Wei.Libo

Window project for Hermès in Venice, Italy.☀️ Grateful to the Hermès team for the invitation, trust, and precious collaboration within such a unique city and setting. On view until August 2026. “Inside the Cabinet” — where vessels, furniture, and food oscillate between memory and imagination. Each element is handcrafted by the artist, bearing the trace of its making. Within this composed environment, Hermès pieces become part of a quiet narrative shaped by time, material, and perception. Images by @ugocarmeni_studio @hermes @sanstitre.gallery

January–February 2026 at Moly-Sabata❤️🩶 Seven weeks in residence go by fast. But it’s enough to make unforgettable memories with amazing people. I really enjoyed the nature, the quiet time, and all the inspiring encounters. Thank you @molysabata — see you soon.

Bonsaïste #1 (2025) 🌿🍐 Wood, acrylic paint, Jesmonite, brass wire 30 × 28 × 36 cm as part of exhibition Cake toppers, curated by @eva.foucault @_aiphos at @w_pantin

🌱 Viewing Velocities, group exhibition on view at @public.gallery in London until December 12. Thank you, Alex, for your invitation 🍎🍎🍎 Family Birds (Pipi & Taotao), 2025 Ceramic, wooden marquetry, wood, acrylic paint, metal chain, fabric 47 × 47 × 50 cm (without plinth) — unique piece

🍃“Back to Basics” group exhibition on view in Shanghai until December 31. Thank you dear @linseedprojects for this kind invitation. P1–3: Find Fairy (Love Letter), 2025 Wood, wood stain, vinyl paint, table knife 31 × 21 × 16 cm, unique P4–5: Almost a Portrait 2, 2025 Wood, wooden marquetry 36 × 35 × 7 cm, unique ©凌卫政 Ling Weizheng

💫I had the great pleasure of taking part in the group exhibition “Trouver son monde” at @le19m , upon the invitation of @annebourrasse . The exhibition is free and open to all, and runs until December 14, 2025. Many thanks to the entire curatorial, communication and installation team. 🤎🤎🤎 Images: Family birds (xixi & chichi) / mandarin duck, ceramics, wooden marquetry, found furniture, 190 × 130 × 55 cm, unique & Family birds (Cui Cui), ceramic, wooden marquetry, 26 × 35 × 35 cm, unique. © Ophélie Maurus A nap under the sun, 2025, wood, wooden melon, acrylic paint, 165 × 157 × 22 cm, unique. © Ophélie Maurus

Today is the preview of Art Basel and we are excited to present the work of Wei Libo in the Statements section, booth M18. Arriving from the city of Lanzhou in China to Nantes, where he trained in various techniques, Wei experienced a form of uprooting that was as much historical as geographical. The speed of socio-economic change in contemporary China has disrupted both landscapes and memory. The story is a familiar one: industrialisation, the desertification of rural areas, and forced urbanisation. But as often happens, these collective phenomena collide with intimate family histories — like when Wei’s grandfather’s house, along with thousands of others, was demolished. That house, built and furnished by hand, stood at the centre of an artisanal way of life where everyone worked with wood and cultivated their own garden. Its destruction marked a rupture, and a deep awareness of the value of a knowledge-based, manual culture. Find out more on our website. Image: Wei Libo at Art Basel, Statements. © Mattia Mognetti For further information or previews, please email [email protected] Our presentation is produced with the support of CNAP - Centre national des arts plastiques @cnapfr #weilibo #artbasel #statements #sanstitre #sanstitregallery

Wei Libo at Sans titre, Paris “Homemade” March 15 – April 19, 2025 Photos: ©Aurélien Mole / all images copyright and courtesy of the artist and Sans titre, Paris @sanstitre.gallery @wei.libo #sanstitregallery #weilibo

IN CONVERSATION WITH ↘ WEI LIBO Dans le cadre de sa première exposition personnelle, à la galerie Sans titre, l’artiste chinois Wei Libo s’est entretenu avec le journaliste Marc Beyney-Sonier. Récemment diplômé des Beaux-Arts de Paris, Wei Libo explore l’intime et le quotidien, réinterprétant des objets usuels et des espaces familiers pour questionner notre rapport au chez-soi. « Homemade » est une plongée dans une mémoire fragmentée, où chaque œuvre devient un élément d’un puzzle sensible et poétique. À travers des techniques artisanales telles que la céramique, la marqueterie et le travail du laiton, il interroge notre rapport aux objets, à la notion de foyer et à la mémoire. Un dialogue entre matérialité et souvenir, où l’ordinaire se charge d’une nouvelle dimension narrative et sensorielle. ↘ Homemade Jusqu’au 19 avril 2025 Sans titre 13 rue Michel Le Comte 75003 Paris @wei.libo @sanstitre.gallery @projetsmedia Journaliste @marcbeyneysonier Production & réalisation @marcbeyneysonier @cha_simon @gongau @sacre.tv @helloangels @antoine__allain @instant.prod @lucie.jpg #sanstitregallery #homemade #weilibo #projetsmedia #artcontemporain #exposition

On the occasion of Wei Libo’s exhibition, Sans titre, 艺术界 LEAP magazine, and the Franco-Chinese art agency Doors are organizing a talk on April 2 from 6:30 to 7:30pm with the artist Wei Libo and the curator Victoria Jonathan, who served as guest editor of the latest issue of LEAP. @wei.libo @doorsmenyi @leapmag @victoriajonathan Image: Portrait of Wei Libo. © Adèle Onnillon #weilibo #homemade #doors #leapmagazine #sanstitre #sanstitregallery

Join us this Saturday from 4 to 8pm for the opening of "Homemade", Wei Libo’s first solo exhibition at Sans titre. Born in 1994 in Lanzhou, China, Wei Libo belongs to a generation shaped by the rapid urbanization and economic upheavals of the 1990s. Having grown up in a rural environment before pursuing his studies at the École nationale supérieure des Beaux-Arts de Paris, his work explores the tensions between modernity and tradition, disappearance and transmission. Through artisanal techniques such as ceramics, marquetry, and brasswork, he interrogates our relationship with objects, the notion of home, and memory, anchoring his practice in a materiality that preserves the imprint of gesture. Having previously explored massive forms and the weight of absence in his exhibition at FRAC Île-de-France, he now chooses a different trajectory: "Homemade" no longer speaks of the lost home, but rather of the act of making, the pleasure of craftsmanship, and the material that bends under the hand yet rises in fragile equilibrium. @wei.libo #weilibo #homemade #sanstitre #sanstitregallery

Nouvelle installation avec Family Birds (Xixi & Chìchì), 2024, présentée dans l’exposition Les Félicités 2024 – L’art et la vie, et inversement au Palais des Beaux-Arts de Paris, sous le commissariat @anaelpigeat 😁 L’exposition est ouverte jusqu’au 16 mars.