Sounds & Sons

@jeangabecker created the music for this @winsorandnewton "Art Mail" project. We are so happy to have contributed to this great ad by our close friend @arthurandrrre and the great team at @artpractice.studio Arthur is a budding talent, already bursting with ideas and skills, he's directing his first commercial work here and we're very excited to see what he's gonna do next. It was a real pleasure and challenge to follow Arthur, @mikeskrag and the great team at Art Practice on their explosive and creative adventure, to come up with ideas and innovations to portray in a musical way all the feeling of colours and tones displayed in the film. We had a whole lot of fun creating this piece, exchanging ideas with the team and recording mouth noises, body percussions, real percussions, bits of wood, all kinds of bits and bobs to finally assemble this ramshackle and imaginative piece of music. Director: @arthurandrrre Creative: @arthurandrrre , @mikeskrag , @jamesallenuk , @artpractice.studio Director of Photography: @elliott__lowe Camera Assistant: @jacklovell Global Head of Creative, Winsor & Newton: @holly_shires Creative Content Strategist: @joedavis_ Edit House: @workeditorial Editor: Art Jones @work_by_art_at_work Executive Producer: @27frank Assistant Editor: @louislocal Composer: @jeangabecker , @soundsandsons Audio Post Production: @stringandtins Sound Design and Mix: @i.am.kaspar Audio Producer: @clairetoms786 Additional Vocals: @itsliviao , @alina.m.producer Voices: @jonathan.sound , Luna Kendrick Post Production: @timebasedarts VFX Supervisor: Jamie Crofts VFX Artist: Viola Bascombe Colourist: @dani_simone_r Colour Assist: Tom Matthews, @aiden_.tobin Post Producer: Lily Barron Art Department: Lotte Brockbank Artworks: Rory Allen, Eilish Briscoe, Chris Bianchi, Gabriel Bryant, Finley Bryant, Andrew Carter, Dave Hunt, Jim Hunt, Helen Ireland, Harry Jones, William King, Belle Leuschke, Tom Matthews, Katie Moody, Stephanie Nebbia, Samuel Newell-Price Isabelle Pelling, Chloe Scott-Moncrieff, Matt Shires, Minnie Shires, Teresa Skrgatic, Aysha Tengiz, Esther Woodbridge Talent: Belle Leuschke BTS Director: @danlowetv Special thanks to Dan Tobin Smith Studio

⭐️ NEW WORK ⭐️ with @luc_reso_janin and the great team at Dentsu for Makita. This is the Director’s Cut - not so different from the client edit, just a bit shorter. Big up to all the dream team involved in the making. This job was such a memorable smooth ride. I enjoyed every minute of it. Great energy …shooting chainsaws in slow motion ;-)))) Full credits below: Client: Makita @makitaoutdoorsuk @makitauk Agency: Dentsu London @dentsu @dentsuuk @dentsucreativeuk Director: Luc Janin @luc_reso_janin Agency Producer: Anna Baker @4_the_magic_number Executive Creative Director: Jason Fletcher Music: Jean Gabriel Becker @jeangabecker Sound Design and Audio mix: Martin Leitner @soundsgoodaud.io Associate Creative Director: Michael Herbert @captainherby Production Company: The Gate Films @thegatefilms Film Director: Luc Rëso Janin @luc_reso_janin Director of Photography: Richard Stewart @richswork Producer: Josh Boswell @joshboswell_work Production Manager: Hannah Porter @hannahportermedia Lisbon production company: 24/7 @twentyfourseven_______tv Lisbon EP: Mariana Mota Lisbon Producer: Paula Miguel @paulacmiguel Lisbon Production Manager: Sofia Morais @anasofiamajor Lisbon Production Coordinator: Rita Cruz @ritafreitascruz Cast: Tatiana Teixeira Jonas Bartel Diogo Filipe Farinha Ribeiro Erasmo Martín Reyes Bello Ricardo Nogueira De Matos Martins Raphael Viana Behrends Casting Director: Bendita Profissão Location Manager: Luis Silva 1st Assistant Director: Dino Estrelinha @littlestar_obscura 2nd Assistant Director: Tiago Mendes 1st Assistant Camera: Maria João Schreck Gaffer: Paulo Alves (Aka Joca) Key Grip: Ricardo Abrantes @readysetgrip Drone: Manuel dos Drones Sound Recording: Edrice Saeed Production Designer: Carlos Cipriano (aka Fofi) @sardinha_assassina_studio Stand by Props: José Cascais @jose_cascais_art Wardrobe Stylist: Claudia Soares iamclaudiasoares Editor: Phil Currie @phil_noir_ @stitchediting Post producer: Juan Sanchez Zamora @thegateplus_ Colourist: Benjamin Rozario @thegateplus_ Motion Graphics: Luc Rëso Janin @luc_reso_janin

We collaborated once again with @luc_reso_janin to create the score for this great campaign for the @ewc_en E-Sport World Cup. Discussing the project with Luc, we set out to create a mid-tempo score that left a lot of space for accelerations and energy bursts. The music contributes to take the viewer on a journey through Saudi Arabia surrounded by a plethora of gaming heroes, going through various instruments and sensations as we evolve into the augmented reality Luc created. Again, we worked hand in hand with our friends at @soundsgoodaud.io to marry sounds and music to create a sonic that would complement the beautiful visual effects on the film. Client: EWC Agency: Extend Production company: Truffle Director: Luc Rëso Janin Director Of Photography: Dan Holland Executive Producer: Michel Abou Zeid Senior Producer: Georges Rouhana Producer: Rytta Mezher Line Producer: Sami Abou Zeid Assistant Director: Alyne Kabboul Focus puller: Hanna Hissa Key Grip: Elie Touma Gaffer: Alex Ikonomidis Steadycam Operator: Stefan Mangir Production Coordinator: Gehad AlBadwi Location Manager: Joe Fayad Art Director: Rawan Bazerji Casting Director: Jessica Saadeh Stylist: Joyce Saadeh SFX Makeup: Elie Khater Makeup artist: Rania Douihech Hair stylist: Samar Nabhan DIT: Khalil Berkachy VFX Supervisor: Sean Mathiesen Post Producer: Mary Bou Akl Edit: Rizwan Maple and Luc Rëso Janin Post House: Mathematic Mathematic porducer: Jérémy Dumetre Mathematic CD: Guilow Audibet Colour grade: Fran Condor AI artist: Aidan Gibbons Comp: Luc Rëso Janin and Arjen Van Der Wall Music: Jean-Gabriel Becker @soundsandsons Sound Design: Martin Leitner @soundsgoodaud.io

Les Ailes Collees, premiered on France2 on the 14th May at 21.10. Original score by @jeangabecker A moving story about teenage love and homophobic bullying. A film by Thierry Binisti, adapted from @sophie_de_baere 's novel of the same name. Une histoire bouleversante sur l'amour adolescent et le harcelement homophobe, un film par Thierry Binisti, adapte du roman a succes de @sophie_de_baere . Musique originale par @jeangabecker Un grand merci a Sam a @mobyzikcom et @sashalyrika a @mediawan.officiel , a notre merveilleux realisateur Thierry Binisti et @jeannainchrik pour nous avoir fait confiance pour la musique. #FranceTelevisions #lesailescollées #bandeoriginale #musiqueoriginale #fiction #JeanGabrielBecker #Mobyzik

We collaborated with @luc_reso_janin and @supermint.paris to create the score for this great campaign for Yassir, featuring football's finest: the superstars of @psg @o.dembele7 @donnarumma @r_kolomuani and more... We worked our magic to create a piece of music that would convey energy, freshness and sophistication and for this, we worked hand in hand with our friends at @soundsgoodaud.io to marry sound and music to create a sonic that would complement the beautiful visual effects on the film. We used a range of classic analog and digital synths and delay and reverb effects to create the feeling of space and speed we intended.

Our main man @jeangabecker composed the score for this great feature-length film called "Les Ailes Collees" for @france.tv and @mediawan.officiel a few weeks ago. The film was presented as part of the official competition of several prestigious festivals in @festivaldelafiction in La Rochelle, @marseilleseriesstories in Marseille and @luchonfestival and received awards (no later than last Friday in @luchonfestival ) What a blast to have been part of this wonderful team. The film will air on @france.tv in the coming weeks, stay tuned

Cables

A few weeks ago, we collaborated with @artpractice.studio and @wonderhoodstudios to create the score for this great campaign for @ineos_grenadier . We worked with directors @mike.and.jim to create a piece of music that would convey the feeling of modernity and closeness to nature and the sense of mystery, wonder and discovery that INEOS brings to the car world. Wonderhood offered us the chance to continue the work we did on the original film and illustrate the INEOS Grenadier campaign as a whole on this brand film. We accepted this challenge as it was a great opportunity for us to expand our work on the music and create a more developed piece. So we went back to our analog synths and early digital distortion effects to score this fascinating film.

🕺 NEW WORK 🕺 We collaborated with the great teams at @artpractice.studio and @wiedenkennedy to create the score for this series of commercials for Heinz mayonnaise. @mike.and.jim have been very successful at creating a real cinematic experience on this campaign and gave us the task to create a piece of music that would set up the atmosphere to back it up. For this specific film, the epic depiction of a battleground was calling for a cinematic large scale score. Mike and Jim wanted to draw inspiration from some of Ridley Scott's classic battle scenes so we tried many different styles of classical score, with various levels of Middle-Eastern influence, from full-blown native instruments to slight melodic inflections... We settled on this simple classical motif which was played to emphasise the comic timing of the film. We love the humour and the high quality image, Mike and Jim are such imaginative and meticulous directors, it was a real pleasure to go deep into the nitty-gritty of the films with them. Hope you enjoy

It was a real pleasure to reunite with the great team at @knockknockldn to compose and produce the music for this second film promoting the timeless collaboration between American Fashion house @madewell and @alexachung . This time, the animators and VFXers worked hard at creating this jewel of a film. For us it was a good challenge to adapt our music to all these beautiful graphic elements, and, as before, with energy and sophistication.

We collaborated with @artpractice.studio and @wonderhoodstudios to create the score for this great campaign for @ineos_grenadier . We worked with directors @mike.and.jim to create a piece of music that would convey the feeling of modernity and closeness to nature. It was a long and fascinating process to create a range of tracks and discuss in depth with the production and creative teams to find the best fitting one. We used a range of classic analog synths and distortion effects to create a soundscape that would go through all the emotions in the film: mystery, wonder, discovery...

We collaborated with the great teams at @artpractice.studio and @wiedenkennedy to create the score for this series of commercials for Heinz mayonnaise. @mikeskrag and @jamesallen_tba have been very successful at creating a real cinematic experience on this campaign and gave us the task to create a piece of music that would set up the atmosphere to back it up. For this film, we tried many different styles of score, from epic classical to Carpenter-style moody electro but we all agreed on this unsettling blend of drones, slowed-down percussions and horror strings in order to create this immersive soundscape to help drive the story. We love the humour and the high quality image, Mike and Jim are such imaginative and meticulous directors, it was a real pleasure to go deep into the nitty-gritty of the films with them. Hope you enjoy