Sergi Puig Serna

06/06/2023, ATTACCA Festival - Druckereihalle, Ackermannshof St. Johanns-Vorstadt, Basel 🇨🇭 world premiere of Nostalghia for solo violin 🎻 @_mariaalejandrajimenez 🖤🎶

iii. No more pain wonderful voice & performance @elinavilumahelling wonderful video @violeta.lenz full video: https://youtu.be/-YjA9WMbdpU thnxs @betweenfeathers 🖤 2022 | commissioned by between feathers ensemble Live recording BrotFabrik Wien, January 2023 Hannes Schöggl | Percussion Maria Mogas Gensana | Accordion Audrey G. Perreault | Flutes Elīna Viļuma-Helling | Voice Sergi Puig Serna | Composition Jose González González | Audio editor In Joyce's Ulysses, the most important thing is the act of narration, which means that the situations experienced by the three protagonists, both the most banal and the most deep, harmonize so naturally to build one of the most incredible stories of the twentieth century. HADES is a monodrama based on episode 6 in which Leopold Bloom goes with some fellows to Dignam's funeral. There are three important moments (the three scenes of the monodrama) in which Leopold makes his particular journey to the Greek underworld, making one of the many parallels that the book has with Homer's Odyssey. The first is the journey to Prospect Cemetery in the black carriage, where, accompanied by three other characters, our protagonist is tormented again and again by a series of terrible memories from the past: premature death, infidelity and suicide. The black carriage becomes a suffocating space for Bloom, from which he wishes to escape no matter what. The second scene, already in Prospect Cemetery, is divided in the same way into three short speeches with an ironic, playful and critical tone towards religion and the church. Bloom is still uncomfortable, despite the fact that the space is now wider than in the carriage. In the third scene, in the last speech, Bloom makes a reference to one of the phrases Martha Clifford writes to him in one of the hot-dirty letters they secretly send to each other: "back to the world again". Leopold sees the gates of the cemetery open, and is ready to return to the world again, he still has so much to live and feel. Warm beds: warm fullblooded life

full video: https://youtu.be/ohnko_KfqjY 2022 | commissioned by between feathers ensemble Live recording BrotFabrik Wien, January 2023 Hannes Schöggl | Percussion Maria Mogas Gensana | Accordion Audrey G. Perreault | Flutes Elīna Viļuma-Helling | Voice Sergi Puig Serna | Composition and conducting Jose González González | Audio editor Rosaly G. Perreault | Cover design In Joyce's Ulysses, the most important thing is the act of narration, which means that the situations experienced by the three protagonists, both the most banal and the most deep, harmonize so naturally to build one of the most incredible stories of the twentieth century. HADES is a monodrama based on episode 6 in which Leopold Bloom goes with some fellows to Dignam's funeral. There are three important moments (the three scenes of the monodrama) in which Leopold makes his particular journey to the Greek underworld, making one of the many parallels that the book has with Homer's Odyssey. The first is the journey to Prospect Cemetery in the black carriage, where, accompanied by three other characters, our protagonist is tormented again and again by a series of terrible memories from the past: premature death, infidelity and suicide. The black carriage becomes a suffocating space for Bloom, from which he wishes to escape no matter what. The second scene, already in Prospect Cemetery, is divided in the same way into three short speeches with an ironic, playful and critical tone towards religion and the church. Bloom is still uncomfortable, despite the fact that the space is now wider than in the carriage. In the third scene, in the last speech, Bloom makes a reference to one of the phrases Martha Clifford writes to him in one of the hot-dirty letters they secretly send to each other: "back to the world again". Leopold sees the gates of the cemetery open, and is ready to return to the world again, he still has so much to live and feel. Warm beds: warm fullblooded life

I’m pleased to share the video score for Bientôt, ou jamais, a piece for cello and electronics, created using the tools provided by @scorefollower . Bientôt, ou jamais was composed as the final project of the 2024–2025 Cursus de composition et d’informatique musicale at @ircam_paris (Paris). It was premiered on 10 September 2025 during the Concert du Cursus at the Espace de projection, with @cellochocolate Ciciretti (@ensemble_cairn ), and live electronics by myself and @simconforti . My sincere thanks, once again, to Alexa Ciciretti for her wonderful performance 🖤 Final project supervision (IRCAM): Simone Conforti / Pierre Jodlowski IRCAM sound diffusion: Lucas Ciret Sound engineer: Clément Marie Sound mixing: Sergi Puig -- Une rivière qui coule d'un point lumineux vers l'obscurité. Les émotions s'effondrent, étouffent et entraînent l'âme dans une spirale d'inconfort et de peur. Lorsque le temps s’arrête, un instant de paix et de réconfort se révèle. Le silence s’impose, et la nuit devient éternelle. --

Souvenirs de l'année 2025 📕

'Bientôt, ou jamais' for cello and electronics is the piece I presented on 10 September at @ircam_paris , as part of the Soirée du Cursus 24.25. I couldn't be happier to have had the opportunity to work with Alexa Ciciretti (@cellochocolate ), an incredible musician and person, from whom I've learned so much during the process. I would also like to highlight the help and support of Simone Conforti, who was my RIM during the months leading up to the concert, and of course the entire technical and pedagogical team at IRCAM, Pierre Jodlowski as associate professor, and all my colleagues at Cursus. It has been a rather difficult year for me due to issues unrelated to music, but the experience at IRCAM was something special and unique, and I will remember it forever. 🖤

Bientôt, ou jamais 10 septembre 2025, Soirée du Cursus 24.25 @ircam_paris Espace de projection, Paris. ◾ Composition et électronique: Sergi Puig ◾ Violoncelle: Alexa Ciciretti @cellochocolate ◾ RIM (Réalisateur en informatique musicale): Simone Conforti ◾ Diffusion sonore: Lucas Ciret ◾ Accompagnement artistique: Pierre Jodlowski ◾ Régisseur général: Jean-Marc Letang ◾ Régisseur: Thomas Gaudevin ◾ Régisseur vidéo: Yann Philippe ◾ Régisseurs lumière: Alban Rouge, Frédéric Perennec ◾ Réalisation (vidéo): Bastien Sabarros ◾ Caméras: Éric De Gelis, Mélanie Kermel, Antoine Plouzen ◾ Ingénieur du son: Clément Marie ◾ ... Merci tout particulièrement à toute l'équipe technique et pédagogique de l'IRCAM, ainsi qu'à mes camarades du Cursus. La vidéo complète est dans le lien en description de mon profil. 🎶

I am thrilled to share the score video of my piece 'Wir sind einsam', thanks to the tools provided by @scorefollower Wir sind einsam for soprano, cello, and synthesizer was created for the Invisible Drives #10 concert, an interdisciplinary project that included a collaboration between dance students from the Anton Bruckner Privatuniversität, and master's students in composition at the Kunstuniversität Graz. The premiere took place on 08.05.2024 at the György-Ligeti-Saal in MUMUTH, Graz. Choreography: @jeffrog_jan Composition: Sergi Puig Text: Rainer Maria Rilke Dancers: Junjian Wang, @eunggda , @jiaji.cheng , @wangpengou Performers: @beagramos (soprano), @iglbhdm (cello), and Sergi Puig (synthesizer) Recorded at the Hermann-Markus-Preßl-Saal of the Kunstuniversität Graz. Recording: @carlosglezbolanos Mixing: @jose.gonzalez.gonzalez I hope you enjoy it 🖤

‼️IV ARTSOM Composition Contest ‼️ Last year’s winner of the ARTSOM Composition Contest @sergipserna shares his experience and invites you to join this new edition! 😉 Their award-winning piece (ciò che il silenzio disegna) is now available on YouTube – don’t miss the chance to discover it. 🎧 Are you ready to be part of the IV ARTSOM Composition Contest at Mostra Sonora? #artsom #compositioncontest #contemporarymusic #mostrasonora #callforcomposers

HW25C_#3 Incongruities Grand Evening with Annesley Black Sept 30, 8pm @altefeuerwachekoeln Annesley Black_ Smooche de la rooche II – Variations on a theme by Hazel Meyer (2007) Szymon Kałużny_ die Stille ist nicht mehr (2025)  Yu Kuwabara_ 5 images in nomine (2018/19) Sergi Puig Serna_ Raum der Natur (UA) Luxa Mart*in Schüttler_ GIER (2011) hand werk Sound Design_Pablo Garreton Curation_ Annesley Black @pablogarreton @_szymon_kaluzny @sergipserna @luxa_m_schuettler @heniclarinet @jaealucyshin @moritz_koch_percussion @hanna.fink1

World premieres of the works from the Piano Trio Composition Competition 🤩 An impressive 206 entries from 54 countries were received for the Composition Competition for Piano Trio, conducted by the Kunstuniversität Graz in 2024. Two of these entries were awarded and became part of the repertoire for all twenty Piano Trios invited to participate in the 12th „Franz Schubert and Modern Music“ Competition 2025 in Graz: 🎶“Raum der Natur“ by Sergi Puig (Spain) & 🎶“Fields, Cities, Skies, and Ruins“ by Xiaowen Lei (China) 🎥 Schubidu Quartet #fsmm2025 #fsmm #franzschubert #franzschubertandmodernmusic #kunstuniversitätgraz #kug #kugschubert #MusicCompetition #ChamberMusic #ClassicalMusic #ModernMusic @kunstunigrazkug @schubidu4 #PianoTrio #compo2024

Ahir va ser l’últim dia de la 21a edició de la Mostra Sonora de Sueca! 🙌🏼🤎 Vam poder gaudir d’una jornada vibrant amb @alxarqpercussio pel matí i @fabrikquartet amb @ricardcapellino per la vesprada, que ens regalaren una cloenda plena de força i sensibilitat. Estem super contents i agraïts. Ha sigut una edició intensa i emocionant, i només podem dir: gràcies!!! Gràcies al voluntariat, al públic de Sueca i de més enllà, a totes les persones que heu participat com a compositores, intèrprets, tècniques, col·laboradores, a l' @ajuntamentdesueca i a tots els suports que fan possible aquesta Mostra Sonora any rere any. Ens vegem l’any que ve i molt prompte vos compartirem més imatges d’aquests dies inoblidables.