Perspecta 21 (1984).
Editors: Carol J. Burns
@seajayburns and Robert Taylor. Designers: Joseph Guglietti with Joseph Bednar. Graphic Production: Page Rhinebeck. Copy Editor: Ruth Hein. Staff: Susan Baggs, Olivia Emery, Molly Hankwitz, David Hotson
@davidhotson_architect , and Maya Lin
@mayalinstudio_
Featuring Gavin Macrae-Gibson on the continuity of the modern; K. Michael Hays
@kmichaelhays on the possibility of a critical architecture; Steven Holl
@stevenhollarchitects @tspaceandsmhf on architecture between cultural continuity and invention; Mary Miss on how public sculpture could become more engaged with the public; a portfolio of pavilions for
@yaleartnorfolk ; a portfolio of new work including W.G. Clark’s Inn at Middleton Place
@theinnatmiddleton and New Orleans Museum of Art, the Nabisco Laboratories by Robert S. Livesey and CUH2A, a penthouse renovation by Rivkin/Weisman, two apartment projects by Henry Smith-Miller
@smithmillerhenry , a new street for FIT by Jon Michael Schwarting and Piero Sartogo, the Lourdes Library Addition by Dagit-Saylor Architects, the Victoria Peak and Prinz Albrecht Palais Memorial proposals by UKZ, Charleston Place by Andres Duany and Elizabeth Plater-Zyberk
@wearedpz , projects by Jennings + Stout, and a house project by Tai Soo Kim
@tskpstudio ; Marc Hacker on environments designed for nuclear war; Diane Ghirardo on architecture’s preferred association with art rather than construction; Peter Papademetriou on Eero Saarinen; Hal Foster on the neoconservative and poststructuralist modes of postmodernism; and Peter Eisenman
@eisenmanarchitects on timelessness.
