On December 10th Spectral Mutation and the
@shelemay_sound_lab will present an evening of quadrophonic electroacoustic music at Harvard University featuring performers from the Cambridge/Boston area, NYC, and Asheville including:
@san_huan_ — a Brooklyn-based producer and live performer who shapes electroacoustic experimentation into compositions of dub, IDM, and techno. Their practice unfolds through deliberate physical encounters—naive percussion playing, unstructured synthesizer explorations, collaborative improvisations that capture the presence of human touch within electronic frameworks.
@shape_language___ — a flute performer, curator, and motion designer based in Brooklyn. His practice explores the beauty and terror of the choreography of earth’s atmosphere, hydrosphere, and lithosphere. He co-produces Heat Index, an event series which combines movement performance, electronic music, and contemporary art. He’s performed at venues such as La Souris Verte (FR), Light and Sound Design (BK), and Cattivo (PGH).
@jessica.shand — a flutist, producer, composer, and researcher based out of Providence, RI. She merges contemporary experimental classical, jazz, and electronic performance practices with mathematics and computer science to (de)construct sound as a relational interface between and among humans and machines.
@denvernuckollsmusic — a performer, composer, audio engineer, and educator based in the Boston, MA area. His creative practice centers around his various operations as a sonic shapeshifter, translating a world flooded with sound through a variety of explorations in musical presentation, documentation, and communication. His performances and compositions have activated spaces and events including Piano Craft Gallery [Boston, MA], The New Colossus Festival [New York City, NY], and MG Space [Beijing, China].
@chrislockmusic — an electronic musician, creative programmer, violist, film composer, and educator currently based in Asheville, NC. He creates densely textural electronic music which slowly mutates and morphs over time and is often saturated with abstract imagery of the natural world and biological phantasmagoria.
12.10.2025, 7pm