Qloud

We’re delighted to share with you another open call opportunity during @l_d_f_official LDF2026! We invite artists attentive to the hidden lives of materials to apply for Enchanted Matter, an exhibition co-curated by Qloud Collective and SustainLab RCA @sustainlabrca Inspired by Jane Bennett’s Vibrant Matter, the exhibition explores enchantment as a way of paying attention - noticing the often unseen relationships between things. In ecosystems shaped through exchange and entanglement, organic, synthetic and waste materials circulate across environments, carrying qualities and consequences far beyond their original context. We are looking for works that engage with: 🌱Circulation — movement of matter and energy 🌱Transmission — how materials carry and impart qualities across environments 🌱Afterlives — what happens to materials over time 🌱Entanglement — connections between systems, bodies and ecologies Material choices and processes are part of the work. Artists are asked to reflect on sourcing, transformation, reuse and the longer life of their materials as part of their application. This exhibition marks Sustainlab RCA’s first collaboration beyond the Royal College of Art, initiated through an alumni connection with Qloud Collective, founded by Alumna Dana Goh. ⭐️Open to all artists and designers beyond RCA and is NOT exclusive to RCA alumni/students ⭐️More information in our Bio @qloud_collective There is a £10 submission fee per work to support exhibition production, operations and promotion. Poster by Amabelle Chandra

📕Open Call: Workshop Series at Moleskine Battersea For the upcoming @l_d_f_official LDF2026, we’re excited to announce that @qloud_collective will be collaborating with @moleskine to host some workshops at their Battersea Power Station branch☀️ We’re inviting artists, writers, and creatives to propose intimate, table-top workshops that spark self-expression and creativity inspired by the idea that every notebook holds a story yet to be told. Simple, thoughtful, and low-mess (no sink access), for up to 8 participants. Let’s create meaningful moments through making with Moleskine x Qloud Collective! More Information can be found in our bio! Submission through Google Forms Free to Apply (Workshops will be ticketed subject to the proposal) poster design by Amabelle Chandra

What if identity were not fixed, but in constant evolution? What if you woke up one morning slightly different from the day before? What if dreams merged with reality? Once I Dreamt I Was Something Else is a part of the AMADEUS Festival’s @amadeusfestival wider exploration of Metamorphosis. Taking transformation as its starting point, the exhibition explores how identity, perception, and reality remain in constant movement. Through the notions of translation and shifting perspectives, the self appears not as something stable, but as something continuously moving. The works brought together explore how perception and identity oscillate, remaining fluid and metamorphic rather than fixed or absolute. In this sense, the exhibition echoes the festival’s broader theme: transformation not as a singular moment, but as an ongoing process, constantly unfolding. Qloud Collective is proud to bring together an international line-up of talented artists in this group exhibition. @john.huw.davies @nickymacneilpainting @aiirisu_iris @benhtwilsonart @jacobkasar @_studiocell @chocoart_maya @charliechesterman @oliviajoungstudio poster by @danachang.art abstract from text by @vagabonde.stud

Last week, part of our Qloud team visited Charlotte Moore’s studio ahead of Flora in Alloy - getting an intimate glimpse into the material language of their works. During the visit, Charlotte and Marisa spoke about the expansion beyond the object itself, allowing it to exist within and respond to the wider world around it. The studio became an extension of this dialogue: where material and environment continuously shape one another. Flora in Alloy invites audiences into the extended experience of the work beyond the boundaries of the object, into a space where the work continues beyond the exhibition. Join us tomorrow for the opening of Flora in Alloy 🌸 📍65a Charlotte Street, W1T 4PQ 🥂 Opening at 6-9PM We look forward to welcoming you! @charlotte.l.moore @marisamusing

🌊 OASIS OF CRAFT 2026 @koreacraftweek 드디어 2026 OASIS OF CRAFT 전시 라인업이 순차적으로 공개됩니다. 빌라오아시스와 함께하는 이번 공예주간에는 넷플릭스가 사랑한 텍스타일 아티스트 @valentina.lobos__ , 사치갤러리의 선택을 받은 @lliinos , 스페인 아트테이너 @rominabelluscio11 등 국내외 아티스트 40인이 함께합니다. 또한 김휘연, Eva, Sherri 작가는 전시와 도슨트뿐만 아니라 시민들과 함께하는 특별 클래스까지 진행할 예정입니다. 해외 작가와 로컬 아티스트가 함께 선보이는 특별 협업 작업들도 공개될 예정이니 많은 기대 부탁드립니다. 전시, 체험, 공연, 토크, 레지던시, 아트페어까지 — 6월 한 달 동안 도시 전체를 연결하는 확장형 공예 플랫폼을 만나보세요. 📍 아난티 앳 부산 코브 | 6.2 – 6.7 📍 빌라오아시스 | 6.12 – 6.13 📍 울산국제아트페어 | 6.18 – 6.21 📍 울산 현대백화점 | 6.23 – 6.28 📌 무료 공예체험 사전 예약 6월 22일 오픈 예정 📌 상세 프로그램 차주 공개 예정 2026년 6월, 공예의 흐름이 도시를 잇습니다 🌊 — 🌊 OASIS OF CRAFT 2026 @koreacraftweek The official exhibition lineup for OASIS OF CRAFT 2026 is finally here. This year, Villa Oasis welcomes 40 local and international artists visiting Korea in person, including: • Valentina Lobos, the textile artist loved by Netflix • Owen, selected by Saatchi Gallery • Romina, Spain’s rising art-tainer artist In addition, artists Kim Hwiyeon, Eva, and Sherri will lead not only exhibitions and docent programs, but also special public workshops and technique classes throughout the festival. Special collaborative works between international and local artists will also be unveiled throughout the program. From exhibitions and workshops to performances, talks, residencies, and art fairs — experience a month-long craft platform connecting cities through contemporary craft and cultural exchange. 📍 Ananti at Busan Cove | June 2–7 📍 Villa Oasis | June 12–13 📍 Ulsan International Art Fair | June 18–21 📍 The Hyundai Ulsan | June 23–28 📌 Free workshop reservations open June 22 📌 Full program details coming soon June 2026, Craft flows through the city 🌊 주최 : @mcstkorea 주관 : @kcdf_insta 후원 : @arkokorea 공식 파트너 : @qloud.co 협력 : @ananti.hotels @ulsan_artfair @amadeusfestival @thehyundai_ulsan 일본 한일문화원 CREATIVE TEAM : 신미리, 노상훈, 이정빈

Flora in Alloy positions the exhibition in a space of material and symbolic hybridisation where forms exist in a continuous process of becoming. An alloy is never a singular material but rather a merging of relational elements, altering each component while traces of their origins remain. Similarly, the works within the exhibition occupy the shifting space between organic growth and constructed form. Here, hybridised flora and metaphytic studies form new living morphologies through sculpture. The work of Charlotte Moore and Marisa Müsing merges mediums, unsettling the boundary between two disparate materials: unglazed stoneware ceramic, and brassed steel and bronze. Employing the surrealist technique of the Exquisite Corpse Game, Müsing and Moore develop a honeyed dialogue between these mediums. The result is a narrative in which synthesised otherness shimmers and transforms between the raw earthen nature of clay and the artificial sleekness of metal. These morphologies evoke delicate, composite networks in constant evolution, transporting us into the uncanny imaginative world in author Mercè Rodoreda’s novel Journeys and Flowers, to which the artists pay homage. Rodoreda’s writing describes resilient flowers charged with symbolic force and magical realism, imbued with fragility, memory and survival. Within her text, nature – and in particular the plant world – becomes a vivid site of intoxicating ultra-enchantment and oneiric transformation through which personal trauma is reconfigured. Müsing and Moore’s flowers inhabit this same imaginative yet darkening tension, where dreamlike forms arise from embedded narratives. By sculpting unexpected encounters, the exhibition relays not simply a fabulated image of our natural world, but an image-world that is vibrant, precariously balanced and relational. Come join us at our very first Duo show! Featured artists: @marisamusing @charlotte.l.moore 📆 19 - 23 May (12 - 6PM daily) 📍65A Charlotte Street, W1T 4PQ 🥂Opening: 18 May, 6 - 9PM 🎙️Artist Talk: 23 May, 2PM Supported by: @enlematcha 🍵 Poster by Amabelle Chandra

🌊 OASIS OF CRAFT 내일부터 울산·부산 곳곳에서 공예주간 버스 광고와 현수막을 만나볼 수 있습니다. 도시 전체로 퍼져나가는 2026 공예주간 프로젝트 ✨ 📍EVENT 버스 광고 또는 현수막 사진을 촬영해 스토리 및 게시글 업로드 후 태그해주세요! [필수태그] @villa_oasis_tufting @koreacraftweek 추첨 후! 🎫 울산국제아트페어 초대권 증정 (2인) 🧶 빌라오아시스 정규 터프팅 클래스권 5만원권 증정 (8인) 함께 도시 속 오아시스를 찾아보세요 🌿 📍 아난티 앳 부산 코브 | 6.2 – 6.7 📍 빌라오아시스 | 6.12 – 6.13 📍 울산국제아트페어 | 6.18 – 6.21 📍 울산 현대백화점 | 6.23 – 6.28 📌 무료 공예체험 사전 예약 5월 18일 오픈 예정 📌 다음 주, 상세 일정 공개 6월, 공예의 흐름이 도시를 잇습니다 주최 : @mcstkorea 주관 : @kcdf_insta 후원 : @arkokorea 공식 파트너 : @qloud.co 협력 : @ananti.hotels @ulsan_artfair @amadeusfestival @thehyundai_ulsan , 일본 한일문화원 CREATIVE TEAM : 신미리, 노상훈, 이정빈 From tomorrow, you’ll be able to spot Korea Craft Week bus advertisements and banners throughout Ulsan and Busan. A 2026 Craft Week project spreading across the entire city ✨ 📍EVENT Take a photo of a bus advertisement or banner, upload it to your story or feed, and tag us! [Required Tags] @villa_oasis_tufting @koreacraftweek Selected participants will receive: 🎫 Invitation tickets for Ulsan International Art Fair (for 2 people) 🧶 ₩50,000 voucher for a regular tufting class at Villa Oasis (8 winners) Come discover the oasis hidden within the city 🌿 📍 Ananti at Busan Cove | June 2 – June 7 📍 Villa Oasis | June 12 – June 13 📍 Ulsan International Art Fair | June 18 – June 21 📍 The Hyundai Ulsan | June 23 – June 28 📌 Free craft workshop reservations open on May 18 📌 Full program schedule coming next week This June, the flow of craft connects the city.

🌊OASIS OF CRAFT 2026 @koreacraftweek 더 크게, 더 길게 돌아온 공예주간! 빌라오아시스, 울산을 거점으로 4년 연속 공예주간을 개최합니다. 부산의 바닷길을 따라 울산을 중심으로, 그리고 해외로 확장되는 동남권 공예 프로젝트. 30인의 국내외 글로벌 아티스트가 시민들과 긴 호흡으로 함께합니다 더 많은 시민들이 공예를 경험할 수 있도록 6월 한 달 동안 전시와 프로그램이 이어집니다 역대 최대 규모의 무료 체험 프로그램과 함께 공연, 강연, 전시를 아우르며 해외 작가부터 로컬 명장까지 한 자리에서 만나고 경험할 수 있습니다 전시, 체험, 레지던시, 아트페어까지 도시를 연결하는 확장형 공예 플랫폼을 기대해주세요 📍 아난티 앳 부산 코브 | 6.2 – 6.7 📍 빌라오아시스 | 6.12 – 6.13 📍 울산국제아트페어 | 6.18 – 6.21 📍 울산 현대백화점 | 6.23 – 6.28 📌 무료 공예체험 사전 예약 5월 18일 오픈 예정 📌 다음 주, 상세 일정 공개 6월, 공예의 흐름이 도시를 잇습니다 주최 : @mcstkorea 주관 : @kcdf_insta 후원 : @arkokorea 공식 파트너 : @qloud.co 협력 : @ananti.hotels @ulsan_artfair @amadeusfestival @thehyundai_ulsan , 일본 한일문화원 CREATIVE TEAM : 신미리, 노상훈, 이정빈 🌊 OASIS OF CRAFT 2026 @koreacraftweek Hosted by Villa Oasis Celebrating 4 consecutive years of Korea Craft Week in Ulsan. From Busan to Ulsan and beyond, OASIS OF CRAFT expands across the Southeast region with exhibitions, talks, performances, workshops, residencies, and art fairs. 30 global artists come together throughout June, connecting cities through contemporary craft and cultural exchange. 📍 Ananti at Busan Cove | June 2–7 📍 Villa Oasis | June 12–13 📍 Ulsan International Art Fair | June 18–21 📍 The Hyundai Ulsan | June 23–28 📌 Reservations open May 18 📌 Full schedule coming next week This June, craft flows through the city.

Join us for a glimpse of Qloud’s social meet up, collaborating with @enlematcha 🍵 Our inaugural social gathering at Farringdon featured an Origami and poetry workshop. We loved sharing poems and positive vibes with wonderful artists in our community. Thanks to everyone who joined and made it special! See you again soon! ⛅ @oriana_catton_ @jennieuwland @divyamraghunath_ @rossdeeley @christabelpng @kenneth_greiner @l01okyiu28 @danagoh_ @jinnykimp @vagabonde.stud @zoeewuu @danachang.art #origami #poetry #matcha #artist #social

A huge thank you to all the artists and friends who made 𝘐𝘯 𝘖𝘵𝘩𝘦𝘳 𝘞𝘰𝘳𝘥𝘴 possible Your works, trust, and presence mean everything to us🩵 This exhibition also coincides with Qloud’s birthday, marking one year of shared memories, ideas and collaborations. Here’s to may more to come☁️🎉 1. Christabel Png @christabelpng , Intermission 2,3. Tutu Tugce Sonmez @tutu___________________ , Simulacra 4. Yujin Lee @t_inn_ , Concavely filled 5. Khwaish Gahlaut @khwaish___01_ , Stained 6. Hannami Kim @hannamikim , Star Fragments - Presence of Absence 7. Ziling Yu @dling_y.s , Parts and Parts 8. Angel Dan Rong @angel_rongdan , Breadkill Memorial II 9. Shimeng Liu @liu_shimeng_ , An echo that never fades 10. Divyam Raghunath @divyamraghunath_ , आसमानी कॉलोनी (Sky Colony) 11. Lydia Lott @lydialottart , Configuring Connection(s) 12. Ziling Yu @dling_y.s , Pathways Not Aligned And finally our qloud team ☁️ @danagoh_ @danachang.art @amal2elle @zoeewuu @jinnykimp @vagabonde.stud @l01okyiu28 Photographs by @kyle.jeff.and.su

Tutu @tutu___________________ is a London-based artist and sculptor, originally from Izmir, Turkey. She completed her studies at Michigan State University, earning degrees in Studio Arts and Marketing. She is currently a participant in an independent art education collective (MYOM), where she continues to develop new bodies of work through advanced research and experimentation. Her practice is rooted in exploring identity and the human psyche, focusing on the tensions between internal states and external pressures, fragility and materiality. Beyond formal concerns, she approaches material as a terrain for emotional inquiry. Guided by an ongoing engagement with the layered complexity of being human, her work questions duality, treating apparent opposites as different expressions of the same reality. Through processes of refinement and reorganisation, she seeks the possibility of restoration, illuminating the subtle spaces where transformation can occur. Edited by Alison Lo

Lydia @lydialottart is a multimedia artist whose work explores the intersubjective notion of “realness”. Drawing on Baudrillard’s ideas of simulacra and phenomenological frameworks, their practice engages with fleeting instances where realness announces itself, seeking to strip off the semiotic veneers that obscure human experience. At other times, they turns towards the seemingly “distinct unreal”, spaces that are hostile to and forgetful of the soft, painful, and vulnerable reality of being human. Across their works, there is a continual effort to illuminate and soften the facades of corporate and technological aesthetics. Their practice manifests an interplay between analogue and digital, soft and hard, minimalism and maximalism, lo-fi and polished. In Configuring Connection(s), an erotic poem assembled from fragments of an Apple instruction manual is etched into the body of a MacBook, revealing a latent sensuality within the language of utility. By treating the brand as a technological “white cube,” Lydia foregrounds the physical and material bodies, both human and machinic, that are obscured by the ostensibly asensorial digital, complicating the unblemished veneer of contemporary tech culture. Edited by Alison Lo