Wes Langdon

Edit. All new material in these ✌🏼thanks 4 the work, let’s do more.

Color. All new material in these ✌🏼thanks 4 the work, let’s do more.

We have poster 🚀 @neo.innov.officiel crushed this. HIRE HUMAN ARTISTS 🫶🏼 Now onward with the promo machine… •• 12/17/25

Flexible production tools for the modern filmmaker. Coming to iOS & Android summer 2026.

Finished scoring with @stephenkeech today. I can’t believe I even entertained locking the original music now. What a leap in both quality (duh) and nuance. There’s so much humanity and texture to it, it reframes the visuals beautifully. I hope we can do many more dude. Thank you for sharing your gifts. Off to mix, then… the world.

The Carhartt x Yellowtail director’s cut Victoria and I had been joking about treating ourselves to starting like last summer is finally up. A bit more breathing room while also spending more time with the Crow Nation, and a killer new original score :) dir: @victoriawill dp: @wheels41215 cut & color: ✌🏼 music: @olliechanin sound design & mix: @austenmoret

did some of this today, for the first time in y e a r s.

Here is a fun sentence to type- WE ARE GOING TO SLAMDANCE! Grateful that I was invited into this very special project as Producer (and DIT) - but this all starts and ends with @louiejustlouie and @zoetyson - the heart and soul behind this funny, weird, heartfelt, and timely show. Think @ilovelashow but darker, sillier, and queerer in all the best ways. I remember the first day on set, an overnight, where the entire crew rallied together to make something with a true independent spirit. Amazing direction by @moovyman1 . Produced by the masterful @kimberlyparkeratelier Beautifully shot by @brent_johnson edited and colored by wiz kid @supervibrant - the pilot looks like a million bucks. Screening @slamdancegroup is truly just the beginning of the journey for @daddiesboi_ - we hope to see you there! And to all my development friends looking for a fresh funny hit - I might know a way to get you a private screener… Follow the team above for updates, and remember, when a friend asks you to show up on set and help - you say yes, you never know where it might lead and who you might meet. Thanks for @louiejustlouie and @zoetyson for trusting me as we move forward! Onward and upward!

New year starts the ~6 month countdown on this lease. Really gonna miss this workspace. Will we stay in Nashville another year or two? Maybe New York or Chicago? Leave the states altogether for a few years? Who knows. No matter what happens, I know the people I have met and get to work with here are some of the best ever, and it feels like we’re still just getting started here.

Wanted to learn something new. For years I was the drummer vibing with bassists and now maybe I’ll get to be a bassist vibing with drummers 🤘🏼

seven 🍾🌹 •• 12/08/25

NICE LIFE 🏍️👡🌵 •• Color on another one for MŌRIAH with THAT BOI @diegocacho_ providing lewksss. This woman is a ball of sunshine that leaves our house with Kailey and I in a better mood? How? That joy seeps into everything, including this song she wrote for her stud of a husband @joelsmallbone . She killed this edit and concept, and even learned how to prep an XML turnover this time 🤓 looking forward to the next one buddy, just happy to be in your orbit 🤘🏼 Dir/edit: @holamoriah DP: @diegocacho_ VFX: @kateshawkeye (you were CLUTCH, girl. Clutch. Thank you so much.)