SHUKYU Magazine 12
FUN ISSUE
*English text below
サッカーの楽しみ方は、一つではありません。プレーすること、観ること、着ること、読むこと、聴くこと、集めること、食べること、語ること…。そのどれもがサッカーの一部であり、それぞれに異なる入口があります。
12号目のテーマは「FUN」です。今号では、様々な形でサッカーを楽しむ方々にお話を伺いました。
過去最大規模のワールドカップを控え、これまで以上にサッカーへの注目が高まる中、今号ではこのビッグイベントを支える方々にも焦点を当てています。最前線に立つ人々の思考の裏側に迫るインタビューをお楽しみください。
そして、ファッション、カルチャーとサッカーの関係性についても改めて掘り下げています。
5/27より国内外の書店、カフェ、サッカーショップ、4BFC、SHUKYU ONLINE MARKETなどで順次発売予定です。ただいまオンラインストアで先行予約を受付中です。
また、6/3-9に伊勢丹新宿店でポップアップイベントを開催します。最新号やスペシャルアイテムの販売、ユニフォームカスタムを実施予定です。次の10年に向けた新たな試みとなるイベントになりそうです。詳細はこちらで後日告知させていただきます。
There is no single way to enjoy football. Playing, watching, wearing, reading, listening, collecting, eating, talking about it—each is part of the game, and each offers its own unique point of entry.
The theme of Issue 12 is “FUN.” For this issue, we spoke with people who engage with football in a wide variety of ways.
As anticipation builds for what will be the largest World Cup ever held, this issue also shines a light on the people supporting this global event behind the scenes. We hope you enjoy the interviews, which offer a closer look into the thinking and perspectives of those working at the forefront of the game.
At the same time, we revisit the relationship between football, fashion, and culture.
Starting May 27, it will be released progressively at bookstores, cafes, football shops, 4BFC, and the SHUKYU ONLINE MARKET in Japan and abroad. Pre-orders are currently available through our online store.
We will also be hosting a pop-up event at Isetan Shinjuku from June 3–9. The event will feature the latest issue of the magazine, special items, and jersey customization.
Having completed our 10th anniversary year, this event marks a new step toward the next decade of SHUKYU, so we hope you’ll look forward to it. More details will be announced here soon.
BLACKWARE - STUDIO HALFTIME
@studiohalftime@azou.studio@isaiahsuko@jesserussell__
Blackware was published on the occasion of Studio Halftime’s release of Collection 001. The book documents Lev Rosenbush’s ceramic practice, drawing on ten years of material research and experimentation. Through edited anecdotes and process documentation, Blackware offers insight into the development of the collection. Designed by Noam Ballon of Azou Studio, the book interprets Rosenbush’s working process through form. Photography by Jesse Russell and film stills by Isiah Suko.
First quarter of the year and first milestones. Bringing production back home, own kiln, own wheel let’s get it!!!! Excited to show you all the new creations we’ve been making the last months. Keep your eyes peeled x
🇮🇹/🇬🇧
Siamo soliti proporvi la nostra classica rubrica mensile composta da cinque brand da conoscere, accomunati dall’incontro tra calcio (o sport) e moda. È una rubrica che, oltre a informare, racconta come si sta muovendo il mercato e come questa industria stia rispondendo a quella che ormai non è più una tendenza, né tantomeno una novità: la fusione tra estetica sportiva e moda.
Ci sono però due brand che stanno riscrivendo le regole di questo legame e che forse riescono a dirci davvero a che punto sia arrivato, ormai divenuto normalità: e se il futuro del rapporto tra calcio e moda non fosse più quello di trasporre elementi scontati dell’estetica calcistica, come template o colori sociali, ma piuttosto quello di reinterpretare dettagli che spesso passano in secondo piano, rendendo “quiet” anche l’intersezione tra queste due sfere?
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We usually bring you our classic monthly column featuring five brands to know, united by the intersection of football (or sport) and fashion. It’s a column that, beyond informing, tells the story of how the market is moving and how this industry is responding to what is no longer a trend: the fusion of sports aesthetics and fashion.
There are, however, two brands that are rewriting the rules of this relationship and perhaps showing us just how far it has come, now that it has become the norm: what if the future of the connection between football and fashion were no longer about translating obvious elements of football aesthetics (such as templates or team colors) but instead about reinterpreting details that often go unnoticed, making the intersection between these two spheres very “quiet”?
