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𝗔 𝗙𝗹𝗼𝘄𝗲𝗿 𝗼𝗳 𝗙𝗼𝗿𝗴𝗲𝘁𝗳𝘂𝗹𝗻𝗲𝘀𝘀 𝗞𝘂𝗻𝘀𝘁𝗲𝗻𝗳𝗲𝘀𝘁𝗶𝘃𝗮𝗹𝗱𝗲𝘀𝗮𝗿𝘁𝘀 Les Brigantines/ 8-11.05.2026 𝗔𝗿𝘁𝗶𝘀𝘁𝘀 Apichatpong Weerasethakul Rueangrith Suntisuk Pornpan Arayaveerasid Akritchalerm Kalayanamitr Koichi Shimizu 𝗧𝗲𝗰𝗵𝗻𝗶𝗰𝗮𝗹 𝗔𝘀𝘀𝗶𝘀𝘁𝗮𝗻𝘁 Piti Boonsom 𝗞𝗶𝗻𝗲𝘁𝗶𝗰 𝗘𝗻𝗴𝗶𝗻𝗲𝗲𝗿 Laphonphat Doungploy 𝗣𝗿𝗼𝗱𝘂𝗰𝘁𝗶𝗼𝗻 𝗠𝗮𝗻𝗮𝗴𝗲𝗿 Kamonpan Pakpised 𝗠𝘂𝘀𝗶𝗰 𝗖𝗼𝗺𝗽𝗼𝘀𝗲𝗿𝘀 Ryuichi Sakamoto and Koichi Shimizu 𝗔𝗱𝗱𝗶𝘁𝗶𝗼𝗻𝗮𝗹 𝗪𝗶𝗻𝗱 𝗥𝗲𝗰𝗼𝗿𝗱𝗶𝗻𝗴𝘀 Lasse Marhaug 𝗣𝗶𝗮𝗻𝗼 𝗣𝗲𝗿𝗳𝗼𝗿𝗺𝗲𝗱 𝗯𝘆 𝗬𝘂𝗻𝗶 𝗠𝗼𝗿𝗶 𝗣𝗶𝗮𝗻𝗼 𝗥𝗲𝗰𝗼𝗿𝗱𝗲𝗱 𝗯𝘆 𝗚𝗲𝗻 𝗧𝗮𝗻𝗮𝗯𝗲 𝗔𝗱𝗱𝗶𝘁𝗶𝗼𝗻𝗮𝗹 𝗠𝘂𝘀𝗶𝗰 𝗖𝗼𝗺𝗽𝗼𝘀𝗲𝗱 𝗯𝘆 Wuttipong Leetrakul 𝗩𝗼𝗰𝗮𝗹 𝗯𝘆 𝗡𝗢𝗧𝗘𝗣 𝗖𝗢-𝗣𝗥𝗢𝗗𝗨𝗖𝗧𝗜𝗢𝗡𝗦 Kunstenfestivaldesarts Berliner Festspiele Tainan Arts Festival, Taiwan Sharjah Art Foundation Minato Arts Center m~m with Kick the Machine Films, DuckUnit, and Bangkok CityCity Gallery

𝗔 𝗙𝗹𝗼𝘄𝗲𝗿 𝗼𝗳 𝗙𝗼𝗿𝗴𝗲𝘁𝗳𝘂𝗹𝗻𝗲𝘀𝘀 𝗞𝘂𝗻𝘀𝘁𝗲𝗻𝗳𝗲𝘀𝘁𝗶𝘃𝗮𝗹𝗱𝗲𝘀𝗮𝗿𝘁𝘀 Les Brigantines/ 8-11.05.2026 𝗔𝗿𝘁𝗶𝘀𝘁𝘀 Apichatpong Weerasethakul Rueangrith Suntisuk Pornpan Arayaveerasid Akritchalerm Kalayanamitr Koichi Shimizu 𝗧𝗲𝗰𝗵𝗻𝗶𝗰𝗮𝗹 𝗔𝘀𝘀𝗶𝘀𝘁𝗮𝗻𝘁 Piti Boonsom 𝗞𝗶𝗻𝗲𝘁𝗶𝗰 𝗘𝗻𝗴𝗶𝗻𝗲𝗲𝗿 Laphonphat Doungploy 𝗣𝗿𝗼𝗱𝘂𝗰𝘁𝗶𝗼𝗻 𝗠𝗮𝗻𝗮𝗴𝗲𝗿 Kamonpan Pakpised 𝗠𝘂𝘀𝗶𝗰 𝗖𝗼𝗺𝗽𝗼𝘀𝗲𝗿𝘀 Ryuichi Sakamoto and Koichi Shimizu 𝗔𝗱𝗱𝗶𝘁𝗶𝗼𝗻𝗮𝗹 𝗪𝗶𝗻𝗱 𝗥𝗲𝗰𝗼𝗿𝗱𝗶𝗻𝗴𝘀 Lasse Marhaug 𝗣𝗶𝗮𝗻𝗼 𝗣𝗲𝗿𝗳𝗼𝗿𝗺𝗲𝗱 𝗯𝘆 𝗬𝘂𝗻𝗶 𝗠𝗼𝗿𝗶 𝗣𝗶𝗮𝗻𝗼 𝗥𝗲𝗰𝗼𝗿𝗱𝗲𝗱 𝗯𝘆 𝗚𝗲𝗻 𝗧𝗮𝗻𝗮𝗯𝗲 𝗔𝗱𝗱𝗶𝘁𝗶𝗼𝗻𝗮𝗹 𝗠𝘂𝘀𝗶𝗰 𝗖𝗼𝗺𝗽𝗼𝘀𝗲𝗱 𝗯𝘆 Wuttipong Leetrakul 𝗩𝗼𝗰𝗮𝗹 𝗯𝘆 𝗡𝗢𝗧𝗘𝗣 𝗖𝗢-𝗣𝗥𝗢𝗗𝗨𝗖𝗧𝗜𝗢𝗡𝗦 Kunstenfestivaldesarts Berliner Festspiele Tainan Arts Festival, Taiwan Sharjah Art Foundation Minato Arts Center m~m with Kick the Machine Films, DuckUnit, and Bangkok CityCity Gallery © 𝟮𝟬𝟮𝟲 𝗞𝗶𝗰𝗸 𝘁𝗵𝗲 𝗠𝗮𝗰𝗵𝗶𝗻𝗲 𝗙𝗶𝗹𝗺𝘀 / 𝗗𝘂𝗰𝗸𝗨𝗻𝗶𝘁 Photos : Apichatpong Weerasethakul, Rueangrith Suntisuk, Pornpan Arayaveerasid. More info : /a-flower-of-forgetfulness/

JPBS performs Wai Kru at Code Red® Live on Friday 24 April 2026. Band Members: JPBS - Jay Vatanakuljaras, Winn Phummarin, Wade Puaktes, Tong Phromma, Name Jareontananan, Sans Polsorn Scenography and Stage Design: DuckUnit - Rueangrith Suntisuk, Pornpan Arayaveerasid, Voratorn Peerapongpan Sound Engineer: C3S - Nopphon Cheng Costume and Styling: PROTOTYP Videographer: Abhichon Rattanabhayon Venue: Kangkao, Trinity Complex Silom, Bangkok Organizer: BANGKOK CITYCITY GALLERY #CodeRedLive #JPBS #DuckUnit #BangkokCityCityGallery

𝗧𝘄𝗼 𝗪𝗵𝗼 𝗥𝗲𝗺𝗲𝗺𝗯𝗲𝗿 𝘁𝗵𝗲 𝗦𝗲𝗮 Apichatpong Weerasethakul & Guo-Liang Tan In collaboration with Rueangrith Suntisuk and Pornpan Arayaveerasid Singapore Biennale 2025 Commission Courtesy of the artist and Bangkok CityCity Gallery Supported by One Bangkok.

4 months have passed, some things grew and some things died. 𝗧𝘄𝗼 𝗪𝗵𝗼 𝗥𝗲𝗺𝗲𝗺𝗯𝗲𝗿 𝘁𝗵𝗲 𝗦𝗲𝗮 Apichatpong Weerasethakul & Guo-Liang Tan In collaboration with Rueangrith Suntisuk and Pornpan Arayaveerasid Singapore Biennale 2025 Commission Courtesy of the artist and Bangkok CityCity Gallery Supported by One Bangkok. Singapore Biennale More Info : /twowhorememberthesea

JPBS Code Red® Live BANGKOK CITYCITY GALLERY / DuckUnit/ Prototyp UNTRYMAEW BED PAYU&JAKRIN

JPBS presents Code Red® Live April 24, 2026, 20:00 onwards KANGKAO, Trinity Complex Silom, Bangkok A curated night of live performances by JPBS (TH), joined by Untrymaew (TH), bed (JP), and Payu & Jakrin (TH), with scenography by DuckUnit (TH). The program moves as a continuous sequence of sound and performance. Alongside the event, JPBS collaborates with Taipei-based fashion label PROTOTYP (TW) on a capsule collection, launching onsite. Early Bird tickets (THB 890) will be available via Ticketmelon from April 1, 2026 at 20:00 (GMT+7). 🎫 /bangkokcitycitygallery JPBS presents Code Red® Live 24 เมษายน 2569, 20:00 เป็นต้นไป KANGKAO, ทรินิตี้ คอมเพลกซ์ สีลม, กรุงเทพฯ ค่ำคืนของการแสดงสดที่คิวเรทโดย JPBS (TH) ร่วมกับ Untrymaew (TH), bed (JP) และ Payu & Jakrin (TH) พร้อมการออกแบบฉากโดย DuckUnit (TH) โปรแกรมดำเนินต่อเนื่องในรูปแบบลำดับของเสียงและการแสดง JPBS ยังร่วมกับแบรนด์แฟชั่นจากไทเป PROTOTYP (TW) เปิดตัวแคปซูลคอลเลกชันภายในงาน บัตร Early Bird ราคา 890 บาท เปิดจำหน่ายทาง Ticketmelon ตั้งแต่วันที่ 1 เมษายน 2569 เวลา 20:00 น. (GMT+7) 🎫 /bangkokcitycitygallery #CodeRedLive #JPBS #DuckUnit #bed #Untrymaew #PayuJakrin #Kangkao #BangkokCityCityGallery

𝑻𝑯𝑬 𝑮𝑯𝑶𝑺𝑻 𝑻𝑨𝑲𝑬𝑺 𝑼𝑺 𝑩𝒀 𝑻𝑯𝑬 𝑯𝑨𝑵𝑫 Korakrit Arunanondchai and Tosh Basco with Rueangrith Suntisuk, Pornpan Arayaveerasid, Aaron David Ross, Alex Gvojic, Michael Beharie 20,21 February 2026 @EMPAC Theater, Troy, NY Photo credit @michael_valiquette

Ny @duckunit_ | 𝗘𝗺𝗯𝗮𝗿𝗴𝗼 𝗢𝗳 𝗦𝗶𝗹𝗲𝗻𝗰𝗲 𝗦𝗼𝗻𝗶𝗰 𝗦𝗵𝗮𝗺𝗮𝗻 𝟮𝟬𝟮𝟲 𝗕𝗼𝗿𝗱𝗲𝗿𝗹𝗲𝘀𝘀 Zora Harbour designed by DuckUnit 𝗘𝗺𝗯𝗮𝗿𝗴𝗼 𝗢𝗳 𝗦𝗶𝗹𝗲𝗻𝗰𝗲 Yuen Chee wai Louis Quek Cheryl Ong DuckUnit The Embargo of Silence is conceived and curated by Yuen Chee Wai. It consists of a concert performance that responds to the use of the silent-disco sound technology, where both performers and audiences listen to the work only through headphones. Three musicians Cheryl listen to the work only through headphones. Three musicians Cheryl Ong, Louis Quek, and Yuen Chee Wai perform live, transitioning between improvised electronic music and DJ sets while siloed within luminous scaffolds designed by DuckUnit. This choreography is both possessional and processional. No listener can be certain of what another is hearing: shared yet unverified, withheld yet unapologetic. This is the secrecy of the medium — the Embargo of Silence. @twentytwohalo | #twentytwohalo #lighting #visualarts

Good news! For those that missed their chance to experience The Observatory & Duckunit’s VR work MEMBRANE, now is your chance as we have extended its run at Oldham Theatre! Membrane is a work that explores how cave paintings may have been civilisation’s first instance of cinema. This immersive work can now be experienced Fridays to Sundays 11am - 7pm until Sunday, 1 March. Pre-book your slot: bit.ly/MembraneAFA ! Part of the Singapore Biennale #AsianFilmArchive #ExploreAsianCinema . . . . . . #AsianCinema #arthousecinema #supportlocalsg #southeastasiancinema #filmarchive #indiemovie #thingstodo #arthousecinema #worldcinema #arthousefilm #auteur #auteurcinema #filmfestival #filmarchive #cinematheque #artexhibition #artinstallation

𝗦𝗼𝗻𝗶𝗰 𝗦𝗵𝗮𝗺𝗮𝗻 𝟮𝟬𝟮𝟲 𝗕𝗼𝗿𝗱𝗲𝗿𝗹𝗲𝘀𝘀 𝗘𝗺𝗯𝗮𝗿𝗴𝗼 𝗢𝗳 𝗦𝗶𝗹𝗲𝗻𝗰𝗲 Designed by DuckUnit Yuen Chee wai Louis Quek Cheryl Ong DuckUnit Singapore Art week Singapore Art Musuem More info : /embargo-of-silence The Embargo of Silence is conceived and curated by Yuen Chee Wai. It consists of a concert performance that responds to the use of the silent-disco sound technology, where both performers and audiences listen to the work only through headphones. Three musicians Cheryl listen to the work only through headphones. Three musicians Cheryl Ong, Louis Quek, and Yuen Chee Wai perform live, transitioning between improvised electronic music and DJ sets while siloed within luminous scaffolds designed by DuckUnit. Here, silence is not presented as a void or absence but as a condition that changes how listening operates. It introduces a deliberately introspective mode of listening — one where sound does not assert itself into space but waits to be encountered. Rather than resonating publicly, the music trespasses directly into the listener’s inner terrain, allowing interpretation and response to unfold privately rather than collectively. The work shifts music from something that occupies the room to something that occupies the body. Every listener becomes a singular room. This choreography is both possessional and processional. No listener can be certain of what another is hearing: shared yet unverified, withheld yet unapologetic. This is the secrecy of the medium — the Embargo of Silence.

𝗦𝗼𝗻𝗶𝗰 𝗦𝗵𝗮𝗺𝗮𝗻 𝟮𝟬𝟮𝟲 𝗕𝗼𝗿𝗱𝗲𝗿𝗹𝗲𝘀𝘀 Zora Harbour designed by DuckUnit 𝗘𝗺𝗯𝗮𝗿𝗴𝗼 𝗢𝗳 𝗦𝗶𝗹𝗲𝗻𝗰𝗲 Yuen Chee wai Louis Quek Cheryl Ong DuckUnit Singapore Art week Singapore Art Musuem More info : /embargo-of-silence The Embargo of Silence is conceived and curated by Yuen Chee Wai. It consists of a concert performance that responds to the use of the silent-disco sound technology, where both performers and audiences listen to the work only through headphones. Three musicians Cheryl listen to the work only through headphones. Three musicians Cheryl Ong, Louis Quek, and Yuen Chee Wai perform live, transitioning between improvised electronic music and DJ sets while siloed within luminous scaffolds designed by DuckUnit. Here, silence is not presented as a void or absence but as a condition that changes how listening operates. It introduces a deliberately introspective mode of listening — one where sound does not assert itself into space but waits to be encountered. Rather than resonating publicly, the music trespasses directly into the listener’s inner terrain, allowing interpretation and response to unfold privately rather than collectively. The work shifts music from something that occupies the room to something that occupies the body. Every listener becomes a singular room. This choreography is both possessional and processional. No listener can be certain of what another is hearing: shared yet unverified, withheld yet unapologetic. This is the secrecy of the medium — the Embargo of Silence.