Join us this Thursday from 7-9
@humanresourcesla for the opening of Howl with a special performance from
@wfumihsu and flash tattoos from artist
@delatorre_artstudio
At 8pm, Umi Hsu will perform an original duet with yeast and accordion from their ongoing investigation into the criticality and power of yeast as collective agents of transmateriality interwoven with a piece composed by Umi to help fortify the fungi living inside the Divine Portent joule bricks.
Howl artist Salvador de la Torre will also be there offering T4T flash tattoos alongside his participatory chosen name tile installation. Bring your empty HRT vials to be ground into glass and transformed into a ceramic glaze as part of this work.
Salvador de la Torre is a Mexican-born Texas-raised artist, educator and storyteller based in Southern California. Their drawing and performance work invoke the power of personal experience and family history to create artworks that exist at the intersection of activism, art production and praxes of self-acceptance.
Their work engages politics of migration, memory, queerness, and gender in ways that remind us of the power and solidarity that can exist in quotidian gestures.
De la Torre’s production opens channels for theorizing vulnerability, intimacy, and proximity as radical undertakings in the space of the borderlands and beyond. In doing so, their work forges complex narratives of joy, struggle, adaptability, exhaustion and tenderness, as counternarratives that assert the wholeness, nuance, and humanity of immigrant communities, and queer subjectivities.
Umi Hsu is a Taiwanese American sound artist and ethnomusicologist who traces the contours of migration, memory, and transformation. Combining experimental performance, field recording, ethnographic writing, audio narrative, oral history, and songwriting, they make sound art and audio experiments to trace the contours of migration, stories, and memory. Their work has been presented by LACMA, CTM Festival in Berlin, and TingShuo Hear Say in Tainan; featured in LA Times, LA Weekly, and Arts at MIT; and recognized by NEA, Mellon Foundation, and City of West Hollywood
Video by
@ashtonsphillips