Nana Kwadwo Agyei Addo, ESQ.

Photos of @obedworld

Outtakes from @officialbyredo Feel the Rhythm of Bal d’Afrique. A glimpse into movement shaped by culture, memory, and presence, shot in Accra. Produced by @dlafilms Production by @wearestudiodream Stylist @raphaelhirsch Hair @wild_moon Make-up @elizabethboateng.mua Production Design @coffee_session.art

Outtakes from @officialbyredo Feel the Rhythm of Bal d’Afrique. A glimpse into movement shaped by culture, memory, and presence, shot in Accra. Produced by @dlafilms Production by @wearestudiodream Stylist @raphaelhirsch Hair @wild_moon Make-up @elizabethboateng.mua Production Design @coffee_session.art S/O: @manuschibli @_rebeccahopkins @philipdanielducasse ❤️

Look ahead from the seaside, Sister. The world is yours.  Packed with specs and reform, your functionally designed wear is waiting for you to take on the world. Credits Photographer: @addokorie Model: @annesekyiappiah Creative director: @tolucoye

Outtakes from spectacular Sport for Stillpoint Magazine @stillpointmag Issue 010: JUDGE Creative Direction Rashida Taylor @shida__

Adwoa’s Friends Are Not Real began with @jackstauber short film Opal. In that story, a girl wanders her home, surrounded by figures she first sees as strangers, only to realise they are her own family. They are present but not loving, so she escapes into her imagination. That stayed with me, because it mirrors how many of us grow up in spaces that look complete yet lack care. Adwoa moves through the same silence. She is a child left behind, whether through neglect, absence, or love withheld. Her laughter has no reply. Her questions fall into still air. To survive, she turns to her dolls. She dresses them, feeds them, tucks them in, and speaks to them as though they were alive. They never respond, but their presence keeps her going. These images are about loneliness, but also about the fragile escapes we build when we feel unloved. Many of us have carried that silence in different forms. We have seen friends drift away. We have grown up in families that did not give what they should have. We have lost parts of ourselves in order to survive. What I wanted to show is persistence. Even in silence, Adwoa keeps reaching out. She creates care where none is returned. That is not delusion. That is resilience. — Nana Kwadwo Agyei Addo Please read the full story on my website addokorie.com or click the link in my bio ❤️

If love is real, why does it leave us searching for comfort in what is not? ~ Adwoa

This Thursday I’m sharing my personal project titled Adwoa’s Friends Are Not Real. It is about loneliness, abandonment, and the fragile escapes we build as children when love is missing.

From Lagos to Accra with the black star! Photo for @mejimeji.co 🇬🇭🇳🇬

The intricate thought process of a man. Portraits of @seritheking 🇬🇭

In the end, all I have is me.

Just wrapped up an incredible campaign shoot for @whitewall.art 2025 Experience issue, featuring the phenomenal @amoakoboafo From his early days organizing drawing competitions with friends to his vibrant exploration of emotions and representation, Amoako’s journey is nothing short of inspiring. Now, he returns to Vienna for a powerful homecoming with his first European museum show, Proper Love, at the Belvedere Museum (October 25, 2024 – January 12, 2025). Through this campaign, I had the honor of capturing the essence of his vision—a celebration of community, identity, and connection. Grateful to be part of sharing his story. Check out the feature in print or online at whitewall.art.