For the Guests Part II
For the Guests examines how objects in domestic spaces gain symbolic value, shifting their function and accessibility. Drawing on a childhood memory of a Fine China tea set reserved “only for special guests,” Renatha transforms the set into an enlarged textile sculpture. The work reflects on hospitality, aspiration, and the tensions between use, preservation, and display.
Softening the Edgest curated by @sannanamin at @the_koppel_project
📸 @ellenkydd
For the Guests Part II
For the Guests examines how objects in domestic spaces gain symbolic value, shifting their function and accessibility. Drawing on a childhood memory of a Fine China tea set reserved “only for special guests,” Renatha transforms the set into an enlarged textile sculpture. The work reflects on hospitality, aspiration, and the tensions between use, preservation, and display.
Softening the Edgest curated by @sannanamin at @the_koppel_project
📸 @ellenkydd
Last October, I had the privilege of exhibiting an 18-billboard poster series as part of the Sharing Not Hoarding Public Art Project in Dundee.
The Ones Who Came (2025)
For the Guests (2025)
Part of Breaking Bells Make No Noise, the final group exhibition of a six-month residency with @morphe_arts .
Foreword by @davidtriggwriter
