Many thanks to Ray Ward @radwary for the install today. The world eating us up Daddy not milk and sparkling water again We are working hard to make your life easier Here he lies trusting and warm. Soundtrack from the album This & That…a collection of sounds and noise made over the past 40 years. A ragged school record 2025 @theraggedschool Supported by TON magazine…issue 5 @ton.magazine There will be a finissage…date to be announced.

Das Versteck…@annikathiems Installation photos 30.04.26 Waxed linen boxes…a return in a new guise. Many thanks to Annika for the work…❤️❤️❤️

Thank you so much to Meena and Tim for hosting us at @window135x to celebrate Pain Will Polish Me. A very special night. Next shows: 25th April at Brighton Folklore Rooms and 30th May Finsbury Park Picturehouse 🦇

@newgermancinema Many thanks to Jessica & Jagdeep for playing live @window135 … songs from their new album ‘pain will polish me’ available in green vinyl 💚 A lovely evening-thank you to all that came💚

Many thanks to Jessica & Jagdeep for the install yesterday. @newgermancinema will play live @window135 on Thursday 9th April….6-8pm …a stripped back performance of songs from ‘Pain will Polish Me’…the new album. All welcome ❤️ window135 is a private house, unfortunately no children or dogs for various reasons. Otherwise all are welcome but at your own risk.

New! @window135 ‘Strokes’ @t_roxburgh mixed dog hair. Together, we brush as an act out of love; you hold one end whilst i hold the other. A ceremony, a ritual, an event for the day to be done for hours until you no longer wish to play. Pat pat pat, gnashes out and slobber on slow decline. All these strokes you deserve; for simply being mine. Golden locks, silky curls, in such unity they twirl. SUCH a good boy and of course, a good girl !! An admiration of our love language to man’s best friend, through the act of a brush stroke. Dog hair used… Afghan Hound, Borzoi, Cockapoo, Cocker Spaniel, Chow Chow, Golden Retriever, Huskey, Newfoundland-Landseer, Pomeranian, Pyranese Mountain Dog, Samoyed 0.5cm x 300 cm x 150 cm 2025. Many thanks to Theresa for the work and the install this morning ❤️

Photographs from the opening night of #rusttasteburntmouthlp …Maria @_mariameco 08.02.26 1.Andrew @melodyforanewday & Tim @window135 2.Meena @window135x 3.Andrew & Tim…four hands at the piano Maria will be showing work later in the year here @window135 …we look forward to it❤️

New! @window135 ‘Over and Over’ @tomwoodroffe Week 2 Tom Woodroffe’s photography is rooted in the quiet dramas of everyday life—fleeting gestures, awkward pauses, and gentle absurdities that often go unnoticed. His practice sits between diary and fiction, drawing from real moments while embracing autofiction. Blending fact and fabrication, his images question how memory is shaped, edited, and retold. The works on display at window135 continue this exploration, focusing on emotionally ambiguous spaces and encounters—tenderness edged with tension, humour tinged with melancholy. Reframing the archive by playing with presentation, the images are given a new life in conversation with each other. ❤️ Many thanks to Tom & Issie for the install yesterday. There will be an opportunity to talk to Tom about his his work on Saturday 21st…5-7. Free. All welcome

New! @window135 Many thanks to Tom Woodroffe @tomwoodroffe for his work. 9.2.26-22.2.26 Tom will change the installation midpoint Tom Woodroffe’s photography is rooted in the quiet dramas of everyday life—fleeting gestures, awkward pauses, and gentle absurdities that often go unnoticed. His practice sits between diary and fiction, drawing from real moments while embracing autofiction. Blending fact and fabrication, his images question how memory is shaped, edited, and retold. The works on display at window135 continue this exploration, focusing on emotionally ambiguous spaces and encounters—tenderness edged with tension, humour tinged with melancholy. Reframing the archive by playing with presentation, the images are given a new life in conversation with each other. ❤️

#rusttasteburntmouthlp Sunday was the opening for ’rust taste burnt mouth’ a collaboration between Gerry Mitchell, poet & Tim Jones, improvised piano….from 2013 recorded on a domestic zoom mic. In 2025 Brian Moran gave Bertie at #teabarrecords a copy on cd. Bertie bought us Guinness @endeavourdeptford and suggested a release of 111 lps. He would cover the cost of the pressing if Tim would do the 111 covers. We asked Ian Button @papernut_c to master the record-Ian has recorded and mastered many recordings in unusual settings. Many thanks to Ian for all his work. Andrew Zhou @melodyforanewday was asked to collaborate. Andrew has transcribed 4 of the tracks from the album. This turned into piano works-Andrew and Tim improvising together…’four hands’ which is how Sunday evening’s event started. 1. Thursdays run through ..Andrew & Tim 2. Sunday night @annikathiems 3. the audience @_haljones 4. Bertie, Gerry, Tim and Andrew 5. Tim & Andrew 6. @window135 Much love to Gerry Mitchell Bertie Andrew Zhou Ian Button Henry Miller @millertown1 ❤️who performed ’the narrow shore of Deptford’ on Sunday Thank you to those that came, to those that have brought records…we salute you. There are a few records still available…dm if interested. £25. There are a few copies of the score still available to buy. £15 Buying a record means that Bertie can pay for another musician to make an album. ❤️❤️❤️

over late summer/early autumn last year, I transcribed piano improvisations by Tim Jones @window135 together with Gerry Mitchell's poetry as part of their record 'rust taste burnt mouth'. to celebrate the launch of their new LP, please join us for a special listening event & performance next Sunday 08.02 from 6pm at window135, new cross, se14 5dj. there will be albums on display - 111 unique cover artworks (and for sale!) and we will be listening to the record performing the transcriptions & improvising music and poetry together free entry all welcome hope to see you there

‘It’s a girl! Martin Gruenanger @spacegrouparchitects The installation It’s a girl! is a stark and sorrowful critique of the misogyny and systemic violence that women and girls are born into across the world. It is a father’s lament, a desperate articulation of the hostile environment my own daughters, and all girls, inherit from the moment of their birth. The traditional congratulatory card, so full of pink, hope, and societal celebration, is placed next to a pink-coated infant skull—a morbid memento mori—to violently juxtapose promise against peril. The fluttering of the pink feathers represents the fleeting fragility of innocence and life in the face of relentless, gendered violence. This work is a refusal to normalize the relentless tide of femicide and oppression. The pink coating is an attempt to reclaim a colour that is weaponized against women from birth, demanding that we see the brutal reality hidden beneath the saccharine façade of gender stereotypes…..’ There is part of a longer text that will be available to read in bio. Many thanks to Martin for the work, the install yesterday 💓