𝙏𝙞𝙢𝙚, 𝙧𝙚𝙖𝙡𝙞𝙩𝙮, 𝙚𝙡𝙚𝙘𝙩𝙧𝙤𝙣𝙞𝙘 𝙢𝙪𝙨𝙞𝙘, 𝙖𝙣𝙙 𝙩𝙝𝙚 𝙩𝙧𝙖𝙣𝙨𝙡𝙖𝙩𝙞𝙤𝙣 𝙢𝙖𝙘𝙝𝙞𝙣𝙚 𝙤𝙛 𝙤𝙪𝙧 𝙛𝙖𝙘𝙚𝙨, written by Hankil Ryu (
@hankil.ryu ) and Yan Jun (
@yanjunbeijing ), is an accompany text of their collaborative work 𝘐𝘯𝘵𝘦𝘳𝘧𝘢𝘤𝘦: 𝘛𝘳𝘢𝘤𝘵𝘪𝘰𝘯 𝘢𝘯𝘥 𝘙𝘦𝘱𝘶𝘭𝘴𝘪𝘰𝘯 during Changbai Spring 2025 research residency program. The article reflects on electronic music, digital technology, and perceived reality, linking shamanic ritual, experimental music, and provisional interfaces to explore how reality is filtered, translated, sampled, and reconstructed.
The work and article are commissioned by NAAA and will be included in the English-language Changbai Spring 2025 program publication – 𝙙𝙚/𝙧𝙚-𝙩𝙚𝙧𝙧𝙞𝙩𝙤𝙧𝙞𝙖𝙡𝙞𝙯𝙖𝙩𝙞𝙤𝙣: 𝘼𝙣 𝙄𝙣𝙞𝙩𝙞𝙖𝙡 𝙀𝙭𝙥𝙡𝙤𝙧𝙖𝙩𝙞𝙤𝙣 𝙤𝙛 𝙉𝙤𝙧𝙩𝙝𝙚𝙖𝙨𝙩 𝘼𝙨𝙞𝙖 (New York: Northeast Asia Art Archive, 2026).
- Let us now reconsider the phrase "perceive reality" from a technical standpoint. Science and technology can translate and reconstruct the analog world into a digital one by extracting certain segments of information from the world (filtering), analyzing those samples (sampling), and then rearranging them (patterning). Examining this mechanism of analyzing and translating the world through technology provides one way to understand how we perceive it.
- in electronic music and computer music, the function of the sound card is not to block or transmit, but to translate. it's a two-way translation, not a one-way flow. from this perspective, the inside and outside are in relation; we don't prioritize either.
In keeping with Yan Jun’s writing practice, all English words in his section appear in lowercase.
The full performance video is available on NAAA’s YouTube channel, and the Chinese version of the article is now published on NAAA’s official WeChat. Link in bio.
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Images: 𝘐𝘯𝘵𝘦𝘳𝘧𝘢𝘤𝘦: 𝘛𝘳𝘢𝘤𝘵𝘪𝘰𝘯 𝘢𝘯𝘥 𝘙𝘦𝘱𝘶𝘭𝘴𝘪𝘰𝘯, 2025. Photos: Bryon Li, Na Yingyu, Feng Tao, and Lucas Yang (
@30lucas ). © NAAA.
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