119 years, 16 days + 1 week ago, we met there. It feels moving and a tad bit sentimental to share some first images and clips from my most recent work. ‘Once all these rocks were alive’ (materialized for the 1st time in Bucharest at
@scanteia_plus under the more whimsical title ‘Eu, balaur bondoc’) is the most multi-layered, complex, bittersweet and heavy work I’ve put out into the world so far. I am extremely grateful and proud to have worked with all my collaborators: Rokolectiv, Jared Marks, Adrian Ganea, Eliza Trefaș, Owen Ridley DeMonick, Petra Hermanova, Marta Mattioli, Emilian Pospaii, Matei Emanuel, Boroka Biro, Catalin Cristutiu, Otilia Fiastru, Dragos Petrișor and Madalina Bratianu. Thank you all for sharing this evening with us! It felt like we moved some (clay) mountains. 🪨
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“Eu, balaur bondoc is a shift of scale and of perception: a poetics of interdependence between organic life, nature, memory, and matter. Nona Inescu’s project rethinks the human relationship to the planet and to what we call progress, reactivating local and marginal narratives from Romania, which, though nearly forgotten, hold planetary resonance.” (Adriana Blidaru)
@adrianaeblidaru
Rokolectiv presents a new performative installation initiated by Nona Inescu, in collaboration with Adrian Ganea, Jared Marks and Petra Hermanova, a speculative fiction about extinction, de-extinction and deep time, blending video and sculpture with live performance and sound. Eu, balaur bondoc excavates the buried connection between a 70-million-year-old dwarf dinosaur and a 20th-century Transylvanian baron in a part-biographical, part-paleontological story that blends science with fiction and speculates on common geological histories.
Photos and clips by Rareș Toma
@rrstoma and
@agnesaves
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This project is co-financed by AFCN. The project does not necessarily represent the position of the Administration of the National Cultural Fund. AFCN is not to be held responsible for the content of the project, nor for the ways in which the results of the project might be used. Those are entirely the responsibility of the beneficiary of the grant.