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I was beyond flattered to read this review of LES CHENEAUX by @sahotchkiss for @kqedarts Incredibly thoughtful and poignant, thank you so much for somehow capturing everything I am going for with my paintings and more specifically, this body of deeply personal new work. Link to the full article in profile and stories, LES CHENEAUX on view @traywickcontemporary through May 17

Eleanor Harwood Gallery is pleased to announce an Artist talk and Q&A featuring Joe Ferriso and Steuart Pittman. Please join us on Saturday May 2nd from 5-6pm. May 2nd will also be the final day the view Joe Ferriso’s: Lost & Found and Daniel Albrigo’s: Dream Sequence

ample northern light in the new studio 🎨

A massive thanks to the inimitable omniscient narrator of Bay Area art world matters, @sahotchkiss , and @kqedarts for this incredibly thoughtful review of “opened and split” by @annievought at @traywickcontemporary It means the world to us getting the chance to bring this show into reality. Thank you so much @traywickcontemporary for making this happen and a huge congrats to @annievought , our belief in you and your work will never waver. Thank you, friend ⚽️ “opened and split” by @annievought is on view @traywickcontemporary through April 11 🔗 in profile + stories

There are still a few weeks left to see Annie Vought’s “opened and split” @traywickcontemporary in Berkeley. We couldn’t be more proud to co-present this remarkable body of work with @traywickcontemporary , Annie is a truly special artist. Contact @traywickcontemporary for appointments and gallery hours, and stay tuned for further closing events 🪚🪚 📸 @annievought “Look at what you’ve already dawned” 2025 Hand cut paper, oil stick, glitter, sequins, glue, graphite, charcoal, colored pencil, spray paint 61 x 49’’

Pleased to contribute this painting to the @kalaartinstitute auction benefit opening this Thursday. This was one of the first pieces I’ve made that incorporated a custom frame, a game-changer for my painting practice🪞 “Narc / Sissy” 2015 Oil on canvas with maple frame 17.5 x 15.5”

I’m honored to be included in BOOTLEG alongside a ton of my favorite artists and peers @bassandreiner presented by @basementvhs . It seemed timely to bring back this @sadvicious design that sold out every time I made a few for our merch table. I think that most people thought I was joking when I said that the inks were really runny and would stain their laundry (I was not). This new batch is *slightly* more stable - I think - and the design feels of this moment, wherein grift and graft have become the norm. Hope to see you at the opening @minnesotastreetproject March 7th 🦅 @steuartpittman “These Colors Don’t Run” 2026 $30 each - Hand-made in the U. S. A. by emerging artisans - Edition of 10, 5 Small and 5 Large - Printed on Gilden t-shirts with extremely runny inks - Heat-set but will likely damage other garments in conventional wash - Dog hairs present on garments

“Monoprint 2” Gouache on cotton rag Sheet 18.75 x 14” Plate 8 x 6” Printed by @courtneysennish @45th.street.editions 2024 Thank you @traywickcontemporary and @morganntrumbullprojects for exhibiting these, I can’t wait to make more!

@traywickcontemporary and @pacificsawworks are pleased to present “opened and split,” an exhibition of new works by @annievought (Santa Fe, NM). This solo exhibition of large format works marks an important moment in the artist’s career and a return to the Bay Area where her signature cut-paper reliefs first developed. The remarkable details that comprise Vought’s constructions bely their own depth; thousands of hand-cut fragments implore close inspection, but ultimately become consumed by the larger visual effect of the whole object. The impossibly intricate elements of Vought’s meticulous efforts are only fully realized in the full and finished works, evoking Color Field painting and the “All-Over” effect of Abstract Expressionism. Transforming paper in a self-described “painterly manner,” Vought achieves an impactful sense of stenciled flatness, enhanced by the chosen medium of black construction paper displayed on a white wall. But where her previous efforts sometimes relied on paper and the X-Acto knife alone, the compositions here incorporate subtle, additional moments of color and texture on the paper’s surface, as hints of oil pastel, sequins, glitter, glue drips, and spray paint adorn the compositions and further conflate Vought’s deeply personal imagery with the constructed object. Annie and her family are central to our world here in the Bay Area and this homecoming means so much to so many. If you know Annie and her artwork, you love her. If you don’t, you’re about to. Join us Saturday @traywickcontemporary 3-5pm and DM for info on a big dinner get-together afterwards. 📸 @annievought “Demeter” 2025 Hand-cut paper, oil stick, glitter, sequins, graphite, charcoal, colored pencil 65 x 58”

We’re honored to be working with Annie on ‘opened and split’, a new exhibition that brings her work back to the Bay Area, where her cut-paper reliefs first took shape. Built through thousands of hand-cut and collaged elements, the new works unfold slowly — dense, tactile, and materially rich. Opening February 7th. Annie Vought Demeter, 2025 Hand cut paper, oil stick, glitter, sequins, glue, graphite, charcoal, colored pencil 58 x 65’’

Truly incredible week @atriumfair sharing my Dad’s work with so many people. Already looking forward to next year. It takes a village, THANK YOU to everyone who took some time to really look, and especially: @sroosher @thelaststraw_sf @clam_tony @mitsuifinearts @regards_chicago @jruncio @milo.moyerbattick @morganntrumbullprojects @45th.street.editions @cruisecontrolcontemporary @internetpersonalities @glass.rice @eleanor_harwood_gallery @hit_sf Extending my utmost appreciation, thank you 🙏 📸 @johnpittmanstudio #419 - Chartreuse Channel 2025 Alkyd/Wood Relief 15 x 10 x 1.5”

@atriumfair is off to a great start. We resume today at 11am, come say hello at Booth 15 Honored to present work by @johnpittmanstudio in this collaborative production with @thelaststraw_sf @mitsuifinearts . Graham and Misako are unique and visionary thinkers and this is a dream partnership. Thank you @regards_chicago for your continued support of Dad’s work, it brings me great joy to talk - often at length - about Chicago art history and his role therein. Big gratitude also to @cushion_works_and_friends , @devening_projects and @morganntrumbullprojects for the encouragement, it takes a village. 📸 @clam_tony @thelaststraw_sf