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Morry Kolman

@wttdotm

force of nature @wttdotm everywhere
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Weeks posts
Stuff I’m doing in the near future! I even made my own link page on my site to hold all the tickets :) #art #tech #events #nyc #sf
85 6
2 days ago
I love weird roadside attractions and roadside America is such a gem of a website #internet #tech #websites
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3 days ago
The hard task of bad work, or how I let @aprilsoetarman down on her birthday by trying to flop and ending up cooking :/ #art #badart #biennale
3,463 35
5 days ago
Didn’t even need to drop an album to get that SEO, happy Mother’s Day!!!
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6 days ago
still working on the pencil scratch sound design for this one 🙃
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7 days ago
Statements of innocence in the last words of death row inmates executed in Texas from 1986-2026. Non-exhaustive. Read more at goodbyewarden.wttdotm.com
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1 month ago
My latest piece! “Dimensions — Study” is a recreation of the first simulation of a black hole published by Jean-Pierre Luminet in “Astronomy and Astrophysics,” Vol. 75 in 1979. To make it, I converted the original image into a bitmap, broke it up into 50 sections, converted each section into gcode for use in a pen plotter, converted my 3d printer into a makeshift plotter, plotted each section with white ink on black paper, cut them all to size, hand painted 50 wooden 8”x8” panels, mounted each paper section onto its respective panel, and then mounted the finished panels onto the wall. Dimensions is something of a reflection of the current state of my practice. I made it out of obsession and frustration, feeling creatively stagnant while admiring at art from others that I felt I was equally capable of. It was a gauntlet thrown at myself — to prove that resources were an excuse, that most things were figure-outable, and that there was nothing, actually, stopping me from making something big. This thing is 8 feet wide, I have nowhere to put it, it’s awesome. It is named for the theme I kept running into throughout the project: the physical imposition of the dimensions in the size of both the subject and the piece itself; the dimension reduction in flattening a simulation to a scan to a pure bitmap and making a 3d printer operate on a 2d plane; the array and depth considerations of sourcing and organizing each panel; and the dimension of time that black holes seem to stretch, both in nature and in the long days of production in my basement, all shown here. I’m calling it a study because while I consider it pretty done for now, I do want to make it bigger and better in the future. There are so many things I see to improve, like plotting with paint directly on the panels, shifting the grid lines, and most intriguingly re-running the original simulation to generate a pure starting image instead of working from a scan. For now, however, the itch has been scratched. Nothing is perfect, and things are not easy, but there is - if nothing else - always more.
213 28
2 months ago
some detail/texture close-ups from a WIP you can pull fucked photoshop blend modes from my cold dead hands
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4 months ago
10 select examples of humanity and marginalia from High Schoolers and Census Workers in the 3500+ Handwriting Sample Forms collected by the US Government to train one of the first Optical Character Recognition models back in the late 80s/early 90s
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4 months ago
Ty @metalabel__ for including First Lights as the “Most Romantic” release in the year end gift guide 😘❤️✨
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5 months ago
Sigils I: Crouch Big thank you to @rhizomedotorg , @claudeai , and @newinc for letting me put the biggest version of it yet on display at @zerospace yesterday :)
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7 months ago
More process pics from 𝘍𝘪𝘳𝘴𝘵 𝘓𝘪𝘨𝘩𝘵: 𝘌𝘮𝘦𝘳𝘨𝘦𝘯𝘤𝘦! Morry Kolman reveals vast astronomical data, poetically showing us stars and perhaps the stars themselves anew ... 𝘍𝘪𝘳𝘴𝘵 𝘓𝘪𝘨𝘩𝘵 𝘴𝘦𝘦𝘬𝘴 𝘵𝘰 𝘳𝘦𝘴𝘪𝘴𝘵 𝘯𝘰𝘵𝘪𝘰𝘯𝘴 𝘰𝘧 𝘱𝘰𝘴𝘴𝘦𝘴𝘴𝘪𝘰𝘯 𝘢𝘯𝘥 𝘤𝘰𝘭𝘰𝘯𝘪𝘴𝘢𝘵𝘪𝘰𝘯 𝘵𝘩𝘢𝘵 𝘰𝘧𝘵𝘦𝘯 𝘥𝘰𝘮𝘪𝘯𝘢𝘵𝘦 𝘦𝘧𝘧𝘰𝘳𝘵𝘴 𝘵𝘰 𝘮𝘢𝘱 𝘰𝘳 𝘷𝘪𝘴𝘶𝘢𝘭𝘪𝘴𝘦 𝘥𝘦𝘦𝘱 𝘴𝘱𝘢𝘤𝘦. 𝘝𝘪𝘦𝘸𝘦𝘳𝘴 𝘥𝘰 𝘯𝘰𝘵 𝘨𝘦𝘵 𝘵𝘰 𝘰𝘸𝘯 𝘰𝘳 𝘦𝘷𝘦𝘯 𝘯𝘢𝘮𝘦 𝘵𝘩𝘦 𝘴𝘵𝘢𝘳𝘴 𝘵𝘩𝘦𝘺 𝘴𝘦𝘦, 𝘣𝘶𝘵 𝘢𝘳𝘦 𝘪𝘯𝘴𝘵𝘦𝘢𝘥 𝘪𝘯𝘷𝘪𝘵𝘦𝘥 𝘵𝘰 𝘴𝘩𝘢𝘳𝘦 𝘪𝘯 𝘣𝘦𝘢𝘳𝘪𝘯𝘨 𝘸𝘪𝘵𝘯𝘦𝘴𝘴 𝘵𝘰 𝘵𝘩𝘦 𝘷𝘦𝘳𝘺 𝘦𝘹𝘪𝘴𝘵𝘦𝘯𝘤𝘦 𝘰𝘧 𝘦𝘢𝘤𝘩 𝘰𝘯𝘦. On externalpages.org 🌠
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7 months ago