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Upcoming: Charlie Charlie Burtenshaw Private view: 16 May, 2 — 6pm 16 May – 20 June 2026
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Opening Saturday, May 16thCharlieCharlie Burtenshaw16 May — 20 June 2026Private view: Saturday 16 May, 2 — 6pmThe barn, the farmhouse, the low grammar of agricultural necessity have long served British painting as images of rootedness and belonging, a landscape that knows who owns it. Burtenshaw’s paintings offer no such assurance. Buildings stand where they should logically belong, yet something about them continues to feel slightly displaced. Recognition is therefore possible, but never entirely secure, and the viewer remains in the quiet uncertainty of looking at something that is still, in some sense, in the process of becoming visible.Charlie Burtenshaw (b. 1996, Medway, UK)photo: @dcphotovideo_@charlieburtenshaw
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Opening Saturday, May 16th Charlie Charlie Burtenshaw 16 May — 20 June 2026 Private view: Saturday 16 May, 2 — 6pm The barn, the farmhouse, the low grammar of agricultural necessity have long served British painting as images of rootedness and belonging, a landscape that knows who owns it. Burtenshaw’s paintings offer no such assurance. Buildings stand where they should logically belong, yet something about them continues to feel slightly displaced. Recognition is therefore possible, but never entirely secure, and the viewer remains in the quiet uncertainty of looking at something that is still, in some sense, in the process of becoming visible. Charlie Burtenshaw (b. 1996, Medway, UK) photo: @dcphotovideo_ @charlieburtenshaw
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2 days ago
PACHECO opens with Charlie, a solo exhibition by Charlie Burtenshaw, the artist’s first presentation with the gallery.16 May — 20 June 2026Private view: 16 May, 2 — 6pmImage:Charlie BurtenshawHouse Painting, 2026Oil on canvas102 x 82 cmphoto: @dcphotovideo_@charlieburtenshaw
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PACHECO opens with Charlie, a solo exhibition by Charlie Burtenshaw, the artist’s first presentation with the gallery. 16 May — 20 June 2026 Private view: 16 May, 2 — 6pm Image: Charlie Burtenshaw House Painting, 2026 Oil on canvas 102 x 82 cm photo: @dcphotovideo_ @charlieburtenshaw
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9 days ago
PACHECOpacheco.london
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PACHECO pacheco.london
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11 days ago
Last week to visit Edge of RefusalImage:Mick BarrPlismestion, 2026Ink on paper33 x 43 cm (framed)Museum Department operates by appointment only.Wednesday to Saturday14:00 to 18:00By appointment onlyTo book a visit or for all enquiries:info@soft-commodity.comPhoto: @dominiquecro@conor_ackhurst@ocrilim#williamsburroughs#coseyfannitutti@jillmldy#davidostrowski@spichtigunlimited
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Last week to visit Edge of Refusal Image: Mick Barr Plismestion, 2026 Ink on paper 33 x 43 cm (framed) Museum Department operates by appointment only. Wednesday to Saturday 14:00 to 18:00 By appointment only To book a visit or for all enquiries: [email protected] Photo: @dominiquecro @conor_ackhurst @ocrilim #williamsburroughs #coseyfannitutti @jillmldy #davidostrowski @spichtigunlimited
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24 days ago
On view at Museum Department, Soft Commodity HQEdge of Refusal, featuring works by Conor Ackhurst, Mick Barr, William S. Burroughs, Cosey Fanni Tutti, Jill Mulleady, David Ostrowski, and Tobias Spichtig.Image:Cosey Fanni TuttiTG Double Sided Promo Card, 1980Offset lithography on paper66 x 53 cm (framed)Cosey Fanni TuttiRustler, Vol. 2, No. 7, 1977Offset lithograph on paper62 x 82 cm (framed)Museum Department operates by appointment only.Wednesday to Saturday14:00 to 18:00By appointment onlyTo book a visit or for all enquiries:info@soft-commodity.comPhoto: @dominiquecro@conor_ackhurst@ocrilim#williamsburroughs#coseyfannitutti@jillmldy#davidostrowski@spichtigunlimited
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On view at Museum Department, Soft Commodity HQ Edge of Refusal, featuring works by Conor Ackhurst, Mick Barr, William S. Burroughs, Cosey Fanni Tutti, Jill Mulleady, David Ostrowski, and Tobias Spichtig. Image: Cosey Fanni Tutti TG Double Sided Promo Card, 1980 Offset lithography on paper 66 x 53 cm (framed) Cosey Fanni Tutti Rustler, Vol. 2, No. 7, 1977 Offset lithograph on paper 62 x 82 cm (framed) Museum Department operates by appointment only. Wednesday to Saturday 14:00 to 18:00 By appointment only To book a visit or for all enquiries: [email protected] Photo: @dominiquecro @conor_ackhurst @ocrilim #williamsburroughs #coseyfannitutti @jillmldy #davidostrowski @spichtigunlimited
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1 month ago
Conor AckhurstSaal, 2026Pencil on paper38 × 45 cmDerived from the intimate, in-the-round architecture of the Pierre Boulez Saal, Ackhurst’s drawing considers the concert hall as an instrument in its own right. Devoid of audience or performers, the work foregrounds the spatial conditions through which sound, proximity, and shared attention are shaped before the event of music itself.Now on view as part of the group show Edge of Refusal, until 25 April 2026.Museum Department operates by appointment only.Wednesday to Saturday14:00 to 18:00By appointment onlyTo book a visit or for all enquiries:info@soft-commodity.comPhoto: @dominiquecro@conor_ackhurst
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Conor Ackhurst Saal, 2026 Pencil on paper 38 × 45 cm Derived from the intimate, in-the-round architecture of the Pierre Boulez Saal, Ackhurst’s drawing considers the concert hall as an instrument in its own right. Devoid of audience or performers, the work foregrounds the spatial conditions through which sound, proximity, and shared attention are shaped before the event of music itself. Now on view as part of the group show Edge of Refusal, until 25 April 2026. Museum Department operates by appointment only. Wednesday to Saturday 14:00 to 18:00 By appointment only To book a visit or for all enquiries: [email protected] Photo: @dominiquecro @conor_ackhurst
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On view at Museum Department, Soft Commodity HQEdge of Refusal, featuring works by Conor Ackhurst, Mick Barr, William S. Burroughs, Cosey Fanni Tutti, Jill Mulleady, David Ostrowski, and Tobias Spichtig.Museum Department operates by appointment only.Wednesday to Saturday14:00 to 18:00By appointment onlyTo book a visit or for all enquiries:info@soft-commodity.comPhoto: @dominiquecro@conor_ackhurst@ocrilim#williamsburroughs#coseyfannitutti@jillmldy#davidostrowski@spichtigunlimited
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On view at Museum Department, Soft Commodity HQ Edge of Refusal, featuring works by Conor Ackhurst, Mick Barr, William S. Burroughs, Cosey Fanni Tutti, Jill Mulleady, David Ostrowski, and Tobias Spichtig. Museum Department operates by appointment only. Wednesday to Saturday 14:00 to 18:00 By appointment only To book a visit or for all enquiries: [email protected] Photo: @dominiquecro @conor_ackhurst @ocrilim #williamsburroughs #coseyfannitutti @jillmldy #davidostrowski @spichtigunlimited
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David OstrowskiF (A thing is a thing in a whole which it’s not), 2025Acrylic and lacquer on paper, clipframe40 × 30 cmWorking primarily in painting, David Ostrowski works with reduction, keeping things close to the point where they almost fall away. In this work, a set of vertical spray lines sits pushed to one side, bleeding slightly into each other, while most of the surface is left open. The restrained intervention holds the ground without resolving into motif, sustaining balance between reduction and persistence.Now on view as part of the group show Edge of Refusal, until 25 April 2026.Museum Department operates by appointment only.Wednesday to Saturday14:00 to 18:00By appointment onlyTo book a visit or for all enquiries:info@soft-commodity.com#davidostrowski
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David Ostrowski F (A thing is a thing in a whole which it’s not), 2025 Acrylic and lacquer on paper, clipframe 40 × 30 cm Working primarily in painting, David Ostrowski works with reduction, keeping things close to the point where they almost fall away. In this work, a set of vertical spray lines sits pushed to one side, bleeding slightly into each other, while most of the surface is left open. The restrained intervention holds the ground without resolving into motif, sustaining balance between reduction and persistence. Now on view as part of the group show Edge of Refusal, until 25 April 2026. Museum Department operates by appointment only. Wednesday to Saturday 14:00 to 18:00 By appointment only To book a visit or for all enquiries: [email protected] #davidostrowski
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On view at Museum Department, Soft Commodity HQEdge of Refusal6 March - 25 April 2026@jillmldyJill Mulleady works through painting as a way of holding different times and references together without resolving them. Images draw from personal memory, popular culture, and art history, but they don’t settle into a clear narrative. Instead, they sit in a kind of friction, where scenes feel both familiar and slightly off, as if something has shifted just out of reach.In the monotype, the figure comes through contact rather than construction. It is pressed into the surface, leaving behind a bodily trace that feels immediate but not fully accessible.Jill MulleadyThe Hermaphrodite, 2025Woodcut monotype on paper5 0 x 6 5 c m (framed)Museum Department operates by appointment only.Wednesday to Saturday14:00 to 18:00By appointment onlyTo book a visit or for all enquiries:info@soft-commodity.comPhoto : @dominiquecro
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On view at Museum Department, Soft Commodity HQ Edge of Refusal 6 March - 25 April 2026 @jillmldy Jill Mulleady works through painting as a way of holding different times and references together without resolving them. Images draw from personal memory, popular culture, and art history, but they don’t settle into a clear narrative. Instead, they sit in a kind of friction, where scenes feel both familiar and slightly off, as if something has shifted just out of reach. In the monotype, the figure comes through contact rather than construction. It is pressed into the surface, leaving behind a bodily trace that feels immediate but not fully accessible. Jill Mulleady The Hermaphrodite, 2025 Woodcut monotype on paper 5 0 x 6 5 c m (framed) Museum Department operates by appointment only. Wednesday to Saturday 14:00 to 18:00 By appointment only To book a visit or for all enquiries: [email protected] Photo : @dominiquecro
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1 month ago
On view at Museum Department, Soft Commodity HQEdge of Refusal6 March - 25 April 2026@spichtigunlimitedWorking across painting, sculpture, installation, and photography, Tobias Spichtig frequently returns to the figure. Faces and bodies appear through sparse, unstable marks that resist full resolution. Likeness emerges only provisionally, held together by a minimal economy of line, so that the figure remains suspended between recognition and disappearance.Tobias SpichtigDaemon in the Studio, 2025Pencil on paper42 × 34 cm (framed)Tobias SpichtigRose in a Vase, 2025Pencil on paper42 × 34 cm (framed)Tobias SpichtigSketch Georgia, 2025Pencil on paper42 × 34 cm (framed)Museum Department operates by appointment only.Wednesday to Saturday14:00 to 18:00By appointment onlyTo book a visit or for all enquiries:info@soft-commodity.comPhoto : @dominiquecro
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On view at Museum Department, Soft Commodity HQ Edge of Refusal 6 March - 25 April 2026 @spichtigunlimited Working across painting, sculpture, installation, and photography, Tobias Spichtig frequently returns to the figure. Faces and bodies appear through sparse, unstable marks that resist full resolution. Likeness emerges only provisionally, held together by a minimal economy of line, so that the figure remains suspended between recognition and disappearance. Tobias Spichtig Daemon in the Studio, 2025 Pencil on paper 42 × 34 cm (framed) Tobias Spichtig Rose in a Vase, 2025 Pencil on paper 42 × 34 cm (framed) Tobias Spichtig Sketch Georgia, 2025 Pencil on paper 42 × 34 cm (framed) Museum Department operates by appointment only. Wednesday to Saturday 14:00 to 18:00 By appointment only To book a visit or for all enquiries: [email protected] Photo : @dominiquecro
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2 months ago
On view at Museum Department, Soft Commodity HQEdge of Refusal, featuring works by Conor Ackhurst, Mick Barr, William S. Burroughs, Cosey Fanni Tutti, Jill Mulleady, David Ostrowski, and Tobias Spichtig.The exhibition does not propose resolution or assemble a thematic framework. It remains embedded in its material situation. The works do not aestheticise constraint or convert it into spectacle. They operate within it. Refusal appears not as opposition, but as a suspension of coherence, completion, and institutional scale.Museum Department operates by appointment only.Wednesday to Saturday14:00 to 18:00By appointment onlyTo book a visit or for all enquiries:info@soft-commodity.comPhoto: @dominiquecro@conor_ackhurst@ocrilim#williamsburroughs#coseyfannitutti@jillmldy#davidostrowski@spichtigunlimited
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On view at Museum Department, Soft Commodity HQ Edge of Refusal, featuring works by Conor Ackhurst, Mick Barr, William S. Burroughs, Cosey Fanni Tutti, Jill Mulleady, David Ostrowski, and Tobias Spichtig. The exhibition does not propose resolution or assemble a thematic framework. It remains embedded in its material situation. The works do not aestheticise constraint or convert it into spectacle. They operate within it. Refusal appears not as opposition, but as a suspension of coherence, completion, and institutional scale. Museum Department operates by appointment only. Wednesday to Saturday 14:00 to 18:00 By appointment only To book a visit or for all enquiries: [email protected] Photo: @dominiquecro @conor_ackhurst @ocrilim #williamsburroughs #coseyfannitutti @jillmldy #davidostrowski @spichtigunlimited
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2 months ago
William S. BurroughsBlue Eyed Lemur, 1992Ink, crayon, photo and cut-out collage75 × 62 cm (framed)Now on view as part of the group show Edge of Refusal, until 25 April 2026.Museum Department operates by appointment only.Wednesday to Saturday14:00 to 18:00By appointment onlyTo book a visit or for all enquiries:info@soft-commodity.comPhoto : @dominiquecro#williamsburroughs
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William S. Burroughs Blue Eyed Lemur, 1992 Ink, crayon, photo and cut-out collage 75 × 62 cm (framed) Now on view as part of the group show Edge of Refusal, until 25 April 2026. Museum Department operates by appointment only. Wednesday to Saturday 14:00 to 18:00 By appointment only To book a visit or for all enquiries: [email protected] Photo : @dominiquecro #williamsburroughs
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2 months ago
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