立方計劃空間 TheCube Project Space

A Better Tomorrow: Solo Exhibition by Working Hard • Exhibition Dates｜March 21 – May 17, 2026, 2–8 PM, Wednesday to Sunday *Closed on Mon and Tue, and on April 5-6 for the Qingming holiday. • Venue｜TheCube Project Space (2F, No. 13, Aly. 1, Ln. 136, Sec. 4, Roosevelt Rd., Taipei) • Artists｜Working Hard (Kuo Po-Yu and She Wen-Ying) • Opening Reception｜March 21 (Sat), 14:00 More details: /en/project/a-better-tomorrow-en/ TheCube Project Space presents A Better Tomorrow, a solo exhibition by the artist duo Working Hard, marking the first artist solo exhibition of the year. The exhibition extends the artists’ long-term research and creative practice, engaging with forms of lived experience and social realities that have gradually been overlooked amid the intersections of urban development and border governance. Working primarily with sound and spatial installation, Working Hard constructs a space within TheCube Project Space that invites audiences to enter and linger, transforming viewing into a bodily and sensory process of perception. Organizer｜Working Hard (@kuo_poyu @she_wenying ) Co-organizer｜TheCube Project Space Coordinator｜PRNDL.art (@prndl.art @tsengchewei ) Sponsor｜National Culture and Arts Foundation Graphic Design｜Lee Chia-Hua (@chun.chungchung @huahua__lee ) ‿‿‿‿‿‿‿‿‿‿‿‿ 「A Better Tomorrow」太認真個展 • 展期｜2026.03.21－05.17，14:00－20:00，週三至日 *註：週一二公休，4/5清明連假休館 • 地點｜立方計劃空間（台北市羅斯福路四段136巷1弄13號2樓） • 藝術家｜太認真（郭柏俞、佘文瑛） • 開幕茶會｜2026.03.21（六）14:00 更多展覽資訊：/project/a-better-tomorrow/ 立方計劃空間推出藝術家雙人團體太認真個展「A Better Tomorrow」，作為今年度首檔藝術家個展。本展延續藝術家長期的研究與創作脈絡，關注在城市發展與邊境治理交織下，逐漸被忽略的生命經驗與社會現實。太認真以聲音與空間作為主要媒介，在立方計劃空間中構築一個可被進入與停留的場域，使觀看轉化為一種身體性的感知過程。 • 主辦單位｜太認真 (@kuo_poyu @she_wenying ) • 協辦單位｜立方計劃空間 • 展務統籌｜PRNDL.art (@prndl.art @tsengchewei ) • 贊助單位｜國家文化藝術基金會 • 主視覺設計｜李佳樺 (@chun.chungchung @huahua__lee ) #WorkingHard #ABetterTomorrow #TheCube #TheCubeProjectSpace

🌊 Last Week: A Better Tomorrow — Solo Exhibition by Working Hard One weekend left. One corner of the exhibition stages a scene of departure: a burst-open suitcase, a bicycle pulled from the sea, slippers, a blanket, a styrofoam box. Under current regulations, most migrant workers can remain in Taiwan for a cumulative maximum of twelve years — and when that time is up, leaving is not a choice. Deep-sea voyages can last six months, a year, sometimes longer before a boat returns to shore. It is an industry shaped by farewell. People come and go, and some you meet only once. When the time comes to leave, luggage has its limits. Much of what couldn't be carried — or simply never got the chance to be — was taken in by Working Hard, or carefully preserved by field companions Wu Ting-Kuan and Lan Yu-Chen. As one of the fishermen who came to speak at the talk reflected, seeing the objects of their everyday labor treated as something precious and worth keeping made them stop and think — about the basic rights that come with being human, and about what it means to be seen. After the exhibition closes, these objects will move on again. Before they do, come in and spend some time with the things that were left behind 🌿 ˙✧˖°𓆝 展覽資訊 Exhibition Info 𓆞·｡˚⋆ 展期 Dates｜2026.3.21－5.17（週三至日 Wed–Sun, 14:00–20:00） 地點 Venue｜立方計劃空間 TheCube Project Space #太認真 #ABetterTomorrow #WorkingHard #立方計劃空間 #TheCubeProjectSpace 𓂃 ོ☼𓂃⏅ 𓂃 ོ☼𓂃 🌊【展覽倒數】A Better Tomorrow — 太認真個展 展覽只到這週末！ 展場裡有一區是離去的場景——爆開的行李箱、掉落海中又被打撈上來的單車、拖鞋、棉被、保麗龍箱。在現有體制下，多數移工在台工作的累計年限多以十二年為終點，時間到了，終究得面臨跨國移動與離別；遠洋漁船出航一次，往往半年、一年甚至更久才再靠岸。這是一個充滿離別的行業。社群裡的人來來去去，有些人見過一次，就再也不見。 離開的時候，行李總是有限的，在這群漁工社群的生活場景裡，多得是那些帶不走，或來不及被帶走的東西，它們輾轉被太認真收留了下來，或是由田野夥伴吳庭寬與藍雨楨積極保存著。就如同展覽座談席間，現身的印尼船員說道，當那些他們習以為常的日常勞動與事物，在藝術家眼裡，變得如此特別與珍貴時，也促使他們開始思考其背後，身而為人的基本權利與被受重視的精神價值。展覽結束之後，這批物件又將再次流動。 在它們離開之前，歡迎走進來，與這些曾經被人需要、被人留下的東西，待上一會兒 🌿

🏠 A Glimpse Inside: A Better Tomorrow — Solo Exhibition by Working Hard The exhibition poster features a few empty chairs — the kind of plastic stacking chairs you find in hardware stores the world over. Pull one up, and you're part of the conversation. Step inside and chairs appear everywhere: a wooden chair from Pos Kampoa, stools fashioned from yellow oil buckets, plastic chairs painted black, and a large blue foam mat spread across the floor. Painted on the mat is a phrase drawn from a bench the artists once came across at the harbor, written in Javanese: "This chair is for us — the broke Javanese from Indramayu, Tegal, Cirebon, Pemalang, Brebes, and Batang (Kursi Khusus Wong Ora Due Duit)." Equal parts joke and declaration of belonging: here is where we're from, here is who we are, and here is where we sat. A chair is a place. The exhibition runs through May 17 — come in and take one 🌿 ˙✧˖°𓆝 展覽資訊 Exhibition Info 𓆞·｡˚⋆ 展期 Dates｜2026.3.21－5.17（週三至日 Wed–Sun, 14:00–20:00） 地點 Venue｜立方計劃空間 TheCube Project Space #太認真 #ABetterTomorrow #WorkingHard #立方計劃空間 #TheCubeProjectSpace 𓂃 ོ☼𓂃⏅ 𓂃 ོ☼𓂃 🏠【展覽現場】A Better Tomorrow — 太認真個展 展覽海報上，畫著幾張空的椅子，那種世界各地都買得到的塑膠椅，隨手拉一張，就能加入聚會、參與話題。 走進展場，你會發現椅子無所不在：「Pos Kampoa」留下來的木椅、黃色機油桶改造的小凳子、塗黑的塑膠椅，還有地上鋪著的大型藍色泡棉地墊。地墊上有一段塗鴉文字，靈感來自藝術家曾在港邊看見的一張長凳——上面用爪哇語寫著：「這張椅子是專門給我們這些來自因德拉馬尤、德格爾、井里汶、普馬蘭、布雷貝斯、巴當，沒什麼錢的爪哇老鄉坐的。」那句話帶著自嘲的幽默，也是一種認同的宣示：我們來自哪裡，我們是誰，我們在這裡。 一張椅子，就是一個位置。 展覽持續至 5/17，歡迎走進來坐坐 🌿

🎞️ A Glimpse Inside: A Better Tomorrow — Solo Exhibition by Working Hard On the glass panels of the exhibition space, the artists have sketched portraits of the fishermen they came to know — each one accompanied by a "dream list." Working Hard asked the fishermen: what are your dreams? The question caught them off guard. In all their time in Taiwan, almost no one had asked them that. They took the lists home, sat with the question overnight, and came back with their answers. It wasn't advocacy that drove this — just genuine curiosity about what these people wanted for themselves, beyond all the conversations about rights and policy and circumstance. Scattered throughout the space are empty Indonesian cigarette packs. Indonesia's Kretek cigarettes are known for their sweet filters and cloves, which are said to carry mild analgesic properties. Those casually left-behind packs feel like a quiet metaphor: somewhere between the rough seas and the drifting, there is always some small way of carrying on, not through resistance, but through acceptance, with a touch of sweetness. The exhibition runs through May 17 — come in anytime 🌿 ˙✧˖°𓆝 展覽資訊 Exhibition Info 𓆞·｡˚⋆ 展期 Dates｜2026.3.21－5.17（週三至日 Wed–Sun, 14:00–20:00） 地點 Venue｜立方計劃空間 TheCube Project Space #太認真 #ABetterTomorrow #WorkingHard #立方計劃空間 #TheCubeProjectSpace 𓂃 ོ☼𓂃⏅ 𓂃 ོ☼𓂃 🎞️【展場回顧】A Better Tomorrow — 太認真個展 展場的玻璃上，留著藝術家一筆一筆勾勒的漁工速寫，每幅肖像旁是一份「夢想清單」。 藝術家問漁工：「你的夢想是什麼？」這個問題讓他們愣住了——來到台灣之後，幾乎沒有人這樣問過他們。漁工把清單帶回家，思索了整夜，隔天才寫好帶來。太認真無意進行倡議，只是好奇：在所有關於權利、處境、政策的討論之外，作為一個人，這群朋友心裡想要的是什麼？ 展場裡四處可以看見抽剩的印尼煙盒。印尼的 Kretek 香菸以甜濾嘴與丁香聞名，丁香據說有消炎止痛的效果。那些隨手留下的煙盒，像是一種隱喻——在顛簸與漂泊之間，總有一種讓人得以繼續的方式，不是抵抗，而是接納，帶著一點甜。 展覽持續至 5/17，歡迎走進來 🌿 🎞️ 影像：嘟嚕影像 @dulub_studio

LEE KAN KYO: The Last CD • Time｜2026.5.23 – 7.5; 8.1 – 8.16, 2-8pm, Wed to Sun *TheCube will be closed on June 19 (Dragon Boat Festival), and for a summer break from July 6-31. • Venue｜TheCube Project Space • Artist｜LEE KAN KYO • Curator｜Yu Wei Through labour-intensive, hand-painted re-production, Lee Kan Kyo conducts a sustained practice of media archaeology into formats displaced by the streaming age. Following his 2023 exhibition LEE’S DVD, which reconstructed the culture of DVD burning, Lee now excavates the music CD of the 1990s — and in particular the 8 cm Mini CD single endemic to that era's peak: a small disc that made a brief appearance in Taiwan's record market, becoming a cherished relic for a generation of Japanese pop devotees. The exhibition title The Last CD carries a double meaning. Beyond its literal sense, the Japanese word saigo (最後) also implies saving the best, the most treasured, for last. Viewed through the fervent lens of fan devotion, the show reconsiders this once-futuristic digital format as both ruins and monument. Lee's practice combines imitation, adaptation, and aestheticized piracy. Animated by the principle that ‘to draw is to burn’, his hand-rendered re-productions restore an unexpected weight to the gleaming laser-etched disc — whether Michael Jackson's Dangerous or Mariah Carey's perennial Christmas record. The Gongguan neighbourhood where TheCube is located has long been a gathering point for record shops, carrying the accumulated musical memories of generations. Against this backdrop, The Last CD invites us to reimagine both the material relics and the lingering ghosts of 1990s CD culture. 「李漢強：最後のCD」 • 時間｜2026.5.23–7.5；8.1– 8.16，2-8pm，週三至日 *註：端午節6.19休館；7.6~7.31為暑期休館 • 地點｜立方計劃空間 • 藝術家｜李漢強 • 策展人｜游崴 李漢強的創作以勞力密集的手繪再製，對於串流時代下式微的舊媒體，進行一系列考古行動。自2023年「漢強影音」重構DVD燒錄文化，這次開挖的遺址則是1990年代的CD唱片，尤其是全盛時期特有的日本8公分迷你單曲CD──那個在台灣唱片市場短暫現身、成為特定世代哈日記憶的小圓盤。 展名「最後のCD」語帶雙關。在日文中，漢字「最後」除字面意義外，也意指「把最好的留在最後」。展覽以此命名，通過粉絲的狂熱視野重新凝視了這個帶著未來感的數位載體。 李漢強的作品混合了臨摹、改編與美學化的盜版；透過「畫圖即燒錄」（To draw is to burn）的技術拼接，為閃亮的雷射刻寫賦予了一種新的意義，不管是Michael Jackson的經典專輯《Dangerous》，或是Mariah Carey的聖誕金曲。 立方計劃空間所在的台北公館，一直是唱片行聚集地，承載許多人的音樂生活記憶。展覽以此為地緣背景，刺激我們重新想像1990年代CD文化的實體與幽靈。

📣 Talk Recap: A Better Tomorrow — Public Program (2) Taiwan ABK: Drifting with Style or Drifting in Exile On April 26th, Wu Ting-Kuan, Lan Yu-Chen, and Working Hard gathered at TheCube for the exhibition's second talk 🌿 The afternoon opened with footage from a welfare gathering at Yenpu, where fisherman Ang Wang performed a song for brothers who spend months at sea. Wu Ting-Kuan described those years as a turning point — fishermen were beginning to see their basic needs as a public concern, not a private burden. Two fishermen also joined: Rofiq in person from Donggang, Santosa by video call. They spoke of the prayer room built from a donated container, typhoon days spent cooking together, and the pull of returning to shore. For Santosa, Kampoa was simply home. Reflecting on years of fieldwork, Ting-Kuan and Yu-Chen spoke of the fishermen's shifting sense of their own situation — oscillating between deference and self-assertion. Yu-Chen saw it not as weakness, but as something deeply human. Thank you to everyone who came 🙏 The exhibition runs through May 17 — come in anytime. 📷 @pingho.jpg ˙✧˖°𓆝 展覽資訊 Exhibition Info 𓆞·｡˚⋆ 展期 Dates｜2026.3.21－5.17（週三至日 Wed–Sun, 14:00–20:00） 地點 Venue｜立方計劃空間 TheCube Project Space #太認真 #ABetterTomorrow #WorkingHard #立方計劃空間 #TheCubeProjectSpace 𓂃 ོ☼𓂃⏅ 𓂃 ོ☼𓂃 🗣️【活動回顧】A Better Tomorrow 展覽座談（二） 船之子的漂丿佮漂泊 4/26，吳庭寬、藍雨楨與藝術家太認真，在立方計劃空間展開了這檔展覽的第二場對談 🌿 座談以一段「鹽埔漁港歲末關懷晚會」的影像揭開序幕。就在那個場合，王哥（Ang Wang）寫了一首浪人情歌，獻給跟他一樣出海好幾個月的兄弟們。那陣子，漁工們同時也在爭取漁船裝設公用 Wi-Fi——漁工們開始意識到，想要跟家人聯繫、有個地方可以住下來，都應該是公共議題。庭寬說，那是一個政治啟蒙的年代。 座談迎來了兩位現身說法的印尼船員：Rofiq 從東港專程趕來，聊到第一次靠岸就被帶進「Pos Kampoa」的記憶，他們自己親手繪製，將貨櫃屋打造成供靠岸船員們禱告的祈禱寺，他在「Pos Kampoa」的時間雖然不多，但每次靠岸都一直想著要回來——那裡是他在台灣的家。 在 Rofiq 分享的簡報中經常出現的身影，則是座談當天透過視訊連線的資深船員阿山（Santosa）。他總是擔起「Pos Kampoa 」帶領禱告與維護者的角色。展場投影著一張又一張的照片，讓阿山懷念起某個颱風天，大家一起收拆帆布、煮魷魚飯的下午。 庭寬與雨楨觀察到，面對聚落的拆除，漁工們在感激與權利之間、順從與自覺之間不斷游移。雨楨說，那不是軟弱，而是赤裸面對公權力時，很自然的狀態。 感謝當天蒞臨的每一位來賓 🙏 展覽持續至 5/17，歡迎隨時走進來。 📷 攝影：何苹

📣 This Weekend: A Better Tomorrow — Public Program (2) In the exhibition, a CRT television surrounded by packed belongings and relocated odds and ends plays footage of life and work at sea, footage entrusted to the artists by Santosa, a veteran Indonesian fisherman. Over the years, he documented many faces of the Kampoa community through his lens, including the process of its demolition. When he learned that Working Hard were bringing A Better Tomorrow back to Taipei, he said: "When Kampoa was torn down, you were still in Germany. But my files have recorded every moment. Take them and share them, let more people know what happened here." It calls to mind a question that has surfaced repeatedly in conversations between Wu Ting-Kuan and Santosa: "Can ordinary people make history?" Beyond providing for the material and spiritual needs of those living far from home, was Kampoa also a place where a community came into its own? More stories from the field await this Sunday's talk. ˙✧˖°𓆝 展覽資訊 Exhibition Info 𓆞·｡˚⋆ 座談 Talk｜2026.4.26 (日 Sun)，16:00 與談 Speakers｜太認真、吳庭寬、藍雨楨 Working Hard, Wu Ting-Kuan, Lan Yu-Chen 展期 Dates｜2026.3.21－5.17（週三至日 Wed–Sun, 14:00–20:00） 地點 Venue｜立方計劃空間 TheCube Project Space #太認真 #ABetterTomorrow #WorkingHard #立方計劃空間 #TheCubeProjectSpace 𓂃 ོ☼𓂃⏅ 𓂃 ོ☼𓂃 📣【本週末展覽活動】A Better Tomorrow 特別活動｜展覽座談（二） 展場裡，被搬遷雜物與打包行李圍繞的一台 CRT 電視機，正播映著船上工作與生活的點滴——這是印尼資深船員阿山交付給藝術家的影像。多年來，他用鏡頭記錄了 Kampoa 社群的各種面貌，甚至包括聚落被拆遷的過程。當他得知太認真即將把「A Better Tomorrow」搬回台北展出，他說：「Kampoa 被拆的時候，你們人還在德國。但我的檔案裡記錄了所有的片刻。儘管拿去分享，讓更多人知道這裡曾經發生的事。」 這讓人想起吳庭寬與阿山之間曾反覆出現的一個提問：「人民可以創造歷史嗎？」Kampoa 作為一個「地方」，除了滿足異鄉生活的物質與精神需求，是否也曾是一群人迎來自我賦權的時刻？ 更多田野現場的故事，留待本週日的座談繼續深聊。 🎞️ 影像：嘟嚕影像 @dulub_studio

🏠 A Glimpse Inside: A Better Tomorrow — Solo Exhibition by Working Hard Following the artists' senses into harbor-side memories from the equator "...The air carried the scent of clove cigarettes, mingling with the salt of the sea breeze and the sharpness of spices... Turning into a narrow lane, we arrived at a residential building, its entrance framed by a red-and-white flag and its walls painted with a sailor's anchor and rope... pairs of wet feet crossing artificial grass..." - Working Hard, recalling their first visit to FOSPI. More than observation, it was a recalibration of the senses. The artists bring the everyday spaces hidden at the edges of Taiwan's cities into the gallery: a yellow bucket once used for engine oil, repurposed for daily life; a float ball cut open and turned into a communal savings box; a hammock strung between trees from discarded fishing nets; a wooden board reading "ORGANISASI KAMPOA," turning an open space into a place that belonged to someone. Each object is a clue, not just a remnant of harbor life, but evidence of an understanding that grew out of scarcity: about sharing, about looking out for one another, about making a life far from home. 📷 攝影：嘟嚕影像 @dulub_studio ˙✧˖°𓆝 展覽資訊 Exhibition Info 𓆞·｡˚⋆ 下一場座談 Next Talk｜2026.4.26 (日 Sun)，16:00 (Door at 15:30 開放入場) 與談 Speakers｜太認真、吳庭寬、藍雨楨 Working Hard, Wu Ting-Kuan, Lan Yu-Chen 展期 Dates｜2026.3.21－5.17（週三至日 Wed–Sun, 14:00–20:00） 地點 Venue｜立方計劃空間 TheCube Project Space #太認真 #ABetterTomorrow #WorkingHard #立方計劃空間 #TheCubeProjectSpace 𓂃 ོ☼𓂃⏅ 𓂃 ོ☼𓂃 🏠【展覽現場】A Better Tomorrow — 太認真個展 跟著藝術家的五感，潛入港邊的赤道回憶 「空氣中瀰漫著丁香菸草味，混雜海風的鹹黏與辛香料的撲鼻⋯⋯深入轉角巷弄來到一棟民宅，門楣上掛著紅白相間的半圓旗幟，以及畫有水手船錨與繩索的外牆⋯⋯一雙雙濕漉漉的腳丫踩過人工草地⋯⋯」——這是藝術家太認真回想第一次拜訪 FOSPI（印尼海員同鄉聯誼會）的光景。 這不只是觀察，而是一場感官的「重新調頻」。藝術家將那些隱身在臺灣城市邊緣的日常生活空間帶到展場：原本盛裝輪船機油的黃色提桶，搖身一變成了延續日常機能的容器；遠處空中懸掛的浮球，用燒燙的刀子劃破，成為社群互助的公共基金存錢筒；在樹與樹之間，用淘汰漁網製成一張簡易的吊床；那塊以印尼文寫著「ORGANISASI KAMPOA」的木板，將空間轉化為向特定群體開放的「地方」。 每個物件，作為展場裡的閱讀線索，不僅是港邊生活的遺留，更是一套在匱乏中長出來的默契——關乎共享與共榮，以及如何在異鄉把日子過下去的人生哲理。

📣 Upcoming Event: A Better Tomorrow — Public Program (2) Taiwan ABK (Anak Buah Kapal): Drifting with Style or Drifting in Exile The second talk of the exhibition takes place on April 26 (Sun) at 16:00 🌿 We welcome Wu Ting-Kuan (Sima) and Lan Yu-Chen, two authors of Nyanyian di Perantauan — a field research publication documenting Indonesian migrant workers' musical practices, social networks, and cultural lives in Taiwan. Their long-term fieldwork in Donggang and surrounding communities has formed the intellectual and emotional foundation upon which this exhibition is built. Among the scenes they documented: a performance by an Indonesian fishermen's band at a Donggang Independence Day celebration, fronted by Ang Wang, a veteran fisherman whom Working Hard have known for years and who lends his voice to A Better Tomorrow. In this talk, Ting-Kuan and Yu-Chen will speak from the perspective of early field companions to Working Hard's research — sharing how they entered the community, and how fieldwork and advocacy brought them to understand the lived conditions of those navigating life far from home. 📷 攝影：嘟嚕影像 @dulub_studio ˙✧˖°𓆝 展覽資訊 Exhibition Info 𓆞·｡˚⋆ 座談 Talk｜2026.4.26 (日 Sun)，16:00 (Door at 15:30 開放入場) 與談 Speakers｜太認真、吳庭寬、藍雨楨 Working Hard, Wu Ting-Kuan, Lan Yu-Chen 展期 Dates｜2026.3.21－5.17（週三至日 Wed–Sun, 14:00–20:00） 地點 Venue｜立方計劃空間 TheCube Project Space #太認真 #ABetterTomorrow #WorkingHard #立方計劃空間 #TheCubeProjectSpace 𓂃 ོ☼𓂃⏅ 𓂃 ོ☼𓂃 📣【活動預告】A Better Tomorrow 特別活動｜展覽座談（二） 4/26（日）16:00，即將迎接展覽的第二場對談，現場邀請投身於藝文與移工權益工作的吳庭寬（Sima）與藍雨楨，他們兩位曾在2021、2024年出版了兩冊以印尼移工音樂為研究主題的報告——《歌自遠方來：印尼移工歌謠採集與場景書寫》。書中收錄的移工歌曲創作，譜出許多離鄉背井的惆悵與困境、異鄉戀情的悲歡離合，他們也用歌聲寫下自己的人生/命運主題曲。而其中一個音樂場景——屏東東港印尼漁工樂團在印尼獨立紀念日晚會的演出，來自西爪哇省安南由的主唱王哥 Ang Wang，正是此次展覽藝術家太認真所相識的資深船員，也是為 A Better Tomorrow 作品獻聲的漁工。 多年來，庭寬與雨楨是太認真與印尼漁工社群文化交流的引路人，更是圍繞著這個田野習作的重要陪伴，讓「藝術」與「創作」在不同的場景相遇、發生。在他們提出的座談主題《船之子的漂丿佮漂泊》中，結合了印尼語的「Taiwan ABK」及台語的「瀟灑與流浪」，反映出印尼漁工的現實處境，也指出跨國勞動背後的文化/語言混合現象。更多精彩的座談內容，千萬別錯過！

🏠 A Glimpse Inside: A Better Tomorrow — Solo Exhibition by Working Hard Step inside and you'll find a reconstructed Pos Kampoa, the gathering place that Indonesian fishermen once built for themselves along the harbors of southern Taiwan. The exhibition rewards a slow look. Among the objects on view are baskets woven by hand from tuna fishing line, a pastime on deep-sea vessels and a practical essential on shore: a bag to carry your toiletries to shower. Working Hard also learned to weave from the fishermen, and their own baskets sit alongside. Many other objects and personal belongings arrived here through various forms of leaving: relocations, demolitions, contracts ending, people losing touch. What these objects carry is a way of life that existed at Pos Kampoa. Running your own electricity, collecting your own water, gathering after shifts to barbecue and sing, looking out for one another. After Pos Kampoa was demolished, that way of life faded. Today's harbor may have better facilities, but the texture of shared life has quietly disappeared. The exhibition runs through May 17. Come in, spend an afternoon, let the sound of waves wash over you, and trace the lives once lived through the objects that remain 🌿 ˙✧˖°𓆝 展覽資訊 Exhibition Info 𓆞·｡˚⋆ • 下一場座談 Next Public Program｜2026.4.26 Sun，16:00 • 與談 Speakers｜太認真、吳庭寬、藍雨楨 Working Hard, Wu Ting-Kuan, Lan Yu-Chen • 展期 Dates｜2026.3.21－5.17（週三至日 Wed–Sun, 14:00–20:00） • 地點 Venue｜立方計劃空間 TheCube Project Space #太認真 #ABetterTomorrow #WorkingHard #立方計劃空間 #TheCubeProjectSpace 𓂃 ོ☼𓂃⏅ 𓂃 ོ☼𓂃 🏠【展覽現場】A Better Tomorrow — 太認真個展 走進展場，你會看到一座重新搭建起來的「Pos Kampoa」——那個曾經存在於南臺灣港邊、由印尼漁工自力建起的聚會場所。展場裡有許多值得細細發掘的物件。幾只運用鮪魚釣線徒手編織的提籃，是漁工在遠洋漁船上打發時間的手工活，也是港邊生活的基本配備——靠岸後，手提著去洗澡用。藝術家也曾向漁工學習編織，展場裡同樣有他們親手做的。其他許多個人物品與港邊物件，則是因搬遷、拆除、換船、合約結束甚至失聯，以各種形式的離開而留下來的，就這樣輾轉來到了展場。 這些物件所承載的，是一種在「Pos Kampoa」才有的生活方式——自己拉電、自己取水、下班後聚在一起烤肉唱歌，彼此照應。「Pos Kampoa」拆除後，這樣的生活慢慢淡去。今日的港口基礎設施或許改善了，但那種共同生活的質地，卻悄然消失。 展覽持續至 5/17，值得花上一個下午走進來，聽聽海浪聲，看看那些留下來的物件 🌿 📷 攝影：嘟嚕影像 @dulub_studio

𝗥𝗘𝗖𝗔𝗣 ▶︎ •၊၊||၊|။• 𝗦𝗼𝗻𝗶𝗰 𝗦𝗵𝗮𝗺𝗮𝗻: 𝗕𝗼𝗿𝗱𝗲𝗿𝗹𝗲𝘀𝘀 | 𝗗𝗮𝘆 𝟯 On the final day, the atmosphere shifted toward deeper narratives and participation. 🪔 Through spiritual discourse, field recordings, and frequency experiments, the audience was guided into an internal consciousness. The event concluded with the participatory work Collective Composition II, where audiences from all backgrounds painted together to music, completing this cross-regional, multi-media encounter. 🔮 🎥 FULL VIDEO EXCERPT at https://sonicshaman.live/en/video-en/ by @aquamarine_film 📸 HIGHTLIGHT MOMENT at https://sonicshaman.live/en/photo/ (Photo by Ping Ho @pingho.jpg , Po-Yen Hsu @syupoyen ) ▶︎ ─•──── 𝗦𝗼𝗻𝗶𝗰 𝗦𝗵𝗮𝗺𝗮𝗻 𝟮𝟬𝟮𝟲 | 𝗗𝗮𝘆 𝟯 𝗟𝗶𝗻𝗲𝘂𝗽 𝗖𝗵𝗲𝗿𝗿𝘆 𝗖𝗵𝗮𝗻 𝗳𝘁. 𝗗𝗝 𝗭𝗮𝗶 & 𝗜𝘁𝗲𝗸 @thefakecherry @z4idj @tearjerkey 𝗝𝘂𝗹𝗶𝗮𝗻 𝗔𝗯𝗿𝗮𝗵𝗮𝗺 “𝗧𝗼𝗴𝗮𝗿“ + 𝗢𝗻𝗶 @onijazzygirl @hyphendotwebdotid 𝗦𝗮𝗹𝘁𝘆 𝗡𝗴 𝗫𝗶 𝗝𝗶𝗲 @saltythunder13 𝗹𝗼𝗹𝗼𝗹𝗼𝗹 @lololol_online 𝗞𝗮𝗺𝗮𝗹 𝗦𝗮𝗯𝗿𝗮𝗻 @kamalsabran #SonicShaman #聲波薩滿 #Borderless #SingaporeArtWeek #SingaporeArtMuseum ▶︎ •၊၊||၊|။||||။‌‌‌‌‌၊|• ❚❚ •၊၊||၊|။||||။‌‌‌‌‌၊|•◀ 📣 【精華影像上線】聲波薩滿：無界｜Day 3 最後一日，現場氣氛轉向更深層的敘事與參與🪔 透過靈性討論、田野錄音與頻率實驗，引導觀眾沉入內在意識。最後由參與式藝術作品《集體構成II》作結，不同背景的觀眾在音樂中共同作畫，完成這場跨地域、跨媒介的臨場相遇。🔮 🎥 觀賞活動精華片段：https://sonicshaman.live/videos/ by 三月影像 📸 觀賞活動精選照片：https://sonicshaman.live/photos/ (攝影：何苹、許博彥)

𝗥𝗘𝗖𝗔𝗣 ▶︎ •၊၊||၊|။• 𝗦𝗼𝗻𝗶𝗰 𝗦𝗵𝗮𝗺𝗮𝗻: 𝗕𝗼𝗿𝗱𝗲𝗿𝗹𝗲𝘀𝘀 | 𝗗𝗮𝘆 𝟮 On the second day, the entire museum transformed into a site of simultaneous, multi-point happenings.⚡From object theatre and dreamlike soundscapes to intense audiovisual performances, sound and light flowed continuously across different spaces. The finale pushed the atmosphere to its peak, showcasing the most visceral and transgressive side of sound art. 💥 🎥 FULL VIDEO EXCERPT at https://sonicshaman.live/en/video-en/ by @aquamarine_film 📸 HIGHTLIGHT MOMENT at https://sonicshaman.live/en/photo/ (Photo by Ping Ho @pingho.jpg , Po-Yen Hsu @syupoyen ) ▶︎ ─•──── 𝗦𝗼𝗻𝗶𝗰 𝗦𝗵𝗮𝗺𝗮𝗻 𝟮𝟬𝟮𝟲 | 𝗗𝗮𝘆 𝟮 𝗟𝗶𝗻𝗲𝘂𝗽 𝗧𝗭𝗘𝗖𝗛𝗔𝗥 @tzechar.art 𝗞𝗼𝗶𝗰𝗵𝗶𝗿𝗼 𝗢𝘀𝗮𝗸𝗮 𝗨𝗺𝗲𝗱𝗮 𝗧𝗲𝘁𝘀𝘂𝘆𝗮 𝗦𝘁𝘆𝗹𝗶𝘀𝗵 𝗡𝗼𝗻𝘀𝗲𝗻𝘀𝗲 @stylishnonsense 𝗧𝗵𝗲 𝗔𝗻𝗮𝗹𝗼𝗴 𝗚𝗶𝗿𝗹 @theanaloggirl 𝗠𝗲𝗿𝘃𝗶𝗻 𝗪𝗼𝗻𝗴 @mervinwong00 𝘄𝗲𝗶𝘀𝗵 @wweishh 𝗱𝗷 𝘀𝗻𝗶𝗳𝗳 @dj_sniff 𝗖𝗵𝗲𝗿𝘆𝗹 𝗢𝗻𝗴, 𝗗𝘂𝗰𝗸𝗨𝗻𝗶𝘁, 𝗟𝗼𝘂𝗶𝘀 𝗤𝘂𝗲𝗸, 𝗬𝘂𝗲𝗻 𝗖𝗵𝗲𝗲 𝗪𝗮𝗶 @cheryleatschips @duckunit_ @louintrgnt @yuencheewai 𝗫𝘂 𝗖𝗵𝗶𝗮 𝗖𝗵𝘂𝗻 + 𝗟𝘂𝗰𝗮 𝗕𝗼𝗻𝗮𝗰𝗰𝗼𝗿𝘀𝗶 @xu_jared @luchint_b 𝗦𝗼𝗰𝗶𝗮𝗹 𝗗𝗶𝘀 𝗗𝗮𝗻𝗰𝗲 @social.dis.dance @lovebettyapple #SonicShaman #聲波薩滿 #Borderless #SingaporeArtWeek #SingaporeArtMuseum ▶︎ •၊၊||၊|။||||။‌‌‌‌‌၊|• ❚❚ •၊၊||၊|။||||။‌‌‌‌‌၊|•◀ 📣 【精華影像上線】聲波薩滿：無界｜Day 2 活動進入第二天，整座美術館進入多點同步發生的狀態⚡ 從物件劇場、夢境聲景到充滿壓迫感的音像演出，聲響與光影在不同空間中持續流動。壓軸演出更將現場氛圍推向最高點，展現了聲音藝術最具衝撞性的一面。💥 🎥 活動精華片段：https://sonicshaman.live/videos/ by 三月影像 📸 活動精選照片：https://sonicshaman.live/photos/ (攝影：何苹、許博彥)