimentally taught me how to believe in myself, and the lesson that sometimes? that is a slow process. The story that captures this: One day, during our week leading up to ‘West Side Story’ rehearsal he brought me in to his office. I truly believed I was being fired. The imposter syndrome was real. But that is not what happened. “You’re singing sharp when you get nervous,” he said. “I know. That does happen when I get nervous I’ll fix it,” I replied, horrified. “Singing sharp often happens when people try too hard,” MTT continued, “They overshoot the note trying to be more than they are. I don’t need you to be more than you are. You are ‘Ein großer Künstler’ Alexandra. A great artist. Be exactly what you are, fully, don’t shrink, don’t puff, and you’ll be perfection.” I was staggered. I almost cried. “So I’m not fired?” “Absolutely not.” “But… I don’t know if I can trust myself like that.” “Then trust ME. I’m Michael Tilson Thomas and I know what I’m doing! I chose YOU. And I don’t regret it. Trust ME until you trust yourself. Sometimes belief can be collaborative. Nothing wrong with that.” May we all learn from this. May his memory be a blessing. I know it shall always be for me. 🤍
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22 days ago
No words. Because *every last word I could ever have*, is in those pages. || Day 1. Let’s go. Och aye. 🏴󠁧󠁢󠁳󠁣󠁴󠁿
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1 month ago
‘ALL I NEED IS THE GIRL’ – 2026 There aren’t words to express what it meant to be invited back to share the stage with my forever girlfriend @robynhurder (inarguably one of our *greatest* triple threats) and recreate this iconic scene and choreography from GYPSY (originally directed / put on us in 2019 by pal @tonyyazbeckofficial — iconic Tulsa himself!) Ohhhhh how the world has changed since then. How both of our lives, bodies, hearts and careers have evolved and shifted in those 7 years. And yet, like the magic that is emotional and muscle memory: there it all was, like not a moment had passed for this version of Tulsa and Louise. A very special take on the agony of unrequited love… Thank you @broadwaycares for the honor and the gift. ✨ 📸 📸: @michaelhullnyc & @rebeccajmichelson _________________ BROADWAY BACKWARDS Written, Directed and Choreographed by Robert Bartley Music Supervisors: @tedarthur , @marymitchellc Music Director: @stevenmcuevas Choreographer and Associate Director: @adamant9 Co-choreographers: @tinylamotte , @colby_q Production Stage Manager: @esarab Props Designers: Jenna Snyder, @alexanderwylie87 Lighting Designers: @jeffcroiter , @colleenashleyd Sound Designers: Marie Renee Foucher, Josh Maszle Costume Designers: @kittycassetti , @jgersz , Alex Rocky, @tiecarlton Hair Designers & Supervisors: @meganburkeartistry , @wigkedtiff Makeup Designers & Supervisors: @joshuabarrymua , @meganburkeartistry Casting Consultant: @castingbyarc
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1 month ago
ONE DAY MORE, 2026 The 20th Anniversary production of @broadwaycares , BROADWAY BACKWARDS was everything one could dream of. An honor to revisit “Jean” opposite @iamibradleydean with old friends and new. “The time is now. The day is here.” 🏳️‍🌈 Photos here by the brilliant @michaelhullphoto and @rebeccajmichelson — whose hugs were one of the best part of the evening. _____________•______________ BROADWAY BACKWARDS Written, Directed and Choreographed by Robert Bartley Music Supervisors: @tedarthur , @marymitchellc Music Director: @stevenmcuevas Choreographer and Associate Director: @adamant9 Co-choreographers: @tinylamotte , @colby_q Production Stage Manager: @esarab Props Designers: Jenna Snyder, @alexanderwylie87 Lighting Designers: @jeffcroiter , @colleenashleyd Sound Designers: Marie Renee Foucher, Josh Maszle Costume Designers: @kittycassetti , @jgersz , Alex Rocky, @tiecarlton Hair Designers & Supervisors: @meganburkeartistry , @wigkedtiff Makeup Designers & Supervisors: @joshuabarrymua , @meganburkeartistry Casting Consultant: @castingbyarc
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1 month ago
From out of the mist... 🌿🌿🌿 Casting news for BRIGADOON is here! Tony Award Nominee MAX VON ESSEN (An American in Paris, Anastasia, Evita) as Tommy Albright, BETSY MORGAN (Kimberly Akimbo, The King and I, A Little Night Music) as Fiona MacLaren, HAPPY ANDERSON (The Merchant of Venice, Netflix's Mindhunter) as Jeff Douglas, DANIEL YEARWOOD (Hamilton, Stephen Sondheim's Old Friends) as Charlie Dalrymple, & Tony Award and six time Emmy Award Winner TYNE DALY as Widow Lundie. The production features a new adaptation by ALEXANDRA SILBER inspired by the original book and lyrics by ALAN JAY LERNER, with music by FREDERICK LOEWE, and will be directed and choreographed by KATIE SPELMAN. Additional casting and creative team announcements are coming soon! BRIGADOON is our stage May 13 – June 14, 2026. Tickets on sale now! @maxizpad @happyandersonacting @daniel.j.yearwood @tynedalyonline @k8spelman @alsilbs
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2 months ago
On March 7th at 7pm at Baruch Performing Arts Center @baruchpac Alexandra Silber’s AFTER ANATEVKA kicks off performances in @prospectmusicals IGNITE Concert Festival! Tickets at — one night only! Guest artists include Cailen Fu, Adam Kantor, Danny Kornfeld, Becca Suskauer and performer and music director Ben Moss. The evening features original songs by Oran Eldor & Adam Overett, Matthew Sklar & Amanda Green, Julianne Wick Davis & Maggie-Kate Coleman, Will Reynolds & Eric Price, and Jeffrey Stock. FIDDLER ON THE ROOF music by Jerry Bock and lyrics by Sheldon Harnick. #broadwaymusicals #fiddlerontheroof #jewishstories #newmusicaltheatre
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2 months ago
Prospect's IGNITE Concert Festival begins performances March 7th with AFTER ANATEVKA! 🩵 Broadway performer and author Alexandra Silber shares a musicalized book reading of her novel, After Anatevka, which picks up where Fiddler on the Roof left off. Hodel takes center stage as she attempts to join her fiancé Perchik in Siberia, facing extraordinary obstacles and finding inner strength. The evening includes beloved songs from the classic musical, alongside original songs inspired by Silber's novel. performed by author Alexandra Silber with music director Ben Moss featuring special guest artists: Cailen Fu, Adam Kantor, Danny Kornfeld and Becca Suskauer Original Songs by: Oran Eldor & Adam Overett, Matthew Sklar & Amanda Green, Julianne Wick Davis & Maggie-Kate Coleman, Will Reynolds & Eric Price, Jeffrey Stock One night only. Ticket link in bio! 🧡 @alsilbs @benkmoss @adamjkantor @cailenfu @dannykornfeld @beccaflower #afteranatevka #newmusicaltheatre #prospectmusicals #igniteconcertfestival #fiddler #jewishstories #nyctheatre
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2 months ago
🤍🤍🤍
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3 months ago
That time @adamjkantor was a bad boy! Shout out to @alsilbs 🫶 🎥 @boroughhousecreative #broadway #fiddler #explorepage✨ #behindethescenes #underwear
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4 months ago
Happy Birthday to the greatest: the human sunshine that is @alec.silver . 🎉 There’s too much to say about this remarkable man, friend, son, brother, uncle, artist, producer, Duolingo star, dance floor beast, cat dad, husband, bestie, name-twin and game board aficionado, so I’ll keep it brief here and wax lyrical privately. Alec is the best humanity has to offer and it has everything to do with his kindness. Happy birthday, beloved Alec. 🍓 PS. Recent global events inspire me to say: love your people out loud. All of them. Tell everyone you love that you love them. Cherish your dear ones. Celebrate them with all your heart. With or without cake.
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4 months ago
Last year while doing ¡VOS! at @tworivertheater the marketing team had @christinapumariega and I do a Q&A with each other. This question didn’t make it to the final vid, but I wanted to share it here. The Q was “Who was the first actor you ever looked up to?” And my answer is: @michelepawk Not an international household name. But from the millisecond she stepped onstage, something in me lit up and totally rearranged. Michele embodied a possibility I didn’t yet have language for at 14-years-old from the cheap seats: what am actor could bring, not just how well they delivered a performance but how much of a real person they could become. She also has, over time, been a beacon of what a woman in the theatre could be across a *lifetime.* Endurance, resilience, cavernous depth, ferocity, humor, contradiction, reinvention. Michele Pawk feels like proof and permission. Every profession needs role models. But in a life as volatile, intimate, and uncertain as a life in the #theatre, we don’t just need examples of success—we need examples of resilience. We also need witnesses: living, breathing evidence that a rich, vibrant life can be built inside the career of this precious art. That meaning can be made here. I am grateful to Michele and just as grateful to the universe for giving me the chance, years later, at the @transportgroup revival of #HelloAgain (and then again months ago at @justintimebway where I DID get to tell her “enough”) to stand in front of her and say: “You may not know this but while you were busy being yourself, you helped me imagine MYself…” So this is a little reminder: • you never know who is watching quietly, building courage from the way you simply exist. • your role models what they mean to you. You have no idea when they might be doubting the reach and impact of their own life. • let this be proof that we are not meant to weather a creative life—or any life—alone. We need one another. We always have. 💜 “O wie wunderbar, Nichts ist so wie-es-war…”
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4 months ago