re.riddle

NADA New York 2026 May 13-17, 2026 CHARLENE TAN + WINDY CHIEN Booth F4 Starrett-Lehigh Building, 601 West 26th Street, NY Fair Hours Wednesday, May 13, 4 — 7pm Thursday, May 14, 11am — 7pm Friday, May 15, 11am — 7pm Saturday, May 16, 11am — 7pm Sunday, May 17, 11am — 5pm Come visit us at Booth F4. Contact [email protected] for checklist. 📷: Photos by Sean Fader. Courtesy of artist and re.riddle

Install Day Done! 🛠️🪛💥 After lots of whirring and zhoozhing, we’re all set for opening day at NADA NY @newartdealers See you at BOOTH F4 ⚡️ 𝗡𝗔𝗗𝗔 𝗡𝗬 𝟮𝟬𝟮𝟲 𝗠𝗔𝗬 𝟭𝟯-𝟭𝟳, 𝟮𝟬𝟮𝟲 𝗖𝗛𝗔𝗥𝗟𝗘𝗡𝗘 𝗧𝗔𝗡 + 𝗪𝗜𝗡𝗗𝗬 𝗖𝗛𝗜𝗘𝗡 𝗕𝗢𝗢𝗧𝗛 𝗙𝟰 𝗦𝘁𝗮𝗿𝗿𝗲𝘁𝘁-𝗟𝗲𝗵𝗶𝗴𝗵 𝗕𝘂𝗶𝗹𝗱𝗶𝗻𝗴, 𝟲𝟬𝟭 𝗪𝗲𝘀𝘁 𝟮𝟲𝘁𝗵 𝗦𝘁𝗿𝗲𝗲𝘁, 𝗡𝗬 🙌🏼👏🏼🫶🏼 to the virtuosos @char.art.tan @windychien @sherwin.rio @dblhshames

Meet our Jurors for Introductions 2026 👋 Diedrick Brackens, Artist @deedsweaves // Diedrick Brackens is an acclaimed textile artist whose intricate hand-dyed cotton weavings are held in the permanent collections of the Whitney Museum, The Met, and LACMA. Based in San Francisco, his MFA-backed practice has garnered prestigious honors including the United States Artists Fellowship and the Joyce Alexander Wein Prize. With major solo exhibitions spanning from the New Museum to international stages like the Kestner Gesellschaft, Brackens continues to redefine contemporary craft through narratives of identity and history. His solo exhibition gather tender night is currently on view @ybca . Candace Huey, Curator and Founder, @re.riddle // Art historian and curator Candace Huey is the owner of San Francisco’s re.riddle gallery and Head Curator at Edge on the Square. With degrees from The Courtauld and UC Berkeley, she is on the SECA Council at SFMOMA and the San Francisco Art Dealers Association. Her work continues to shape the contemporary landscape through international exhibitions and local advocacy. Harriet Salmon, Director, Art Partnerships, @CreativityExplored // Harriet Salmon is an MFA graduate of Yale University whose sculpture is held in the permanent collections of the Whitney Museum of American Art and the Museum of Fine Arts, Boston. A former Artforum photo director and MacDowell Colony and Socrates Sculpture Park EAF resident, she has built an influential career as both a practitioner and advocate, exhibiting at prestigious New York venues like Postmasters Gallery and Klaus von Nichtssagenden Gallery. She currently leverages her extensive expertise as the Director of Art Partnerships for Creativity Explored, while bridging the gap between industry and artistry as the creator of the Craftsmanship Podcast. 👉𝗣𝗿𝗶𝗼𝗿𝗶𝘁𝘆 𝗗𝗲𝗮𝗱𝗹𝗶𝗻𝗲: 𝗠𝗼𝗻𝗱𝗮𝘆, 𝗠𝗮𝘆 𝟭𝟴 Apply today. Deadline is approaching fast. Link in bio.

𝗡𝗔𝗗𝗔 𝗡𝗬 𝟮𝟬𝟮𝟲 ⚡️⚡️ 𝗠𝗮𝘆 𝟭𝟯-𝟭𝟳, 𝟮𝟬𝟮𝟲 𝗖𝗛𝗔𝗥𝗟𝗘𝗡𝗘 𝗧𝗔𝗡 + 𝗪𝗜𝗡𝗗𝗬 𝗖𝗛𝗜𝗘𝗡 𝗚𝗮𝗹𝗹𝗲𝗿𝗶𝗲𝘀 𝗕𝗼𝗼𝘁𝗵 𝗙𝟰 𝗦𝘁𝗮𝗿𝗿𝗲𝘁𝘁-𝗟𝗲𝗵𝗶𝗴𝗵 𝗕𝘂𝗶𝗹𝗱𝗶𝗻𝗴, 𝟲𝟬𝟭 𝗪𝗲𝘀𝘁 𝟮𝟲𝘁𝗵 𝗦𝘁𝗿𝗲𝗲𝘁, 𝗡𝗬 We’re thrilled to participate in NADA NY 2026 @newartdealers with a dual-artist presentation of new work by Charlene Tan and Windy Chien. Please contact [email protected] for checklist and visit us at Booth F4! 🤗 In their respective practices, artists Charlene Tan and Windy Chien examine the potency of memory embodied in gestures, craft and material research. Embodied remembering situates memory as being intrinsic to the body, because it re-enacts the past, it need not represent it. The exhibition will consider motion, action, activity, and gesture of cultural memory as they pertain to fiber, textiles and tactility. 📷: Windy Chien, Circuit Board, 2026, Sunbrella cordage, 24k gold thread, walnut, 182.9 x 182.9 x 51. cm; Windy Chien, Serious Play (Links), 2025, Sunbrella cordage, aluminum, 894.1 x 25.4 x 5.1 cm; Created as part of the Eames Residency 2025 Displayed at the Eames Ranch Studios Exhibition ‘Crafting Curiosity’, 2026. Images courtesy of artist and re.riddle.

𝗡𝗔𝗗𝗔 𝗡𝗬 𝟮𝟬𝟮𝟲 ⚡️⚡️ 𝗠𝗮𝘆 𝟭𝟯-𝟭𝟳, 𝟮𝟬𝟮𝟲 𝗖𝗛𝗔𝗥𝗟𝗘𝗡𝗘 𝗧𝗔𝗡 + 𝗪𝗜𝗡𝗗𝗬 𝗖𝗛𝗜𝗘𝗡 𝗚𝗮𝗹𝗹𝗲𝗿𝗶𝗲𝘀 𝗕𝗼𝗼𝘁𝗵 𝗙𝟰 𝗦𝘁𝗮𝗿𝗿𝗲𝘁𝘁-𝗟𝗲𝗵𝗶𝗴𝗵 𝗕𝘂𝗶𝗹𝗱𝗶𝗻𝗴, 𝟲𝟬𝟭 𝗪𝗲𝘀𝘁 𝟮𝟲𝘁𝗵 𝗦𝘁𝗿𝗲𝗲𝘁, 𝗡𝗬 We’re thrilled to participate in NADA NY 2026 @newartdealers with a dual-artist presentation of new work by Charlene Tan and Windy Chien. Please contact [email protected] for checklist and visit us at Booth F4! 🤗 In their respective practices, artists Charlene Tan and Windy Chien examine the potency of memory embodied in gestures, craft and material research. Embodied remembering situates memory as being intrinsic to the body, because it re-enacts the past, it need not represent it. The exhibition will consider motion, action, activity, and gesture of cultural memory as they pertain to fiber, textiles and tactility. 📷: Charlene Tan, Homage to Pinilian Brocade Weave, Prinsipe (Prince), 2026, Ube (purple yam) powder, manganese violet pigment, acrylic paint, digital print, aluminum panel, 122 x 92.5 cm; Charlene Tan, Sika Karwang Malong (Right Elbow), 2025, Abalone, archival print, freshwater pearls, 104.2 x 55.9 cm; All images courtesy of artists and re.riddle.

R. Colosky’s 𝘐𝘤𝘦 𝘞𝘰𝘳𝘬𝘴 are dynamic sculptural installations that explore natural phenomena through technological intervention. Working with refrigeration mechanics, Colosky harnesses Freon gas and ambient humidity to accumulate ice crystals along copper tubing. At critical points, the system’s power is cut. The ice melts, drips downward, and waters the seeds in fertile soil beneath. The cycle then begins again. By staging the full arc of phase transition, from gas to solid, solid to liquid, and liquid back to gas, the 𝘐𝘤𝘦 𝘞𝘰𝘳𝘬𝘴 reflect the fundamental physical processes of the natural world. They unfold over an extended duration, asking the viewer for sustained attention and to return to witness the growth stages of the foliage. 𝙍. 𝘾𝙊𝙇𝙊𝙎𝙆𝙔: 𝘿𝙊𝙉’𝙏 𝙁𝙊𝙍𝙂𝙀𝙏 𝙔𝙊𝙐𝙍 𝙀𝘼𝙍𝙏𝙃𝙌𝙐𝘼𝙆𝙀 𝙋𝘼𝙉𝙏𝙎 now on view though May 23. 🌟

(☞ ͡° ͜ʖ ͡°)☞ 𝗧𝗛𝗜𝗦 𝗦𝗔𝗧𝗨𝗥𝗗𝗔𝗬, 𝗠𝗔𝗬 𝟮!! 📣 𝗥. 𝗖𝗢𝗟𝗢𝗦𝗞𝗬: 𝗗𝗢𝗡’𝗧 𝗙𝗢𝗥𝗚𝗘𝗧 𝗬𝗢𝗨𝗥 𝗘𝗔𝗥𝗧𝗛𝗤𝗨𝗔𝗞𝗘 𝗣𝗔𝗡𝗧𝗦 𝗢𝗣𝗘𝗡𝗜𝗡𝗚 𝗥𝗘𝗖𝗘𝗣𝗧𝗜𝗢𝗡: 𝗦𝗔𝗧𝗨𝗥𝗗𝗔𝗬, 𝗠𝗔𝗬 𝟮 𝗳𝗿𝗼𝗺 𝟱-𝟳 𝗣𝗠 𝗿𝗲.𝗿𝗶𝗱𝗱𝗹𝗲, 𝟭𝟮𝟳𝟱 𝗠𝗶𝗻𝗻𝗲𝘀𝗼𝘁𝗮 𝗦𝘁𝗿𝗲𝗲𝘁, 𝗦𝗮𝗻 𝗙𝗿𝗮𝗻𝗰𝗶𝘀𝗰𝗼 𝘋𝘰𝘯’𝘵 𝘍𝘰𝘳𝘨𝘦𝘵 𝘠𝘰𝘶𝘳 𝘌𝘢𝘳𝘵𝘩𝘲𝘶𝘢𝘬𝘦 𝘗𝘢𝘯𝘵𝘴, a solo exhibition of new work by R. Colosky, delves into the transcendence and weight of urban anxiety, an affect produced by the cumulative pressures of environmental instability, technological acceleration, and late capitalism. Colosky’s paintings and installations register these psychological and emotional currents via imagery drawn from art history as well as contemporary visual culture. Colosky’s reductive blue-and-white color motif situates the work within a long historical lineage, referencing Yuan and Ming dynasty porcelain, Dutch Delftware, and British Willow pattern. Although historically revered, this aesthetic carries a complex history of empire and trade, in which cultural admiration is entangled with appropriation and fetishization. Colosky understands this lineage through his studies of ceramics and art history and works knowingly within it, maintaining an edge of slight irreverence alongside the aesthetic strategy of lush beauty. Altogether, Colosky’s paintings and installations frame contemporary life as a post apocalyptic condition in which catastrophe has been absorbed into the everyday and transfigured as eerie beauty. His work gives form to the weight of being human, its anxieties, pressures, and precarity, rendering these conditions legible through the formal language of luscious beauty and playful skepticism. In 𝘋𝘰𝘯’𝘵 𝘍𝘰𝘳𝘨𝘦𝘵 𝘠𝘰𝘶𝘳 𝘌𝘢𝘳𝘵𝘩𝘲𝘶𝘢𝘬𝘦 𝘗𝘢𝘯𝘵𝘴, gravitas is worn lightly, reflecting an earnest attentiveness to balancing one’s existential weight. Colosky navigates the unbearable lightness of being and critical density in a carefully calibrated register, where levity is a condition through which depth is sustained. Contact [email protected] for more info.

BTS Install Days + Teaser 👀 R. Colosky installing his Ice Work 🧊 sculptures for 𝘋𝘰𝘯’𝘵 𝘍𝘰𝘳𝘨𝘦𝘵 𝘠𝘰𝘶𝘳 𝘌𝘢𝘳𝘵𝘩𝘲𝘶𝘢𝘬𝘦 𝘗𝘢𝘯𝘵𝘴 exhibition. Now on view. Join us for the opening reception on Saturday, May 2 from 5-7pm 🤗 𝗥. 𝗖𝗼𝗹𝗼𝘀𝗸𝘆: 𝗗𝗼𝗻’𝘁 𝗙𝗼𝗿𝗴𝗲𝘁 𝗬𝗼𝘂𝗿 𝗘𝗮𝗿𝘁𝗵𝗾𝘂𝗮𝗸𝗲 𝗣𝗮𝗻𝘁𝘀 𝗔𝗽𝗿𝗶𝗹 𝟭𝟴- 𝗠𝗮𝘆 𝟮𝟯, 𝟮𝟬𝟮𝟲 𝗥𝗲𝗰𝗲𝗽𝘁𝗶𝗼𝗻: 𝗦𝗮𝘁, 𝗠𝗮𝘆 𝟮 𝗳𝗿𝗼𝗺 𝟱-𝟳 𝗣𝗠 @minnesotastreetproject

Brava Amy Kisch 👏 @amykisch on your dynamic, courageous and insightful exhibition 𝘏𝘪𝘥𝘥𝘦𝘯 𝘊𝘶𝘳𝘳𝘦𝘯𝘤𝘪𝘦𝘴：𝘞𝘢𝘵𝘦𝘳 𝘑𝘶𝘴𝘵𝘪𝘤𝘦 𝘪𝘯 𝘵𝘩𝘦 𝘈𝘨𝘦 𝘰𝘧 𝘈𝘐. Presented by the Consulate General of Switzerland in San Francisco @swissconsulate_sf , and timed with SF Climate Week @sfclimateweek , 𝘏𝘪𝘥𝘥𝘦𝘯 𝘊𝘶𝘳𝘳𝘦𝘯𝘤𝘪𝘦𝘴 explores water as a living medium whose circulation sustains both life and technological innovation. The series runs through May 10, bridging Swiss and U.S. perspectives — convening artists, Indigenous knowledge holders, scientists, and youth to explore the future of water stewardship through the lenses of diplomacy, technology, and public practice. The central exhibition features works by artists: Mark Baugh-Sasaki, Kristiana Chan 莊礼恩, Céline Ducret, Ana Teresa Fernández, Greg Niemeyer, and Annelia Norris (pue leek la’). An adjoining experiential hub features interventions by City Studio (Amy Berk + Chris Treggiari), Greg Niemeyer, Samuel Wildmann, Ani Moskovyan, Tania Claudia Castillo, Candice Mays, and Juana Perfecta. @akartadvisory @aboutswitzerland . @eawag_aquaticresearch @stanford.doerr #SFClimateWeek #WaterJustice #AI @mark_baugh_sasaki @kristi_chan @celineducretstudio @anateresafernandez @gregniemeyer @merkwerhlwmn @citystudiosf @animoskovyan @samuel_the_serious @jale_yoldas @giuliaheckner

Swiss Consulate’s @swissconsulate_sf exhibition “Hidden Currencies: Water Justice in the Age of AI” curated by visionary Amy Kisch @amykisch in collab with @eawag_aquaticresearch and @stanford.doerr featuring works by Mark Baugh-Sasaki, Kristiana Chan, Céline Ducret, Ana Teresa Fernandez, Greg Otto Niemeyer, Annelia Norris, Chris Treggiari, Amy Berk, Ani Moskovyan, Samuel Wildmann… 🗓️ April 18 (12-3PM) On the Horizon: Community Participatory Bucket Brigade Part of Ana Teresa Fernandez's social sculpture On the Horizon. 🗓️ April 21 (6-8 PM) Opening Reception - Hidden Currencies Featuring live-coded music & video projections by multimedia artist Angy He. 🗓️ April 26 (12-3PM) Community Day A family-friendly afternoon of hands-on activities, music, and poetry with City Studio, Jawno Okhilulu, Uma Phatak, and Kyra Dorado. Come 🌊 dive in 🌊 with us! . Repost from @swissconsulate_sf • In collaboration with AKArt Advisory the Swiss Federal Institute of Aquatic Science and Technology (EAWAG), and Stanford Doerr School of Sustainability Accelerator, we are proud to present the exhibition “Hidden Currencies: Water Justice in the Age of AI” and water-related programs. Join us for the opening of the exhibition, bringing together powerful works and fresh perspectives on water, followed by a series of public events, from art, music, and panel discussions, to fun community activities from April 18 to May 10. 💧All events are open to public and free. 💧Make sure to sign up for the various programs on the link in bio. This event series has been made possible with the support of Presence Switzerland and EAWAG. @akartadvisory @aboutswitzerland . @eawag_aquaticresearch @stanford.doerr #SFClimateWeek #WaterJustice #AI @mark_baugh_sasaki @kristi_chan @celineducretstudio @anateresafernandez @gregniemeyer @merkwerhlwmn @citystudiosf @animoskovyan @samuel_the_serious @jale_yoldas @giuliaheckner

✨Call for submissions✨ INTRODUCTIONS 2026 Root Division invites Bay Area artists working in all genres to submit work for INTRODUCTIONS 2026, our annual juried exhibition. JURORS: Candace Huey, Curator and Founder, @re.riddle Diedrick Brackens, Artist @deedsweaves Harriet Salmon, Director, Art Partnerships, @CreativityExplored Exhibition Dates: August 5-September 19, 2026 Artist Reception: September 12, 2026 𝗣𝗿𝗶𝗼𝗿𝗶𝘁𝘆 𝗗𝗲𝗮𝗱𝗹𝗶𝗻𝗲: 𝗠𝗼𝗻𝗱𝗮𝘆, 𝗠𝗮𝘆 𝟭𝟴 Applications are now open. Apply in our link in bio.

That’s a wrap! ✨💫 Thank you Chicago 🫶🏼, EXPO CHICAGO @expochicago Kate Sierzputowski @k8sierz , Katie Pfohl @kapfohl 💕 Immense gratitude to the dream team 🌟 @michail_michailov @dblhshames @hannesanderle @gem_fine_art_services