Ryan Kernaghan, ISC

Director Rich Peppiatt and DP Ryan Kernaghan, ISC explain the process of making Kneecap (2024) in this edition of Shot Talk Shorts. From why they filmed musical sequences in reverse, to how they evolved their filmmaking style along with the band’s narrative journey, the duo breakdown their process of making the critically acclaimed film, shot on Sony Venice 2 @sonycine Explore over 500 shots from the film available now on ShotDeck, and watch Kneecap on Netflix Dir: Rich Peppiatt @naughtystep DP: Ryan Kernaghan @ryan_kernaghan Production Designer: Nicola Moroney Colorist: Ciara Gallogly @ciaracolourist Editor: Julian Ulrichs, Chris Gill Shot Talk Shorts Editor: Ben Oliphint @benoliphint #moviestill #cinematographylife #cameralens #filmstill #productiondesign #colorpalette #Cinebible #filmlover #filmcrew #filmmakinglife #filmmakerslife #directorofphotography #dop #filmmakers #filmmaking #filmcommunity #cinematographer #costumedesign #shotdeck #kneecap

🏆Kneecap wins the audience award at Sundance!🏆 💚💚💚

A chance encounter on the beach.

A huge congratulations to Ryan Kernaghan ISC for his recent BAFTA win! 🏆 The cinematographer spoke to us about shooting the heavily-lauded Kneecap on the Sony VENICE 🎥 Watch the full BTS video at the link in bio… 🔗 #SonyVENICE #Kneecap #BAFTA #Cinematography

Speaking on the red carpet before picking up his BAFTA Television Craft Award, Trespasses DP Ryan Kernaghan ISC revealed the biggest challenge he had to overcome when adapting Louise Kennedy’s book... Congratulations to Ryan on his Photography & Lighting: Fiction win! Keep an eye out for more from the red carpet on our socials soon...

Brothers & Sisters. ❤️

So honoured to receive a BAFTA, and a privilege to be nominated alongside Suzie Lavelle, Catherine Goldschmidt and Matt Lewis. Trespasses was made with so much love and care by an incredibly talented crew across the board. Someone who needs a special mention is our brilliant 1st AD, Adam Philpott, who played such a huge role in making the show what it is. Trespasses: Director: Dawn Shadforth Exec Producer: Amanda Posey Producer: Maria Mulhall Writer: Ailbhe Keogan A-Cam 1st AC: Dáire Mac An tSaoir A-Cam 2nd AC: Katie Loughrin B-Cam Operators: George Barnes & Eric Greenberg B-Cam 1st AC: Erin O’Rawe B-Cam 2nd AC: Lois Leneghan A-Cam Trainee: Rebecca Algeo B-Cam Trainee: Shea Dougan Toal NI Screen Trainee: Ben Porter DIT: Ciaran McIlhatton Grip: Cormac Long B-Cam Grip: Ryan West Grip Assistant: Eibhin O’Mianain Grip Trainee: Barry Adams Gaffer: Kevin Heatherington Best Boy: Lee Lovett Electricians: Owen McCauley, Ray Poucher, Jason Philips Rigger: Mick Woods Colourists: Gary Curran & Scott Ferguson VFX Producer: Sophia McKeever Drone Team: Phil Crothers & Tom Callander Unit Photographer: Pete Marley Special thanks to Greg Derby and everyone at Yellow Moon Post Production. And thank you to all the additional camera and lighting crew who joined us along the way. Much love. 🙏

Unexpected item in bagging area.

All about the street lights 😘😂

If being punched in the gut eleven times was amazing.

Congratulations to the nominees for the BAFTA TV Craft Awards! 👏 From thought-provoking drama to mind-bending sci-fi, the shortlists include a wide range of cinematographers bringing big ideas to the small screen. Swipe for those nominated in the Photography & Lighting: Fiction category, and head to the link in bio for more information – including on those up for a Photography: Factual prize!