Stefanie Schwarzwimmer

Nassim L’Ghoul & Stefanie Schwarzwimmer⁠ Barometer of Self-Optimization⁠ ⁠ On view until January 10⁠ 📍@galerieklemms ⁠ ⁠ Klemm’s presents Barometer of Self-Optimization, a video programme featuring works by @n_lghoul (*1997 in Bad Soden) and @stschw (*1990 in Linz), with screenings at Klemm’s Downstairs. Complementing Sven Johne’s exhibition Eternal 20th Century, the programme explores conceptual links across generations, touching on themes of violence, labour, war, and the uncanny. In his works, Nassim L’Ghoul creates dreamlike 3D animations in which personal associations flow freely. His films are built around “prepass images” — intermediate renderings usually unseen in the final animation process. Stefanie Schwarzwimmer constructs virtual spaces mixing memories, media, and pop culture, forming satirical reflections on social trends. Her work examines content creation, self-optimization, consumerism, and visual power in a media-saturated world. ⁠ ⁠ Image: Stefanie Schwarzwimmer, Seedless Fruits, 2025. Film still. Courtesy of the artist and Klemm’s.

Nassim L’Ghoul & Stefanie Schwarzwimmer ‘Barometer of Self-Optimization’ NOV 21 - JAN 10, 2026 Klemm’s presents 'Barometer of Self-Optimization', a video programme featuring works by Nassim L’Ghoul (*1997 in Bad Soden) and Stefanie Schwarzwimmer (*1990 in Linz), with screenings at Klemm’s Downstairs. Complementing Sven Johne’s exhibition 'Eternal 20th Century', the programme explores conceptual links across generations, touching on themes of violence, labour, war, and the uncanny. In his works, Nassim L’Ghoul uses digital and conceptual tools to abstract personal experiences and interweave them with found material. By re-contextualising these fragments, hybrid environments are created that oscillate between the real and the imaginary. Stefanie Schwarzwimmer constructs virtual spaces mixing memories, media, and pop culture, forming satirical reflections on social trends. Her work examines content creation, self-optimization, consumerism, and visual power in a media-saturated world. Screenings: Saturdays, 12–6 pm, Nov 21–Jan 10, 2026, and by appointment. @n_lghoul @stschw Image: Nassim L’Ghoul, ‘Soliloquy’, 2025. Film still. #nassimlghoul #stefanischwarzwimmer #klemmsdownstairs #berlin

Tomorrow! transmediale x Emerging Eye Network screening: No Signal, Still Watching 📅 November 12, 19:00 📍 transmediale studio @transmediale 📍 Gerichtstraße 35, 13347 Berlin 💸 Donation-based admission Join us next Wednesday for an evening of short films and moving-image installations. Invoking Mark Fischer’s definition of “the eerie”, this screening explores the uncanny intersections of presence and absence, the body and technology. How do we navigate a world that is both hyper-visible and ghosted? What forms of agency does the eerie contain within it? Featuring works by Emerging Eye Network colleagues: Elisa Jule Braun @elisajulebraun , Vanessa Gravenor @vanessa_gravenor , Zeno Gries @zeno.gries , Laura Leppert @laura__leppert , Miljana Niković, Stefanie Schwarzwimmer @stschw , Hara Shin @shin_hara_ and Stefania Smolkina @stefania.smolkina Thank you Elisa, Zeno and Stefania for putting this together!

Dearest 🐲🐲🐲s We are super happy to introduce our first position for Dragoner.03. Lets welcome Steffi:):):) Stefanie Schwarzwimmer (*1990 in Linz) is a multimedia artist who lives and works in Berlin. From 2012 to 2018, she studied art and digital media at the Academy of Fine Arts Vienna under Constanze Ruhm. Her work has been exhibited internationally in solo and group exhibitions, including at Kunsthal Charlottenborg in Copenhagen (2020), at Deborah Bowmann in Brussels (solo exhibition, 2021), at Kasseler Kunstverein (2022), at Oberösterreichischer Kunstverein (solo exhibition, 2024) and in solo screenings at Kunstverein der Rheinlande und Westfalen Düsseldorf as part of the ‘Another Eye’ series (2024) and at KW Berlin as part of a ‘Pogo Bar’ event (2024). In her works, she builds virtual spaces consisting of memories, media images and pop culture elements. They can be read as satirical and self-critical barometers of social trends. Topics such as content creation, self-optimisation and questions about the apparent evidential power of the image find their way into her works. Nighttime. A plate is rotating around its own axis without tipping over. Several people around the world discover the mysterious incident during the night. They film it with their mobile devices and comment on it in their respective languages. The work deals with the increasingly disappearing line between fact and fiction and the disputed notion of the photograph as being evidential as all scenes were built, textured and rendered with 3D Software, although appea- ring realistic. Silent Revolution plays with these circumstances and explores its speculative potential. It creates an altered string of reality—evidential material for a fictitious event.

SAVE THE DATE! March 13, 2025, 8 pm FLIPPING THE COIN x Studio IIII - #2 For the second edition of Flipping The Coin’s residency at Studio IIII, we are pleased to present a selection of video works by Elisa Jule Braun, Stefanie Schwarzwimmer, Moritz Stumm and Stefan Neuberger, alongside a live performance by Helga Wretman and a live A/V show by Henk Heuer and Moritz Stumm. There’s an invisible force running through these works, manifesting in different ways. KONTROLLE examines the power dynamics between animals, state authority, and, implicitly, the citizens. In CALIBRATION MUM: I PREFER NOT TO, motion-tracking suit technology is translated into the domestic sphere, revealing the robotic, repetitive movements of unpaid care work. SILENT REVOLUTION presents a rhythmic sequence of short amateur recordings of a self-spinning plate, appearing autonomously in various locations—an uncanny, glitch-like disruption in familiar surroundings. In the performance BONDFIRE, you will have the opportunity to control fire—holding the flame in your right hand. IBOGAIN will guide through altered states of consciousness with immersive audiovisual stimuli—incorporating acoustic illusions like binaural beats. For this edition, new versions of the works have been created exclusively for the space, offering an immersive experience. Elisa Jule Braun @elisajulebraun Stefanie Schwarzwimmer @stschw Moritz Stumm and Stefan Neuberger @moritzstumm @stefanneuberger_photo Helga Wretman @helgawretman Henk Heuer @bloomfeld admission fee early bird 8-10 pm 5€ then 10 € Studio IIII Potsdamer Straße 96, Berlin 10785 @studio1111berlin video: Silent Revolution, 2018 © Stefanie Schwarzwimmer

SAVE THE DATE—>~~> All that Glitters//Emerging Eye Network Sat. Feb 1 Doors Open 18:30 Screening Starts 19:00 @rbf_xberg Regenbogen Fabrik Kino, Lausitzerstr 21a 10999 Berlin EN The Emerging Eye Network was founded in 2023 by filmmakers to promote horizontal exchanges in the development of moving image works. Once a month, members meet in different studios to present their works-in-progress, discuss current funding applications and receive constructive feedback. With the screening “All that Glitters,” the network presents a selection of its members’ short films for the first time. The program brings together individual artistic positions which reflect experimental expansions of the documentary genre. Nodding to the phrase “All that Glitters” is not gold, the films ask for different observations of today’s conditions of reality in the hopes of a new distribution of those very terms. DE Das Emerging Eye Network wurde 2023 von Filmemacher*innen gegründet, um den niederschwelligen Austausch und die Weiterentwicklung eigener Bewegtbild-Arbeiten zu fördern. Einmal im Monat treffen sich die Mitglieder in wechselnden Studios, um ihre Work-in-Progress-Projekte zu präsentieren, um über laufende Förderanträge zu sprechen und konstruktives Feedback zu erhalten. Mit „All that Glitters" präsentiert das Network erstmals eine Auswahl an Kurzfilmen ihrer Mitglieder. Das Kurzfilm Programm versammelt individuelle künstlerische Positionen, die experimentelle Erweiterungen des dokumentarischen Genres reflektieren. In Anlehnung an den Satz „Es ist nicht alles Gold, was glänzt" fragen die Filme nach anderen Beobachtungen heutiger Wirklichkeitsbedingungen in der Hoffnung auf eine neue Verbreitung eben dieser Begriffe. Suggested Donation: 5 euros . Participating artists: Veneta Androva @veneta_androva , Jessica Arseneau @jesssarseneau , Elisa Jule Braun @elisajulebraun , Marlene Denningmann @mmmmelone , Vanessa Gravenor @vanessa_gravenor , Zeno Gries @zeno.gries , Laura Leppert @laura__leppert , Miljana Nikovic, Nicolás Rupcich @rupcich , Stefanie Schwarzwimmer @stschw , Stefania Smolkina @stefania.smolkina , Tsai, I-Chieh @tsai_ichieh

Excited to be part of this year’s edition of Rencontres Internationales @ripbm ! My film „Seedless Fruits“ will be shown on Saturday and Sunday @fondationfiminco . Stop by if you happen to be in Paris! Make sure to also see „The Measures Taken“ by Mariam Aslanishvili @mar.mariamo , Jack Hogan @jacktomhogan , Matthias Planitzer @matthiasplanitzer and Can Kurucu @cankurucu ! It will be screened today and tomorrow @fondationfiminco . See full program here: /site/en/prog/index.php

I am pleased to be showing my film “Seedless Fruits” this Saturday, 16 November, as part of the conference “Shifting Tectonics” at the HAWK in Hildesheim (@hawk.gestaltung ). The screening will be followed by a discussion with the artist and multi-talent Matthias Planitzer (@matthiasplanitzer ), in which we will talk about space as a narrative instrument, among other things. Many thanks to Konstantin Haensch for the invitation! The film will be screened on Saturday at 11:45 and we’ll come together again for the talk after the lunch break at 01:45. The full conference programme is available here: /de/hochschule/fakultaeten-und-standorte/fakultaet-gestaltung/profil-aktuelles/shifting-tectonics Image: Clement Valla, Postcards from Google Earth, (2010, ongoing)

Bonjour Montreuil! I’m happy to invite you to „Servante sentinelle“, the third edition of the exhibition series KUTSCH curated by @margaux.bonop & @jeanbaptistecarobolante How exciting to show „Going Places 2020“ in such good company! @harissa_inn @agnesscherer Please check it out if you’re around! Curated by @margaux.bonop & @jeanbaptistecarobolante Graphics @g.r.garage_ Scenography @shmul.ch ➖ Artists @harissa_inn @agnesscherer @stschw ➖ 📅 Opening: Tuesday, September 24 at 6 p.m. 📅 Closing event: Saturday, December 14 ➖ 📍 Maison Populaire, 9 bis rue Dombasle 93100 Montreuil

I’m over the moon excited to show my latest film „Seedless Fruits“ tonight @kwinstitutefcontemporaryart within the Pogo Bar event series. The screening starts at 9pm is followed by an artist talk with curator Linda Franken @lin__d.a Please register if you’d like to come via [email protected] <3 Thank you so much Linda for the invitation and a huge thank you also to all contributors: Fantastic Sound Design: Christopher Schmidt Best Voice Acting: Anna Lucia Nissen @anchoressss Tino Hillebrand @tinohillebrand Sarah Loibl @loibl_sarah Axel Vormbäumen Fine Additional Visuals: Christian Schwarzwimmer @chrisschwarz______ Yurii Blyzniuk Super Professional Sound Studio: Nordkurier TV und Studio GmbH & Co. KG Dedicated Text Editing and Complimentary Text: June Drevet @junedrevet Thanks also to friends and family for your mental and physical support! ❤️

‚Uncanny Entrepreneurship’ brought us together… please join us tonight for the screening of ‚Seedless Fruits‘ @kunstverein_duesseldorf within the Another Eye screening series followed by a talk between co-editor and co-author of this inspiring collection of texts about work, tech and business #KonstantinHaensch. Thank you for coming all the way to Düsseldorf with me. I’m very grateful for your smart questions and observations and hope I‘ll live up to them. Looking forward to talk to you! A huge thank you also to @claramariablasius and @kunstverein_duesseldorf for the invitation and for making this happen! See you 🔜! The book was edited by #KonstantinHaensch @matthiasplanitzer @nelkner___ and @carolineballegaard and was published @textem It contains contributions by @ste.pdf Hito Steyerl @meyerwiedaslexikon Richard Barbrook and Andy Cameron just to name a few... It was beautifully designed by @nelkner___ 💫 …and a big source of inspiration for my film.

Here are some long overdue photos of my solo show @ooekunstverein in march/april in austria. I was very happy to premier my film ‚Seedless Fruits‘ in my hometown with lots of help by friends and family (especially my mom and my dear Tante Ingrid). Thank you all for your support and for dropping by! . I‘m also happy to announce that ‚Seedless Fruits‘ will be screened in Düsseldorf and Berlin very soon. I‘ll keep you posted! 📸 1-3: me 📸 4: Violetta Wakolbinger