More process pics from A Poem In A Difficult Time, my contribution to
@ac4pal ‘s global anijam To Gaza With Love, supporting the work of
@animator_haneen ’s animation workshops in Gaza.
The storyboard started as rough thumbnails done on an ipad, then fleshed out as watercolor sketches in a sketchbook. These were then scanned & put together as an animatic to get a rough idea of the overall timing for the piece.
Often a sequence works in your head, but when laid out in real time it takes alot of tweaking to actually make it jibe. Ideally the animatic stage is where you nail that down, but it necessarily continues to evolve as you begin animating and further refine pacing, etc - especially with something like this where it kind of has to reveal itself as you go, as opposed to something more straightforward/dialogue driven/etc. So each stage of production is like a blueprint for the next stage where things get closer to what they need to be.
When the animatic seems to work the next step is rough animation, which for this project was hand drawn in
@tvpaintanim . I’ve included a clip comparing the rough ‘line test’ animation with the watercolor frames, where you can see how ideas and timing for the first section continued to evolve (the hands morph into the heart instead of becoming crumpled paper). The rough animation would eventually be composited as reference to be painted frame by frame on paper using a camera lucida.
I’m offering all of that final artwork in exchange for donations to Haneen’s GoFundMe campaign at Work Ethic Animation Art. Link in bio and
@workethicanimation ’s profile!
workethicanimation.org
#ac4palanijam #haneenkoraz #handdrawnanimation #preproduction #storyboard #animatic #watercolor #tvpaint #cameralucida #workethicanimation