Phion Symphony Orchestra has a new identity featuring a font that sways like a directors baton. The capital letters move with the music and the rest of the text follows suit, making of a uniquely visually dynamic identity in a world where — expectedly — music usually sets the tone.
That has not gone unnoticed: we heard this week that Phion Symphony Orchestra has been awarded a spot in @typedirectors annual book of The World’s Best Typography!
Typeface is GT Planar by @grillitype and adapted by yours truly.
@orkestphion has a new identity featuring a font that sways like a conductor’s baton. The capital letters move with the music and the rest of the text follows suit, making of a uniquely visually dynamic identity in a world where — expectedly — music usually sets the tone.
That has not gone unnoticed: we heard this week that Phion Symphony Orchestra has been awarded a spot in @typedirectors annual book of The World’s Best Typography!
Typeface is GT Planar by @grillitype and adapted by yours truly.
@orkestphion has a new identity featuring a font that sways like a conductor’s baton. The capital letters move with the music and the rest of the text follows suit, making of a uniquely visually dynamic identity in a world where — expectedly — music usually sets the tone.
That has not gone unnoticed: we heard this week that Phion Symphony Orchestra has been awarded a spot in @typedirectors annual book of The World’s Best Typography!
Typeface is GT Planar by @grillitype and adapted by yours truly.
We’ve reached 35K followers on Instagram! Thank you for your support and for following along with us. Here’s to many more exciting projects and updates to come.
This weekend, Pixel Pioneers is opening in the @boijmans Depot! This exhibition showcases how artists play with technology and how some inventions, such as the pixel, affected arts and culture as we know it today.
We translated this digital revolution into an exhibition campaign in RGB. The pixels move and confuse your eyes, the colours bright and digital — red, green and blue!
Photography by @raafblanker
Trailer by @studiobengbeng
Sound on! After more than a century of discussion it’s (probably) happening: Amsterdam will build a bridge over the River IJ, connecting Amsterdam Noord to the rest of the city. @loods6 is located on the edge of the river, right where the bridge is planned to be built.
To discuss the bridge of the future (and the future of the bridge), Stad in de Loods hosted a lecture evening on the matter. And we constructed an animated poster to celebrate this future construction.
Typeface: Jean-Luc by @carvalho_bernau
Passing through Utrecht you might have seen it already: HKU, the Utrecht Arts Academy, has a new identity. It contains a bit of old elements (the logo we designed in 2012) and a whole lot of new space for the students’ work! Photography by @elise_photographyy
@omroepvpro is 100 years old! Since 1926, the Dutch broadcaster and all of its viewers have been free to scream, explore, question, reveal, think, dream and discover how the world works and changes.
We made VPRO a campaign that celebrates all of that and more, to ensure we step into the next century with as much curiosity and spirit as the last one!
We’re proud to present the very first edition of thonik line up: a lecture series on the design world as we know it, discussed by designers we admire.
On Thursday April 2, we kick off with a first edition on imperfection with @studiomut ‘s Thomas Kronbichler and @teamthursday ‘s Loes van Esch for an evening on the joy and drama of designing imperfections in a world that mostly showcases the smooth and perfect end result.
We still have a few spots left, so join us for talks, drinks and inspiration in the thonik loft, above our studio.
RSVP via the link in bio or sign up on the waiting list!
Photography by @lizawolters , typeface: Foundry Lineu by @thefoundrytypes , motion by @roy.terhorst and @_max.vn@studiothonik
The Keukenhof gradients are a reflection of all colours in the tulip park and the Castle’s estate. We made two sets of gradients which gave both of the identities their own feeling, while the use of a gradient themselves binds them together.
They form a lovely backdrop to the identity in the park, on the estate and online.
The Keukenhof season of 2026 is in full swing and throughout the park, our identity colours the park, along with millions of flowers. Such a joy to see the new identity shine! In park photography by @thijsdelange_photo
