iris jingyi zeng

@aiirisu_iris

London šŸŒ«ļø Perceptions cloud @aiiiirisu_me
Followers
532
Following
855
Account Insight
Score
23.03%
Index
Health Rate
%
Users Ratio
1:1
Weeks posts
New critical review with Iris, for the full read please check out the written articles section on our website, in the SAVANT art magazine section. . Artist: Iris Jingyi Zeng @aiirisu_iris . Writer: Meike Brunkhorst @meikebrunkhorst . For: SAVANT art magazine. @savant.art.magazine . #artist #artwriting #artmagazine #luminoirart #savantartnagazine
43 4
1 month ago
I Will Trace It Again I (2025) Acid etched photograph in metal 40 x 22.5cm (ongoing) Deep in the forest, I came across a section of abandoned fencing. It has lost its original function, gradually receding from view as plants grow around and over it. I etched it into metal, allowing it to continue existing, faint and fragile. Within the wilderness, human traces become small, and life reveals itself through disorder.
46 0
1 month ago
A few records from last week’s exhibition. Thank you to everyone who came by. Perhaps ā€œHomeā€ will meet you again somewhere, someday. @aiirisu_iris @xinyu.hh @salt_spacecoop
50 2
2 months ago
A lovely Lantern Festival evening at yesterday’s exhibition opening. šŸŒ• Grateful to everyone who came by and shared the evening with us. ✨ The exhibition continues until Friday. All are welcome. @aiirisu_iris @xinyu.hh @salt_spacecoop
63 0
2 months ago
šŸ“£ SaltSpace is delighted to announce 'Home, as it is.' by Iris Jingyi Zeng & Xinyu Huang. šŸ“† PV: 3rd Mar 6-9PM šŸ“† Continues: 4th-5th March 10am-5pm, 6th March 10am-1pm šŸ“SaltSpace Gallery, 38 Albert Road, Glasgow, G42 8DN EXHIBITION STATEMENT This exhibition is a dialogue on ā€œhomeā€, presenting two artists’ responses to the notion of "home" as it emerges from their respective lived experiences. In the Home series, Xinyu Huang approaches a ā€œhomeā€ that feels distant yet remains root-connected to her, through which she senses the forces of family history and intergenerational memory acting upon her life. In Where the Trees Remember, Iris Jingyi Zeng engages with an intermediate state of ā€œhomeā€ amidst repeated movement and dwelling, by unfolding a process of gradually emptying a long-inhabited space. Within this dialogue, ā€œhomeā€ is no longer a specific place, nor is it confined to a particular emotional memory. Instead, it emerges as an experience that is continuously formed and loosened within the flow of being, amidst the tensions between presence and absence, familiarity and distance, connection and rupture. It is both a pull and a point of rupture, both an origin and a direction in constant reconfiguration. Arising from the surface of everyday life, as well as from echoes of memory not yet fully dispersed, ā€œhomeā€ becomes a threshold intimately bound to one’s being, an ever-perceptible anchoring of the self — as it is. ARTISTS @aiirisu_iris (b.1996, Yunnan, China) is a visual artist working in London. Her artistic practice centres on analogue photography, extended through moving image and material experimentation. Grounded in darkroom and printmaking processes, her work attends to the material and temporal layering through which images are carried forward. @xinyu.hh (b.1998, Chongqing, China) is a practice-based PhD researcher at the Duncan of Jordanstone College of Art & Design, University of Dundee. Her practice centres on photography and extends into photography-based material and multi-media experimentation, examining how temporality and materiality intertwine.
35 1
2 months ago
33 0
2 months ago
Stone or Swan? (2025) Artist Book At night, I can’t see things all that clearly. Forms loosen, what appears never quite settles. I move along a stretched sense of time, where vision falters and perception quietly reshaped the surroundings.
40 1
5 months ago
Exhibition View: ā€˜Transitions’ as part of @photomonthlondon Fern (2024-2025) Silver gelatine print on fibre paper 30*40cm, 20*15cm, 10*15cm I have been photographing ferns over the past year, following the curls that fold, hold, and disappear into time.
36 1
5 months ago
Our short exhibition ā€œUnnamed, Unhollow. Unwritten, Unseveredā€at Safehouse 1 has come to an end. For a few days, we built a temporary ā€œhomeā€ inside an old Victorian house, a threshold where the quiet traces of migration and memory intertwined. Thank you to everyone who came, stayed, and shared this moment of presence with us. @photomonthlondon @maverickprojects
35 0
6 months ago
ā€˜Unnamed, Unhollow. Unwritten, Unsevered.’ Exhibition ongoing @photomonthlondon 1-2 Nov. 10am-5pm 3 Nov. 10am-3pm Safe House 1, 139 Copeland Road, SE15 3SN @maverickprojects
41 4
6 months ago
A current stirs in the white space, a quiet fission unfolds — is home. ——— @xinyu.hh and I are very glad to share our duo exhibition ā€˜Unnamed, Unhollow. Unwritten, Unsevered.’ as part of @photomonthlondon With curatorial support from @chrystel_lebas Dates: Fri 31st Oct - Mon 3rd Nov. Venue: Safe House 1, 139 Copeland Road, SE15 3SN @maverickprojects Private View: Fri 31st Oct, 6 - 9pm
34 4
7 months ago
I Was Still Holding the Branch (2025) Multi-panel silver gelatin print on fibre paper Overall dimensions: 120*80 cm
32 0
7 months ago