The 29th Threadhead Grant this round goes to harpist Cassie Watson Francillon who will complete and produce an album of new, original music. The songs will explore historical contexts of early New Orleans jazz, restorative hymns, AfroFuturistic themes, via compositions and elements of improvisation on harp, percussion, voice, electronics and more. The project prioritizes sonic liberation and ancestral charge, connecting the themes of New Orleans with Haitian lineage and Black American themes of resistance, transformative love and growth. Cassie is a modern visionary harpist fusing folk, jazz, classical, modern & avant-garde music on concert harp. Born and raised in pre-gentrication Brooklyn, New York, she relocated to New Orleans, Louisiana in 2012 after attending Hunter College. Having studied privately under harpists Gabriella Pinto, Brandee Younger, Mia Theodoratus and Patrice Fisher, she composes, teaches, and has served on the board of the New Orleans Chapter of the American Harp Society. A multifaceted performer, she can be found in both traditional and innovative settings, private engagements and public productions, which include residency at Cathedral Peter and Paul, Studio BE, New Orleans African American Museum and the Marigny Opera House where she directed, produced and performed the sold-out production the Eternal Harp of Björk in 2019. Find out more about this innovative artist at and help support more projects like this by signing up to be a member at !
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