SIGGRAPH ASIA 2025
December 2025
The SIGGRAPH Asia 2025 Art Gallery, hosted in Hong Kong, will present cutting-edge artistic works at the intersection of art, science, and emerging technologies. Under the theme “Generative Futures: Continuous Becoming,” we invite artists, researchers, technologists, and cultural practitioners to explore the evolving landscape of generative art and its cultural implications. This exhibition highlights the unpredictable and evolving aesthetics that define generative systems, creating a space for dialogue, experimentation, and critical engagement with this ever-transforming artistic domain. In collaboration with Victor Leung
@pokyinvictorleung , Orbital Oscillation was exhibited. Orbital Oscillation is a kinetic sculpture exploring the phenomenology of time through the imperceptible actuation of a hand-blown glass object. The work presents a glass sphere rolling in slow, deliberate orbits on a minimalist table, its motion appearing autonomous yet precisely orchestrated by hidden robotic mechanisms beneath the surface. This concealment of technical agency—achieved through silent tilting actuators, real-time feedback control, and load-cell sensing—creates a perceptual tension: viewers witness motion without causality, inviting reflection on the relationship between visibility, agency, and expectation.
SIGGRAPH ASIA 2025
2025年12月
SIGGRAPH Asia 2025藝術畫廊（Art Gallery）在香港舉辦，呈現藝術、科學與新興技術交匯的前沿藝術作品。以「生成未來：持續生成」（Generative Futures: Continuous Becoming）為主題，我們邀請藝術家、研究人員、技術專家及文化從業者，探索生成藝術不斷演進的景觀及其文化意涵。此展覽強調生成系統所定義的不可預測與持續演變的美學，為對話、實驗及批判性參與創造空間，深入探討這一永恆轉變的藝術領域。
與Victor Leung
@pokyinvictorleung 合作展出的作品《Orbital Oscillation》（軌道振盪），是一件動態雕塑，透過對手工吹製玻璃物體的幾不可察的致動，探討時間的現象學。作品呈現一顆玻璃球體在極簡桌面上緩慢、刻意地滾動軌道，其運動看似自主，卻由隱藏在表面下的機器人機構精確操控。透過無聲傾斜致動器、即時反饋控制及負載傳感器實現技術主體的隱藏，創造感知上的張力：觀眾目睹運動卻無因果可循，邀請反思可見性、主體性與期望之間的關係。
#藝術 #藝術品 #tobiasklein #art #installation
![Opening in Hong Kong tonight! So much preparation, so much looking forward to welcoming you in the next few days Thank you @bohemiankismet & @ocularmusic for showing us around and some amazing food experiences & of course @to.klein & @hong_zeiss for making it possible!OpeningMarch 24, 6pmMarch 25 - 31, 202612pm - 6pmMajor Pop ArtG/F, 54 Sai Street, Sheung WanHong KongAn excerpt from @paulfeigelfeld :Fundamentally ‘principle’ (li 理) and material force (qi 氣) cannot be spoken of as prior or posterior. But if we must trace their origin, we are obliged to say that principle is prior. However, principle is not a separate entity. It exists right in material force. Without material force, principle would have nothing to adhere to.– Zhu Xi, Collected Conversations 1:11 [tr. Chan]此本無先後之可言。然必欲推其所從來，則須說先有是理。然理又非別為一物，即存乎是氣之中；無是氣，則是理亦無掛搭處。‘Principle’ (li 理) is endowed in me by Heaven (Tian 天), not drilled into me from outside.– Lu Jiuyuan, Complete Works 1:6 [tr. Chan]此理本天所以与我，非由外铄。Tobias Klein (Hong Kong) and Hong Zeiss (Vienna) complement and contradict one another like microcosm and macrocosm. In their first joint exhibition, Klein’s reinterpretations of ancient Chinese scholar’s rocks (供石, Gongshi)—forming frameworks of stone and 3D-printed structures—encounter the veining and grain of Zeiss’s paintings, whose scale and distance—whether near or far—remain perpetually ambiguous. Although they did not arise through direct exchange, the works examine one another on a structural level and open up dimensions of non-human perception to each other.The mutual observation between objects and images affords us a rare glimpse into the exile of the inorganic: into tidal currents and mineral structures that are in fact inaccessible to us—if not even forbidden. We become clandestine witnesses to processes of communication that elude our understanding of what communication is; processes measurable only in geological epochs or beyond time itself; and whose true qualities lie beyond meaning and beyond the senses as we know them.#zellervanalmsick](https://sp1.picnob.com/p/pt_6747203051687038146671_0_7a9f2100e82fd95f71ef7390dc81340d.jpg?o=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&h=c66d822a1ce39094a64b5f9d42188624)
