Sophie Smorczewski

@smorczewski.s

London based artist 𝘚𝘰𝘸𝘯 𝘪𝘯 𝘚𝘭𝘶𝘮𝘣𝘦𝘳 @lamb.gallery on until 30th May @sladeschool MFA 2025 @msoa_fineart 2021
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Weeks posts
Sown in Slumber opens this Thursday at @lamb.gallery PV 6-8pm - please come! ‘Dusk lions’ (ft. spoon !) 2026 Oil on panel 51 x 61 x 2 cm
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21 days ago
‘Soft sleeping’ as part of A SLEEPING GARDEN STILL GROWS at Slade back in June 🤍 Soft sleeping 2025 Oil on silk blend with pine frame 150 x 180 x 4 cm Photography by @cassiangray 🫶 #sophiesmorczewski
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8 months ago
‘Ode to a limpet’ & ‘Gloved’ now on show at @lamb.gallery until May 30th Ode to a limpet 2026 Oil on handmade camomile paper on board with limpet shells 18 x 13 x 2 cm Gloved 2026 Oil on oak 17 x 8 x 1.5
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4 days ago
The tree that sulked with her The painting that was so many other paintings ! Now on show at @lamb.gallery until May 30th 2026 Oil on canvas 122 x 152 x 4 cm
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5 days ago
‘Veiled in a soft pinkness’ now on show as part of Sown in Slumber at @lamb.gallery (with an early paper study and a work in progress shot) 2026 Oil on oak 37 x 17 x 2 cm
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10 days ago
𝘚𝘰𝘸𝘯 𝘪𝘯 𝘚𝘭𝘶𝘮𝘣𝘦𝘳 opens April 30th at @lamb.gallery - PV 6-8pm W1S 2EA Video shot and edited by @oscar3_79 With help from @osbornef_ & @ottiliespruit
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28 days ago
Seeded in the depths of winter, this show came out of a period of hibernation and recovery. Bedscapes, landscapes, flowerbeds and my experience with long term illness. The limbo, the inbetweens, half lights, half awakes, twilights and garden talks with my granny. The highly charged potential of seeds and the tender promises spring brings SOWN IN SLUMBER opens on April 30th at @lamb.gallery and I can’t wait to share it with you ! A big thank you to the wonderful @carolineboseley and @studio_west_arts for supporting my practice this winter ❤️‍🩹
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1 month ago
The Blue of Distance opened last week in Berlin at @setareh and runs until 17/04 💙 Excited to show alongside artists who’s work I love and admire @maryanneherb @junyiluu @liza.zalieva The Blue of Distance draws its title from Rebecca Solnit’s essay — a meditation in which blue becomes a metaphor for longing, for the horizons that structure desire, for what recedes as we approach it. Solnit’s blue is less a colour than a condition of perception: the hue that stretches between what we have and what we wish for, the tint of memory itself. It is the colour of what cannot be possessed, only contemplated. Within that sensibility, this exhibition brings together four artists whose methods - through line, pigment, or narrative - make distance tangible and generative. Their works map states of remoteness without attempting to resolve them, asking the viewer to remain in that space where seeing and feeling touch. Photo: Joe Clark Courtesy the artist and SETAREH
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2 months ago
‘Moonflowers’ is one of a few works I showed at @zonamaco with @lamb.gallery last week 🌱🫶 Inspired by a b&w monotype print ‘Moonflowers’ 2025 Oil on silk blend 85 x 135 x 4 cm #sophiesmorczewski
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3 months ago
‘Dozing’ 2026 Oil on panel in walnut frame with yellow craspedia 11 x 12 x 2 cm #sophiesmorczewski
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4 months ago
A SLEEPING GARDEN STILL GROWS is a small publication of my ‘kitchen table’ works on paper, amongst several poems. Painted at a time of low energy, every interaction was heightened. Each book is a slight variation. Hand bound, hand stamped, each with a piece of handmade camomile paper, grown from seed. Designed by @matt.cunliffe Edited by Dorothea Busby Printed by F.E. Burman in the United Kingdom Set in Spyre Thin, Book, and Book Italic by @nblett Hand-bound by @matt.cunliffe and @smorczewski.s (and kind helpers!) First edition of 45 copies Handmade paper insert using dried camomile flowers 2025 Section from My Camomile Lawn: On a weekend in June, my lawn exploded with a splattering of tiny flowers. Daisy-like, cone-shaped, golden-centred, with a collar of white. They danced on their light stems and smelt faintly of apple. I picked them, in slow quiet ceremony, carefully plucking their heads from their legs until the stalks stood alone. Summer left and rain fell, sweetening the air. It beaded on the wilted leaves and held steady on the headless camomile. Like wounded soldiers, the browning stems began to crumple. They spilled out of the bed, slumping lazily, grubby faces in the dirt, until they dissolved back into the rich brown batter of soil. It was a plant in flux. There was a romance to its impermanence and its cyclicality. I considered the yellow whispers of pollen. Unnoticeable yet abundant while the lawn flowered, and the precious sustenance of natural life. As the male seed of the flower, pollen is as potent as it is fragile. It’s ephemeral in existence, but also eternal and perhaps that is somehow the same.
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5 months ago
A glimpse at some works on paper from my studio sale of prints, painting and drawings Dm me if you would like the PDF 💌
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5 months ago