Thought I’d share my own personal story around how I stumbled across
@deathfromdetroit ’s music and history ahead of this Saturday’s screening of A Band Called Death at
@suite.e.studios — as well as how that came to be.
It’s 6am in Detroit during
@movementdetroit and Memorial Day Weekend.
@soundsignature is in the middle of a 6 hour set. The sun is up and he puts on this infectious looped bassline, guitar, and drums that feels like it goes on forever. It’s Death’s “Politicans in My Eyes,” and clearly an extended edit that only teases the chorus. People are jumping up and down. It feels like a moment.
I get home and look up the band to discover their amazing history and that there’s a documentary about them. I felt like I was late to the party, but still happy to be along for the ride. While I love proto-punk and post-punk music, it’s not my forte. Unique unto its own, the story and film shares a lot of similarities to other music documentaries I’ve enjoyed like Charles Bradley: The Screaming Eagle of Soul and Searching for Sugarman.
I’ve been serving on the board of my friend from college,
@camerontracyilan ’s, film festival,
@diffestival , since its inception. During this, I’ve gotten a big for screening special selection dance music documentaries like
@detroitsoundproject ’s Electric Roots,
@sallysommer123 ’s Check Your Body at the Door,
@rfwimberly2chi ’s The Woodstock of House,
@corrado.rizza ’s Larry’s Garage, and
@still_music_chicago ’s Taking Back the Groove. These have been some of my favorite things I’ve been a part of during my career. Didn’t wind up doing one this year, but still had that itch, so this Saturday will scratch that.
When I reached out to the film maker,
@howlermano , he just so happened to have some dates he’d already be in Tampa for his tintype portraits at
@cigarcitytattoofest . That date aligned with the
@blackartandfilmfestival that my friend from my
@thefactorystpete days
@amazncran is a part of. I’ve also helped them with some sound equipment in the past.
Continued in the comments…