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Luri Lee 이루리

@rule0917

Assist CM🎻 @torontosymphony 👰‍♀️ @hezviola chambermusic 👩‍🏫instructor @theroyalconservatory 🐶 @poppythetoypoodlechicken
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Weeks posts
#쪽 #쭄 #뽑
87 9
8 years ago
#iwillalwaysloveyou #always
45 4
4 years ago
warmer weather is finally here… and I get to enjoy it with these two 🌸 #grateful #fam
31 0
9 days ago
Feeling so grateful — what more could I ask for when I already have beautiful music, incredible musician friends and such a warm, welcoming audience? 🥹😍 Special thanks to @theopenscore for these awesome photos 🫶
203 2
1 month ago
Love is in the orchestra 💕 Here’s to Assistant Concertmaster @rule0917 and violist @hezviola — partners on and off the stage — and the many other couples of the TSO. Happy Valentine’s ❣️
317 0
3 months ago
19 0
3 months ago
Last few days of the tour: Vienna #tour #musicians
49 1
3 months ago
Dreamy architecture in Amsterdam. #tour #musician
37 0
3 months ago
Day off in Barcelona ☀️ @torontosymphony #tour #musician
75 3
3 months ago
Quick visit to the plaza in Zaragoza. @torontosymphony #musiciansontour
50 1
3 months ago
more widmann! such a pleasure to share more of this quartet we’ve come to know so well. widmann’s hunting quartet demands total emotional commitment, as well as extremely precise ensemble and technique. in addition to this it needs almost a “classical-era” treatment where all of the scaffolding that was needed to put these blocks into place must be removed in order for the piece to truly soar. — this basically means that a listener shouldn’t be able to hear all of the mico-cues, listening for specific instruments for ensemble purposes, any feeling of unnaturally landing on beats, etc. when perceiving the performance as a whole. this is honestly true for all pieces but widmann required this kind of commitment as much as a piece by haydn would in order to sound good. once we felt we could execute the work as accurately as possible, we pushed ourselves to internalize that feeling deep in our bodies as a quartet. in this way, we were able to make the sonic contrasts and the tempo/speed as extreme as possible, in line with the uncannily earnest, rabid character that the piece demanded… without having the ensemble fall apart. check out the video for more on what’s actually going on in the piece. and find the whole performance on youtube! more clips to come…. performers: @rolstonquartet (@rule0917 , @jason.issokson , @hezviola , @eomnomnom ) director: larry weinstein executive producer: barry shiffman audio recording: @pouyamusicsound , @hotdamnitsben video recording: @riddlefilms @liam_romalis venue: @koernerhallrcm @theroyalconservatory many thanks to the banff centre for arts and creativity! #stringquartet #widmann #contemporaryclassical #jörgwidmann #newmusic
1,415 23
4 months ago
I missed so many shifts in this piece but thank god I hit these ones 🥹 always blast to play music with Remi and Marie ❤️ #kodaly
199 12
5 months ago