@thistingdances

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💫Introducing 𝑻𝒉𝒊𝒏𝒌𝒊𝒏𝒈 𝒕𝒉𝒓𝒐𝒖𝒈𝒉 𝒕𝒉𝒆 𝑩𝒐𝒅𝒚 by TingAn Ying ( 鄞廷安 ) ❗️WERKSTATT Workshop Series 📍ᴍᴀʏ 7ᴛʜ 𝟮𝗽𝗺-𝟱𝗽𝗺 @r100_projectspace 🎫 Tickets Link in Bio @thistingdances is a Han-Taiwanese artist based in Berlin working at the intersection of choreography, performance, and facilitation. Her practice is inherently collaborative and interdisciplinary; she critically examines social constructs while probing themes of memory, narrative, body politics, and power dynamics. TingAn facilitates workshops for both professionals and the public, with a focus on confronting internalised hegemony. Her practice extends into dramaturgy, production, and research within the fields of cultural studies and curatorial work. Through intentional, meditative bodily exercises, participants are guided to explore themes of authenticity, authorship, collaboration, and coexistence in relation to their own current research topics as well as the broader socio-political context. The space serves as a laboratory for those looking to proactively integrate lived experience into their creative and collaborative processes. Participants are highly encouraged to integrate their existing individual practices and methodologies into the conversation. 🙏🏾 📸 Pei-Ying Chen #APALWERKSTATT2026 #APAL #WERKSTATT
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1 month ago
CANCELLED 18/3 14.00 Sometimes Nothingness by Tingan Ying(Workshop) photo: Lys Y Seng What is the role of our bodies in the thought process? How can we proactively integrate embodiment knowledge as a navigator for a more resilient creative process? Grounded in the research-practice Sometimes Nothingness, developed by Ting-An Ying, this workshop serves as a laboratory for practitioners from all disciplines to explore questions on collaboration and coexistence—specifically in response to the constant fatigue caused by socio-political pressure and unspoken power dynamics. The practice establishes an intentional, meditative state through various sets of bodily exercises that invite participants to navigate their inner landscapes. By deconstructing compartmentalization, the body becomes a site of authenticity. Participants are guided to craft their own methodologies within this collective workshop and are highly encouraged to bring in their existing practices. __________________ All events are donation-based. To participate, email [email protected] with the subject line: [Facilitator’s Name]. Performances do not require registration. School of Performance Art (SOPA) March 18-20 2026 Kunsthaus KuLe Augustrasse 10 10117 Berlin
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2 months ago
Hey beloved community, We are back with a fourth iteration of SOPA at @kuleberlin On March 18-20, we present a performance program centering collective practices, peer-support, and forms of togetherness—proposing them as alternatives to the individualism promoted by capitalist systems. Join us as we gather through performance, discussion, reading, and peer-learning formats. Contributing artists/facilitators: Berkay Sokan and Azul @berghais & @azulwellimean Catwings @catwings_space Tingan Ying @thistingdances Zeynep Sami @zthemarvellous The full schedule will follow shortly. __________________ All events are donation-based. To participate, email [email protected] with the subject line: [Facilitator’s Name]. Performances do not require registration. School of Performance Art (SOPA) March 18-20 2026 Kunsthaus KuLe Augustrasse 10 10117 Berlin
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2 months ago
Earlier this summer facilitated two workshops in National Kaohsiung Center for the Arts, Weiwuying. As usual, talking about memory, narrative, authenticity and authorship. How can daydreaming accommodate more than ‘being out of touch.’ What if daydreaming is in fact the most precious access we have to reclaim the agency in the era of this augmented, virtual reality in the post-industrial reality. When bearing the genocide, war, atrocity becomes the norm, when numbness is our only protection, what else is left in this endless cycles of life. The only thing I’d been trying to do, is to hold a very space, for us to still dream and imagine, and to hope that there is untouched ancient wisdom within our very own body, would guide us, just as our ancestors, the land we grew up — supposedly, yet everything was replaced with simulation and ideology. While being strongly, strongly rejecting to any sorts of neutralistic idea, I do have the need to think over and over and over again about many things in an ontological sense. What constitute reality, what/who creates the narrative, what is a body in our time, and eventually, HOW can we live in the world, and continuously fight against the world. Why does the world require we fight this much. — Thank you everyone who’s ever shared a moment with me in the studio, and definitely the ones who have been showing up consistently. It’s a huge honor to receive your trust, generosity, and all the cute messages that come afterwards — telling me that you’ve realised something at the time we spent together, and that gave you courage and guidance to pursue that something. It always humbled me. That’s all what art is/should be about. I’m on my knees to have found that at the age I’m at. ‘What do you want to do when you don’t have to prove yourself anymore?’ Listen, learn, share and love. **In this photo with my dear @yenleeeeee along with the incredible, incredible group of people at the workshop. As well always my deep gratitude for @choushuyi ‘s invitation, @weiwuying_centerforthearts ‘s host.
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6 months ago
Introducing TingAn Ying @thistingdances Workshop: “Sometimes Nothingness” October 29 | 15:00-17:00 Performance: “Remaining Still (work-in-progress)” October 29 | 18:00-18:20 Location: Kunsthaus KuLe @kuleberlin Augustrasse 10, 10117 Berlin To participate in this workshop, email [email protected] with the subject line: [Facilitator’s Name] No registration needed for the performance. All sessions are donation-based. Suggested donations 5-15€ No one will be turned away for lack of funds.
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6 months ago
Friends, we are back next week with a third iteration of SOPA. Join us for a hearty program that critically questions performance art’s capacity to create and maintain communities of resistance in times of political turmoil. This time we are joined by: @analuwellimean & @berghais @catwings_space @hrihro @lemandaricioglustudio @lily__kensington @nagao_akemi & @sab.huth (@saturdaydigestion ) @thistingdances All events are donation-based. To participate, email [email protected] with the subject line: [Facilitator’s Name]. Performances do not require registration. School of Performance Art (SOPA) October 28-30, 2025 Kunsthaus KuLe @kuleberlin Augustrasse 10 10117 Berlin
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6 months ago
“Codas” tells the experiences and life journeys of three CODA (Children of Deaf Adults) in German sign language (DGS), as well as in German & English spoken language. The stories of CODAs are embodied by four performers. The performers—two of them Deaf and two hearing—express the tone, textures, rhythms, and emotions of the narratives through movement. A soundscape accompanies the piece, adding a unique color to each story. The first half of the piece focuses on the content of these personal accounts. In the second half, the narratives gradually fade, giving way to evolving choreography and sound. This shift mirrors how memories live in the body—deeply felt, yet often beyond the reach of words. The performance is accessible for Deaf audiences and is a relaxed performance. Duration approx. 60 min PAY WHAT YOU CAN (10/15/20/25) 5 EURO TICKETS AVAILABLE FOR BIPOC, DEAF, CODA (CHILDREN OF DEAF ADULTS) 16.10.2025 -> 20:30 17.10.2025 -> 20:30 18.10.2025 -> 20:30 19.10.2025 -> 19:00 @TANZFABRIK I UFERSTUDIOS 14 For tickets and further info -> find LINK IN BIO Artistic direction, Choreography: Inky Lee Performance & Collaboration: Hyemi Jo, jee chan, Jiayi Wu, TingAn Ying Performance & Interview: Melanie Subat, Milena Yara Klinner, Lea Löpker. Light design: Gretchen Blegen Sound design: Hyewon Suk Barrier-free consultation: Hyemi Jo DGS coach: Paulina Güllü DGS communication assistants: Caterina Macht, Hannah Stolp, Kris Chekelova, Lisa Schuler, Nancy Dominguez Production management: Christin Eckart Supported by IMPACT-Funding 2025 of the Senate Department for Culture and Social Cohesion.
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7 months ago
Thank you, @thistingdances and @savvycontemporary ( ˶ˊᵕˋ)੭♡ Let's Talk About Bodies: Embodiment as a Gateway to (almost) Everything This was a bodily experience of memory, recollection, and movement guidance. In stillness, we searched for the rhythm of breath; with eyes closed, we sorted through fragments of memory while TingAn’s voice gently steered the direction of our thoughts. The wind brushed against our skin, ambient sounds stirred our ears—layer upon layer, crossing and colliding—forcing us to clarify what was real in that very moment. Thank you, @thistingdances , for bringing such a wonderful workshop. Within it, we listened to one another, remembered one another, and through the acts of giving, receiving, and even refusing, each detail became more profound because of our own choices. See you tonight🤍 Photo @nrup.de #savvycontemporary #art #artist #workshop #berlin #weddingaffair
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7 months ago
〰️✨ Next week, the workshop series REALM OF VANISHING BODIES continues with an embodiment practice workshop facilitated by artist and cultural practitioner Ting-An Ying, inviting artists whose work deals with corporeality and/or uses the body as a primary medium. This workshop offers a space for artists and practitioners to explore new perspectives on connecting and collaborating. Using body-centered exercises as the guidance, we examine concepts around the “body” and its role in both individual and collective creation. Participants are encouraged to bring their existing experiences and methodologies to the conversation. Sometimes Nothingness is an embodiment practice developed by TingAn Ying. Participants are guided to experience the inner sedimentation – where thoughts, emotions, and sensations settle. The intentional stillness is an embodied, performative exercise of absence as presence that allows clarity to emerge from chaos. The practice is meditative yet incorporates movement possibilities, when relevant, according to personal desire and capacity. 〰️〰️PARTICIPATION This workshop is ideal for artists whose work deals with corporeality and/or uses the body as a primary medium. If you are interested in joining us, kindly send an email with subject line “Embodiment” to [email protected] with your name and in which neighbourhood you live. 〰️〰️ 🤸🏾‍♂️LET’S TALK ABOUT BODIES: EMBODIMENT AS A GATEWAY TO (ALMOST) EVERYTHING🤸🏿‍♂️ WORKSHOP
01.10.2025   14:00–17:00
WITH Ting-An Ying
LANGUAGE  The workshop takes place in  English FREE ENTRY  Donations welcome
ACCESS  Our space is accessible by wheelchair PHOTO Lys Y. Seng
VISUAL  Chia-Chun Hung @chia_chun0628 FUNDING  This project is funded by The National Culture and Arts Foundation TAIWAN (NCAF)
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7 months ago
〰️✨WEDDING AFFAIRS people – we have new workshops coming up! We cordially invite you to learn, move, bubble, build with us in a series curated by Ya-Wen Fu: REALM OF VANISHING BODIES connects across disciplines while searching for a link between self and ideology. You are invited to participate & enter a place where body and sound intersect. Here, time and space shape a public experimental field that transcends different disciplines and borders. PARTICIPATION The workshops are open to all, but has limited capacity. If you are interested in joining us, kindly send an email with a subject line of the workshop title to [email protected]. REALM OF VANISHING BODIES → 24.09.2025  10:30–14:00  
BUBBLE BEATS with Ya-Nung Huang → 25.09.2025  19:00–21:00  
IN THE SHAPE OF MY GHOST with Po-Nien Wang → 01.10.2025  14:00–17:00  
 LET'S TALK ABOUT BODIES: EMBODIMENT AS A GATEWAY TO (ALMOST) EVERYTHING with Ting-An Ying  → 02.10.2025  19:00–21:00   OTHERS with Orlando Helfer Rabaça  → → More details on our website VISUAL  Chia-Chun Hung @chia_chun0628 FUNDING  This project is funded by The National Culture and Arts Foundation TAIWAN (NCAF)
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8 months ago
and this is when taiwanese dumpling. much much too much love to everyone whom i’ve ever had the fortune to share moments with. after 12+ years, this time had been an extraordinary bound, heart, and say no more x
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8 months ago
while photo dumping is so overrated, this is me before taiwanese dumplings. hashtagstayingpurelyprofesstional.
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8 months ago