Vantage Brussels

end of shooting for an Irish "untitled" movie directed by Lenny Abrahamson, produced in Belgium by Beside. All camera and video gear supplied during 2 weeks of shooting in Belgium DIR: @lenny_abrahamson7 DOP: @suziecine BSC, ISC Focus Puller: @tgriffin15 2nd AC: @flo_pitxun Video technician: @jujubrable Qtake Operator: Alice Fréville Data Manager: Alexandru Enache Camera trainee: @thomascohier Key Grip: @reybrouck assistant grip: @sebastien.rodriguez.1 Gaffer: @supercyran Thank you all for your trust in our services @vantagefilmpraha @vantagefilmfrance @vantagefilmofficial @vantagevisionbudapest @hawkanamorphic

"THE WHISTLE" masterly directed by @corinhardy and superbly photographed by our very close friend @bjorn_charpentier PREMIERE IN BELGIUM @bifff_festival 10/4 at 8.30 pm Filmed entirely on locations in Canada, Produced by @notracecamping The movie was shot with @sony Venice 2 cameras and @hawkanamorphic V-Lite primes and 55 macro, @hawkanamorphic V-Plus front anamorphic zoom, Optimo Angénieux and a very special prime designed for the movie. All gear being supplied by (aka) William F White Toronto (@sunbeltrentals ) A great horror movie, beautifully handcrafted by a great team Don't MISS IT ... @hawkanamorphic @hawklondon @hawklosangeles @vantagefilmpraha @vantagefilmfrance @vantagevisionbudapest @vantagefilmofficial @vantagebrussels

@mediadiffusion_iad last film academy (end of studies) short movie shot with Vantage this year. (working title) "il faudra bien que quelqu'un le fasse", directed by Arnaud Christien DOP: @ewangrdy OPE: @camille.vandurme Focus Puller: @Flavioletacon 2nd AC: Adrien Chantraine Key Grip: @noe.arriagada Gaffer: Maxime Boulenger Spark: @rbx.bea Beatriz Rubio Production: @vincent.terlinchamp Thank you to the students who trusted our services and expertise again this academic year 2025-2026 and see you end of June to screen this short movie

LENS BREAKDOWN : WHISTLE , The fun part of having 6 weeks of prep is that there is a time to dissect the movie and analyse it so we can figure out the best way to tell the story visually and support the character at the same time , I found 3 visual ways to tell the story. *1. The lens that will telI the story (@vantagebrussels : V-lite Hawk) we shot mostly at T 2.8-4. *2. I also wanted to give some visual differences on all our death Characters close ups @angenieuxlenses ( 50mm M1) which we used wide open T1 to help make it feel that the character different and alienated, I don’t like to shoot wide open but in this case it made sense. It had to feel different from all the rest. *3. I also wanted the sound of the whistle to be visually unique , we used a prototype lens @tokina_global 40mm from @sunbeltrentals , all the softness of smears are from the optic itself , we did NOT enhance anything in post. We also used a zoom 42 -440, periscope system and the V plus zoom , all the highspeed scenes were shot on @zeisscinematography master prime ( basketball / bathtub scene ) . A big thank you to Adam Quinn for all the time and effort during testing and shooting.

various DOP's lenses tests @vantagebrussels recently achieved. cross checking with Arri Alexa 35 and Sony Venice 2: Class-X / V-Lite's / Mini Hawk and some vintage LF primes: Olympus Zuiko's, Mamiya 645's, Canon FD's, Nikon Vega's... Thanks to @sachawiernik @oliviermerckx @bjorn_charpentier with "a little help from my friends" @onrubialucie Jade Israël Alain de Vogel Robert Macou Merckx @vantagefilmfrance @vantagefilmofficial @vantagefilmpraha @vantagevisionbudapest @hawkanamorphic @hawklondon

end of shooting in Morocco for "lords of war 2" after 46 days of intensive shooting, facing very unexpected weather troubles (flooding, intensive rainfalls, storms). Production wrapped "on schedule" this epic movie we were so proud to service with 4x Arri Alexa 35's, 6x Sony FX3's, 1x Phantom 4K, 4x full sets of Leica Summicron's, 2x Angenieux Optimo zooms, and +/- 2,5 tons of various gear. Thanks to all crew technicians and production members for your trust and confidence in our services. we were very happy and honoured to help you give birth to this new movie, 20 years after the 1st LOW. Director: Andrew Nichol 1st AD: Baudouin Dubois @bobokela DOP & B operator: Amir Mokri (ASC) A operator: @petercavaciuti A focus puller @sylvain_fradier B focus puller @stephanerenard2803 A 2nd AC: @jimmywolfx B 2nd AC: @bouchra_asmy QTake & video operator: @amine_kasmi Key Grip: @reybrouck Gaffer: Wim Temmerman Best Boy: @joosthenderieckx @vantagefilmofficial @vantagefilmfrance @vantagefilmpraha @vantagevisionbudapest @hawkanamorphic @hawklondon

"LORDS OF WAR - 2" just wrapped 2025 in Casablanca & Kenitra (Morocco), to resume shooting for another 22 day early January 2026 Have a great rest and happy holidays to production and set crew members, after a very intense 1st block for 23 days, "nearly in a continuous row" @vantagefilmfrance @vantagefilmpraha @vantagevisionbudapest @vantagefilmofficial @hawkanamorphic @hawklondon @hawklosangeles @psu_videoassist

End of shooting in Belgium for "LORDS OF WAR" after 2 weeks of intensive work in Brussels, Genval, Marchienne-au-Pont, Ghent. Directed by Andrew Niccol, photographed by Amir Mokri, part of the Belgian crew is now shooting for the 7 next weeks in Morocco (Casablanca, Kenitra, Marrakech and arounds) @sylvain_fradier @jimmywolfx @stephanerenard2803 @reybrouck Benjamin Dewalque (DIT) @petercavaciuti @bobokela 3 cameras were used in Belgium, now 10 shooting in Morocco on Main unit ✅ We wish you a nice continuation for this intensive shoot, and we'll be there visiting you early January '26 @vantagefilmfrance @vantagefilmofficial @vantagefilmpraha @vantagevisionbudapest @hawkanamorphic @hawklosangeles @hawklondon @psu_videoassist

"SAS ROGUE HEROES" season 3 just wrapped a few days ago. Directed by @stephenwoolfenden , it's the second season shot with Hawk Class-X 2.0x Anamorphic primes and zoom lenses, selected by (DOP) @stijnvanderveken1 (ASC, SBC). Thank you Stijn for this great new job which took you away from home for the last 8 months. It was an honour servicing you again on this new great TV show. The Class-X 55 macro became your new "HERO lens" and you also extensively use the 80-180 Class-X zoom lens, by night (opening at T:2.8, wider than long primes)... A new discovery as you told us, also perfectly matching the primes for its look and definition, at all focal lengths 1307 slates, 70 shoot days, and a total of 227 Codex cards recorded on @ARRI Alexa 35's. Thanks also to @ac.the.ac for the set pictures. Aaron was "A" camera 2nd AC on this season, as well as previous one. A cam was operated by Christopher Reynolds, and focused by Richard Brierley B cam was operated by Bob Shipsey, and, for a few days shot in Belgium, @jellehectors was focus pulling on set, assisted by Samuel De Beer, Rhomi Martens, and Frances O Connelly We sincerely hope to meet you all again for the next season 👏✅🆒 And of course we are all eager to discover these new adventures on BBC screen late 2026 @vantagefilmfrance @vantagefilmpraha @vantagefilmofficial @vantagevisionbudapest @hawkanamorphic @hawklondon @hawklosangeles @psu_videoassist

after 2 years of continuous starts and sudden stops, epic movie "LORDS OF WAR - 2" (directed by Andrew Niccol) rocked while testing @vantagebrussels during first half of November. A huge thank you to (DOP) Amir Mokri to have chosen our gear for this new epic, 20 years after 1st sequel, co-starring @nicolascagea @billskarsgard_ @lauraharrier @gregtarzandavis , Sylvia Hoeks We had the great pleasure to welcome a great and talented camera crew prepping 2+ tons of camera/lenses gear. "A" camera operator and steadicam: @petercavaciuti Focus pullers: @sylvain_fradier + @stephanerenard2803 2nd AC's: @jimmywolfx + @cypraize Qtake operator: @sonnomestjohn Video technician: @lauredwt DIT: Benjamin Dewalque Data wrangler: @lderbe Camera trainee: Jim Bouyer Key grip: Kurt Reybroek Shooting for 2 weeks in Belgium with 3x @arri Alexa 35's, @leitzcine 2 full sets of Summicron primes, @angenieuxlenses Optimo 12x and 15/40 zoom lenses, @ovide_smart Qtake SmartAssist and loads of @smallhd 7", 13", and 18" monitors... the shoot will soon continue in Morocco for another 7 weeks in December '25 and January '26, adding 3 more Alexa 35's and 4 more @sony large format FX3's stunt cameras w/GM zoom and prime lenses We wish you all a great picture and lots of fun on this epic story Thanks to @besideproductions to have chosen us to deliver the gear. @vantagefilmfrance @vantagefilmpraha @vantagefilmofficial @vantagevisionbudapest @hawkanamorphic @hawklosangeles @hawklondon @psu_videoassist

Students in Master 1 from IAD film academy started their "end of studies" short movie 2025-2026 cession using our camera and lenses for the very first two student projects. Thank you @mediadiffusion_iad for your trust year after year since 2019 "Camille joue le jeu" directed by Marine Cheval, (DOP) @maximeboulenger , (camera operator) @lisa_plt1003 , focus puller) @noe.arriagada was using some Cooke S4 prime lenses. "Metal Memories" with (DOP) aliciabekers , (camera operator) @max_becq , (focus puller) Beatriz Rubio where using Alexa Mini and Alura 18-80 zoomlens for this multimedia project needing 4K resolution

WHISTLE official poster , comes to theatre February 6th. Can’t wait to hear you scream. Directed by @corinhardy #bjorn_charpentier#corinhardy #wpagency #sbcine #cinematography